Detalhes bibliográficos
| Ano de defesa: |
2013 |
| Autor(a) principal: |
Valentim, Anamélia Fontana |
| Orientador(a): |
Não Informado pela instituição |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Não Informado pela instituição
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: |
|
| Link de acesso: |
https://repositorio.animaeducacao.com.br/handle/ANIMA/3256
|
Resumo: |
Through the analyses of practices used in fashion creation the present study investigated the role of copy as part of the process of product development. In addition to exploring the literature on the technical reproducibility and aesthetic analysis of the subject, the study was anchored by semi-open interviews with designers from the south region of Santa Catarina allowing, among other conclusions, the realization of the strong use of this trend as an indicator for the creative process. Through this research, discussion regarding the condemnation of copy, which is present in various social spheres and even in the fashion industry, was made possible. Due to its broad linkage with poetry and aesthetics, fashion creation can be characterized as language and representation, consequently managing social signs. Widening the scope of the subject, the transgressive power that can emerge in the practice of copy of fashion products was also investigated. |
