Detalhes bibliográficos
| Ano de defesa: |
2004 |
| Autor(a) principal: |
Fernandes, Elza de Mello |
| Orientador(a): |
Não Informado pela instituição |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Não Informado pela instituição
|
| Programa de Pós-Graduação: |
Não Informado pela instituição
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Não Informado pela instituição
|
| Palavras-chave em Português: |
|
| Link de acesso: |
https://repositorio.animaeducacao.com.br/handle/ANIMA/3269
|
Resumo: |
This dissertation is in context of two folkloric manifestations of the Christmas cycle in Içara county (SC): terno-de-Reis and boi-de-mamão, in a dialogic perspective between the verbal and non-verbal languages (in this, with emplasis to constituent simbology of rituals) characteristics of this popular manifestations. We have taken as a goal the description of the communicative potential that these manifestations represent in Içara county (SC), selected for the present study throug the plurality of its ethnic constitution: Lusitanian-Azorian,Italian, Polish (the most evident in the county) and also the Indigenous and African2 substract. We proposed to explore the lead the research trough the analyses accomplished under three semiotic viewpoints: (i) the qualitative-iconic, (ii) the singular-indicative and (iii) the conventionalsymbolic, in the try to better describle what the affects are, which translate the symbologies of this fokloric manifestations in the socio-historic-cultural context of Içara. Therefore, we start from a socio-historic retrospective of the constitution and formation of these two manifestations of the Christmas cycle correlated to the Lusitanian-Azorian culture, with emphasis on the origin of the folklore (from the sacred to the profane) that covers the manifestations of the popular art |
