Detalhes bibliográficos
Ano de defesa: |
2017 |
Autor(a) principal: |
Macedo, Cilene |
Orientador(a): |
Não Informado pela instituição |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Não Informado pela instituição
|
Programa de Pós-Graduação: |
Não Informado pela instituição
|
Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
|
Palavras-chave em Português: |
|
Link de acesso: |
https://repositorio.animaeducacao.com.br/handle/ANIMA/3380
|
Resumo: |
The present study, based on the theoretical assumptions of French Discourse Analysis, aims to investigate the Photography as news, and in this way, to understand how the politic marks itself on President Dilma Rousseff’s images, published in the "O Estado de São Paulo" newspaper and in the "Isto É" magazine, during the process of impeachment, in 2016, producing (de)construction effects of her image. For this study we mobilize the notions of discursive memory, repeatability, paraphrase and silencing, just as we look at the historicity and at the conditions of production of journalistic photography. The images in matter break with a historically stabilized process regarding the photos of other presidents of Brazil and show at the same time a process of repetition and discursive contradiction. The photos of President Dilma Rousseff, which circulated through the press, show that we live in a sexist social organization, which in addition to disqualifying her image, still maintains the idea of a patriarchal politics in which women are interdicted from decision-making powers. |