As marcas que se imprimem na capa de livros adaptados para o cinema e para a televisão

Detalhes bibliográficos
Ano de defesa: 2007
Autor(a) principal: Straccia, Carlos
Orientador(a): Reimão, Sandra
Banca de defesa: Heller, Barbara, Coutinho, Iluska, Trevisan , Ana Lucia, Caprino, Monica
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Metodista de Sao Paulo
Programa de Pós-Graduação: Comunicacao Social
Departamento: Comunicacao Social:Programa de Pos Graduacao em Comunicacao Social
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://tede.metodista.br/jspui/handle/tede/1625
Resumo: This work had as objective the verbal statements and/or non-verbal printed in book covers-written by Brazilian authors and adapted for film or television-that associate the book to the film or television production. Its objective was to verify whether such statements could be classified as Paratext-as is regarded by Gerard Genette. The motivation for this research came the realization that, in being those statements built from a derivative work of a book, to what extent they could be of service to the main text? To answer that question, the statements were analyzed according to the concepts of discourse analysis and the rhetorical analysis. The results obtained in the analysis made it possible to conclude that some statements are not as paratextuais and, based on the concepts of critical theory, make it possible to understand, critically, the editorial procedures with which the book relates to the other media products. (AU)