Detalhes bibliográficos
| Ano de defesa: |
2013 |
| Autor(a) principal: |
Vieira Filho, José |
| Orientador(a): |
Higuet, Etienne Alfred
 |
| Banca de defesa: |
Ribeiro, Cláudio Oliveira
,
Tomita, Andréa G. Santiago |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Metodista de São Paulo
|
| Programa de Pós-Graduação: |
PÓS GRADUAÇÃO EM CIÊNCIAS DA RELIGIÃO
|
| Departamento: |
1. Ciências Sociais e Religião 2. Literatura e Religião no Mundo Bíblico 3. Práxis Religiosa e Socie
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede.metodista.br/jspui/handle/tede/271
|
Resumo: |
The present study, object of this dissertation, intends to demonstrate transcendence that takes place during the processing and contemplation of ceramics. In other words, to present the link between Spirituality and Art. For that purpose, the concepts about spirituality pointed out by Leonardo Boff and Meishu-Sama form the point of support for the study. Meishu-Sama s considerations related to art had been added, and they constitute the main part of the framing of the research. The whole processing of Ceramic Art process from the selection of clay until the firing is described in this dissertation. Concomitantly, the stage of work contemplation is equally taken into consideration from the cooling of furnace to the contact of the ceramist with his work. Parallel to theory on transcendence, spirituality and art, photographs explain the stages of doing ceramics, and ceramic pieces help understand what we intend to analyze the presence of spirituality during the production of an art work here, more specifically, ceramics. |
