Peste, trevas e telas: Camus, Conrad e Dying Light
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Publikationsdatum: | 2021 |
| Format: | Master thesis |
| Sprache: | por |
| Quelle: | Repositório Institucional da UPF |
| Download full: | https://repositorio.upf.br/handle/123456789/8518 |
Zusammenfassung: | The present dissertation proposes to reflect on the approximation between the narratives that reside both in literary works, and as contained in a more recent media, in video games. The intention of this work is to analyze aesthetic productions, in dialogue, in different supports, considering the works Heart of Darkness (2002), by Joseph Conrad, The Plague (2008), by Albert Camus and the video game Dying Light (2015), by Polish developer Techland, drawing parallels between coexisting and intertextual diegeses, even if in different supports and codes and in textual games with different reception and interaction statutes. Therefore, in the first chapter of this text, we will do, from the perspective of Lucia Santaella (2014), the conceptualization of the reader, both of literature and that subject who reads and interacts with a narrative that is displayed on screens, through his interaction with the virtualized content that consists of a video game. We will also conceptualize, under the vision of Johan Huizinga (2019), what the game consists of, not only as a consequence of the existence of human society, but in its essence, as an undeniable reality above men. As a bridge between games and literature, we will have the contribution of Alan Richard da Luz (2010) and his studies on the video game, which will allow us to prove how narrative possibilities exist in the virtualization of games, which is the essence of video games. On the virtual and its manifestations, we will have Pierre Lévy (1996) elucidating important questions to the theme. At the beginning of this dissertation, we will exemplify how intertext and dialogue between videogames and literature can take place. Then, this work selected principally to video games, its logic and internal mechanics, as well as certain characteristics inherent to the media it represents, observed as possibilities of reading in the various titles available to consumers of video games. Ahead, we analyze dialogical and intertextual elements existing between three works already stated, two literary and one electronic. Again, the objective of the analysis is to recognize the intertextual and dialogical movements that transit between the three works, realizing that the video game, like literature, is capable of reading, interpreting and reflecting the one who reads, proving its inherent artistic value and its impact in contemporary society. |
| _version_ | 1871607620543971328 |
|---|---|
| author | Hessel, Lucas Mendes |
| author_browse | Hessel, Lucas Mendes |
| author_facet | Hessel, Lucas Mendes |
| author_role | author |
| collection | Repositório Institucional da UPF |
| dc.contributor.author.fl_str_mv | Hessel, Lucas Mendes |
| dc.contributor.none.fl_str_mv | Rettenmaier, Miguel http://lattes.cnpq.br/9201120360134334 |
| dc.date.none.fl_str_mv | 2021-04-06 2025-05-27T15:02:34Z |
| dc.format.none.fl_str_mv | application/pdf application/pdf |
| dc.identifier.uri.fl_str_mv | HESSEL, Lucas Mendes. Peste, trevas e telas: Camus, Conrad e Dying Light. 2021. 136 f. Dissertação (Mestrado em Letras) - Universidade de Passo Fundo, Passo Fundo, RS, 2021. https://repositorio.upf.br/handle/123456789/8518 |
| dc.language.iso.fl_str_mv | por |
| dc.publisher.none.fl_str_mv | Universidade de Passo Fundo Instituto de Filosofia e Ciências Humanas - IFCH Brasil UPF Programa de Pós-Graduação em Letras |
| dc.rights.driver.fl_str_mv | info:eu-repo/semantics/openAccess |
| dc.source.none.fl_str_mv | reponame:Repositório Institucional da UPF instname:Universidade de Passo Fundo (UPF) instacron:UPF |
| dc.subject.por.fl_str_mv | Vídeo games Intertextualidade Jogos eletrônicos Literatura e tecnologia LINGUISTICA, LETRAS E ARTES |
| dc.title.none.fl_str_mv | Peste, trevas e telas: Camus, Conrad e Dying Light Plague, Darkness and Screens: Camus, Conrad and Dying Light |
| dc.type.driver.fl_str_mv | info:eu-repo/semantics/masterThesis |
