Detalhes bibliográficos
| Ano de defesa: |
2022 |
| Autor(a) principal: |
Paixão, Cleber Eduardo da |
| Orientador(a): |
Carneiro, Marcelo da Silva |
| Banca de defesa: |
Renders, Helmut,
Magalhães, Antonio Carlos |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Metodista de Sao Paulo
|
| Programa de Pós-Graduação: |
Ciencias da Religiao
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| Departamento: |
Ciencias da Religiao:Programa de Pos Graduacao em Ciencias da Religiao
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://tede.metodista.br/jspui/handle/tede/2284
|
Resumo: |
In this research, I seek to explain the Theological Aesthetics in the work of Bruno Forte. In this dissertation, I want to work on something that is dear to the researched author, which is the Whole and the Fragment. I will work on the author not only from a theological perspective, but also with the sacred as a hermeneutic key. For the Napolitano theologian, Beauty is the Whole in the fragment, this divine beauty is glimpsed in the kenotic condition of the Son of God, this advent movement is the possibility of glimpsing the infinite dwelling in what is minimal. The crucified is an abbreviation of eternity in time, of the infinite in the finite. The Kenotic concealment of God gives way to the autonomy of the creature and thus opens up the possibility of alliance. In the Incarnation, the divine depth of human becoming, inhabited by the Trinity, is manifested. In particular, the kenosis of the Son on the Cross manifests Divine Beauty, in the Crucified God it is the form and splendor of eternity in time, in the Cross the Verbum abbreviatum, the kenosis of the Eternal Word reveals beauty as infinite minimum.(AU) |
