O horror da sexualidade em pague para entrar, reze para sair

• Ano de defesa: 2016
• Autor(a) principal: SOUZA, Leandro Cardoso de
• Orientador(a): Cánepa, Laura Loguercio
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Anhembi Morumbi
• Programa de Pós-Graduação: Programa de Pós-Graduação Mestrado em Comunicação
• Departamento: Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu
• País: Brasil
• Palavras-chave em Português: Comunicação; Análise fílmica; Cinema - Terror; Sexualidade
• Palavras-chave em Inglês: Communication; Film analysis; Horror movies
• Área do conhecimento CNPq: CIENCIAS HUMANAS
• Resumo em Inglês: This work proposes an analysis of the film Pay to enter, reze to leave (The Funhouse, 1981), directed in the USA by the filmmaker Tobe Hooper. The purpose of the analysis is to observe how this adolescent horror film constructs a depiction of young sexual initiation filled with horrific suggestions that point to a nuisance about sex that is a hallmark of the adolescent horror of the 1980s. work draws on a detailed description of the film, relating it to the horror film history of the 1980s and to reflections on the genre as Robin WOOD (1979), Carol CLOVER (2002) and Adriene BOUTANG (2014).
• Link de acesso: http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1732

This work proposes an analysis of the film Pay to enter, reze to leave (The Funhouse, 1981), directed in the USA by the filmmaker Tobe Hooper. The purpose of the analysis is to observe how this adolescent horror film constructs a depiction of young sexual initiation filled with horrific suggestions that point to a nuisance about sex that is a hallmark of the adolescent horror of the 1980s. work draws on a detailed description of the film, relating it to the horror film history of the 1980s and to reflections on the genre as Robin WOOD (1979), Carol CLOVER (2002) and Adriene BOUTANG (2014).