Detalhes bibliográficos
| Ano de defesa: |
2016 |
| Autor(a) principal: |
SILVA, MARCELO DA |
| Orientador(a): |
Gonçalves , Elizabeth Moraes |
| Banca de defesa: |
Galindo , Daniel dos Santos,
Bueno , Wilson da Costa,
Giacomini, Gino,
Figaro, Roseli |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Metodista de Sao Paulo
|
| Programa de Pós-Graduação: |
Comunicacao Social
|
| Departamento: |
Comunicacao Social:Programa de Pos Graduacao em Comunicacao Social
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede.metodista.br/jspui/handle/tede/1518
|
Resumo: |
The expansion of the virtual social networks; the improvement of information techniques; the penetrability of the competitive capitalism; and the fragmented postmodern subject, beside the consumer society; they constitute the pillarsof this thesis. Our central hypothesis is that the internet’s social networks: magnify spacesof participation, sharing, collaboration, and consumer’s disappointment manifestation, but do not decrease discontinuations, misunderstanding, and disrespect resultant of relations and consumption practices, that might, many times, accelerate conflicts. The openness to dialogue, the subject incitement to seize power, and the exchange multiplication between companies and consumers, they represent the opportunity and the challenge we have to value the communication’s normative conception, admitting the cross-comprehension difficulties, the cohabitation urgency, and the reality of lack of communication. We resort to the French branch of discourseanalysis (DA) as the theoretical-methodological field to analyze the modern consumer speech that is subscribed on the Reclame Aqui platform, and to build a critique to the contemporary corporative communication from the concepts of scenography, ethos, and enunciation schematization. We verify how ideology works on the inside of the consumption enunciation scenes, creating an order unique to the disappointed claimant. This analysis ratifies the theoretical discussion we carried out supporting the problematization, and the debate of the seven scenographies displayed by/through the subject/consumer’s speech: respect/disrespect; threat, promise and frustration; bad service and unresolved problem; negotiation; new versus old clients; and deceived client. The overlap of our corpus and the theoretical framework puts on stage the need for organizational communication driven by the practical sense of otherness that transcends exchanges strictly focused on the market; and at the same time it sheds light upon the urgency of more solidarity, compassion, listening skills, comprehension and cohabitation for the corporations that works on a society guided by the frenzy of the ethics of the competition, and consumptionidolatry. This thesis puts forth that the performance of consumers, and organizations in the on-line world represent more than a circumstantial evidence of mutual (in) tolerance, but it also delineates a shared fate that might lead to an otherness solidarity, as well as accepting the alterity experience, failure risk, and hope in the confidence and respect that communication can conceive. |
