IMAGENS DA GRANDE MÃE: MITOCRÍTICA DO SIMBOLISMO RELIGIOSO EM CECÍLIA MEIRELES

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Silva, Noêmia dos Santos
Orientador(a): Renders, Helmut lattes
Banca de defesa: Higuet, Etienne Alfred lattes, Oliveira, Cladio Ribeiro de lattes, Nogueira, Paulo Augusto de Souza, Souza, Enivalda Nunes Freitas e, Lima, Waldecy Tenório de
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Metodista de São Paulo
Programa de Pós-Graduação: PÓS GRADUAÇÃO EM CIÊNCIAS DA RELIGIÃO
Departamento: 1. Ciências Sociais e Religião 2. Literatura e Religião no Mundo Bíblico 3. Práxis Religiosa e Socie
País: BR
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://tede.metodista.br/jspui/handle/tede/298
Resumo: This thesis studies the meaning of the religious symbolism in the archetype of the Great Mother to interpret the poetry of Cecilia Meireles (1901-1964). The images of the Great Mother are present in the writings of Cecilia Meireles as well as its religious symbolism. There is a certain affinity between motherhood and religious symbolism in Cecília poetic creation. The main ob-jective of this thesis was to demonstrate the meaning of the archetype of the Great Mother in religious symbolism when the read interpret the poetry of Cecilia Meireles. The bibliographic research was focused on the Eranos group through of Carl Gustav Jung (archetypal), Paul Til-lich (religious symbol), Gaston Bachelard (literary image), Gilbert Durand (myth-critic), Mircea Eliade (symbol). Cecilia Meireles prematurely lost his family and moved in with his grandmother Jacinta Garcia Benavides, born in São Miguel Island (Azores, Portugal). Raised in a cozy and loving environment, she constantly listened to the stories told by the grandmother on the Azorean island of São Miguel and India. Moreover, his nanny Pedrina, magically and funny, introduced her in the rich Brazilian folklore and beliefs. Growing up in this environment of loss and suffering, but supported by these two women, the poet built inside her being a mystic deep space encountering her poetry. The Island Nanja is this mystical place where the poet comes when she want to disconnect from the ills of the world. This Nanja Island is a refuge, a cozy lap where she founds herself within an uterus generator of poetry. It is the innermost depths of the mystical and lyrical Cecilian. Cecilia Meireles created her Island Nanja which for her is the island of São Miguel slowly transfigured by her dream. Beyond this symbolism, observed oth-ers, such as: family (mother, grandparent, babysitter when living at home), saints, Our Lady, the land. This thesis concluded that the archetype of the Great Mother is one of the central ele-ments of the poetry of Cecilia Meireles because of her loss in life, especially the figure of the mother. But it s noteworthy that the poet was not stuck to her loss in order to build her poetic fortune. She went far beyond, meeting other generators spaces for her poetry.