Detalhes bibliográficos
| Ano de defesa: |
2017 |
| Autor(a) principal: |
Chélest, Alessandra Di Giorgi |
| Orientador(a): |
Vieira, Vera Lúcia |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em História
|
| Departamento: |
Faculdade de Ciências Sociais
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/20528
|
Resumo: |
This research analyzes the Chilean dictatorship during the 1980s, a period not very discussed in historiography, but a moment wich maintains a profound process of violence and persecution, from the images portrayed by Pablo Salas, a protest videographer who reveals arbitrariness practiced by the Chilean dictatorship. The research is based above all in images, taken as documents of the time, compared by the bibliography and documents produced by the Chilean State and denunciations. This reserarch also shows the direct mesh between the visual environment and the resistance and denunciation movements that expressed the class struggles, a period of great insecurity in which the tentacles of the persecutary state reached the people - which supplies the footage of images by Salas. These images synthesize a movement whose social function was to have succeeded in producing itself as an expression of the collectivity of particular social groups, of a sociabilities mesh that the years of state terrorism have not been able to destroy |
