Detalhes bibliográficos
| Ano de defesa: |
2019 |
| Autor(a) principal: |
MARTINS, ERIC DE OLIVEIRA |
| Orientador(a): |
Renders, Helmut |
| Banca de defesa: |
Vilhena, Valéria Cristina,
Alencar, Gedeon Freire de |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Metodista de Sao Paulo
|
| Programa de Pós-Graduação: |
Ciencias da Religiao
|
| Departamento: |
Ciencias da Religiao:Programa de Pos Graduacao em Ciencias da Religiao
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede.metodista.br/jspui/handle/tede/1878
|
Resumo: |
The present work explores the emergence and importance of the so-called "dispensationalist framework," a visual representation of congregational eschatology, originally published after 1940 in the book "The Divine Plan Through the Ages" by the American missionary and pastor Nelson Lawrence Olson, advertised as a stand-alone poster and colored lithograph form. From now on, it has been widely used in doctrinal training of entrants and members of the Assembly of God. Its existence and wide use demonstrate the significant role of visual culture in the catechesis of these communities, an essential item of their identity, their eschatology. Until then, this phenomenon has not been investigated by specific research. The objective of the research explores and affirms the existence of a congregational visual culture and contributes to the study of the emergence of a Brazilian evangelical visual culture. At first, to analyze if in the history of Christianity there were similar questions of dispensationalism, in a second moment, to analyze the dispensationalist imaginary in the Assembly of God and finally, a pre-iconographic, iconographic and iconological analysis of the picture The Divine Plan through of the Centuries. |
