Detalhes bibliográficos
Ano de defesa: |
2015 |
Autor(a) principal: |
FERREIRA, Diêgo Jorge Lobato
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Orientador(a): |
Arantes, Priscila Almeida Cunha |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Anhembi Morumbi
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Programa de Pós-Graduação: |
Programa de Pós-Graduação Mestrado em Design
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Departamento: |
Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu
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País: |
Brasil
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Palavras-chave em Português: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1634
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Resumo: |
This research aims to establish relationships between fashion, memory and museum, with a view to understanding the phenomenon of fashion coming out of the commonplace and enters the museum spaces. By production designer Hussein Chalayan, we propose a theoretical analysis about the design of the practice, calling into question the associations between representations of memory and the museum and the production of design objects. From a historical approach to design and their interrelationships, we identify the aspects of the practice of design, highlighting the features of the production of Hussein Chalayan and emphasizing how the logic of fashion is linked to the memory and the museum. In this sense, we investigate the ways in which memories are transformed into products. So we dedicate ourselves also to examine how the fashion and the museum as a cultural production fields are structured. |