| dc.type.status.fl_str_mv | info:eu-repo/semantics/publishedVersion |
| description | The present dissertation proposes to reflect on the approximation between the narratives that reside both in literary works, and as contained in a more recent media, in video games. The intention of this work is to analyze aesthetic productions, in dialogue, in different supports, considering the works Heart of Darkness (2002), by Joseph Conrad, The Plague (2008), by Albert Camus and the video game Dying Light (2015), by Polish developer Techland, drawing parallels between coexisting and intertextual diegeses, even if in different supports and codes and in textual games with different reception and interaction statutes. Therefore, in the first chapter of this text, we will do, from the perspective of Lucia Santaella (2014), the conceptualization of the reader, both of literature and that subject who reads and interacts with a narrative that is displayed on screens, through his interaction with the virtualized content that consists of a video game. We will also conceptualize, under the vision of Johan Huizinga (2019), what the game consists of, not only as a consequence of the existence of human society, but in its essence, as an undeniable reality above men. As a bridge between games and literature, we will have the contribution of Alan Richard da Luz (2010) and his studies on the video game, which will allow us to prove how narrative possibilities exist in the virtualization of games, which is the essence of video games. On the virtual and its manifestations, we will have Pierre Lévy (1996) elucidating important questions to the theme. At the beginning of this dissertation, we will exemplify how intertext and dialogue between videogames and literature can take place. Then, this work selected principally to video games, its logic and internal mechanics, as well as certain characteristics inherent to the media it represents, observed as possibilities of reading in the various titles available to consumers of video games. Ahead, we analyze dialogical and intertextual elements existing between three works already stated, two literary and one electronic. Again, the objective of the analysis is to recognize the intertextual and dialogical movements that transit between the three works, realizing that the video game, like literature, is capable of reading, interpreting and reflecting the one who reads, proving its inherent artistic value and its impact in contemporary society. |
| eu_rights_str_mv | openAccess |
| format | masterThesis |
| id | UPF_3ecfd3e38ebeb4692b2e78f488f897bf |
| identifier_str_mv | HESSEL, Lucas Mendes. Peste, trevas e telas: Camus, Conrad e Dying Light. 2021. 136 f. Dissertação (Mestrado em Letras) - Universidade de Passo Fundo, Passo Fundo, RS, 2021. |
| instacron_str | UPF |
| institution | UPF |
| instname_str | Universidade de Passo Fundo (UPF) |
| language | por |
| network_acronym_str | UPF |
| network_name_str | Repositório Institucional da UPF |
| oai_identifier_str | oai:repositorio.upf.br:123456789/8518 |
| publishDate | 2021 |
| publishDateSort | 2021 |
| publisher.none.fl_str_mv | Universidade de Passo Fundo Instituto de Filosofia e Ciências Humanas - IFCH Brasil UPF Programa de Pós-Graduação em Letras |
| reponame_str | Repositório Institucional da UPF |
| repository.mail.fl_str_mv | jucelei@upf.br||biblio@upf.br |
| repository.name.fl_str_mv | Repositório Institucional da UPF - Universidade de Passo Fundo (UPF) |
| repository_id_str | 1610 |
| spelling | Peste, trevas e telas: Camus, Conrad e Dying LightPlague, Darkness and Screens: Camus, Conrad and Dying LightVídeo gamesIntertextualidadeJogos eletrônicosLiteratura e tecnologiaLINGUISTICA, LETRAS E ARTESThe present dissertation proposes to reflect on the approximation between the narratives that reside both in literary works, and as contained in a more recent media, in video games. The intention of this work is to analyze aesthetic productions, in dialogue, in different supports, considering the works Heart of Darkness (2002), by Joseph Conrad, The Plague (2008), by Albert Camus and the video game Dying Light (2015), by Polish developer Techland, drawing parallels between coexisting and intertextual diegeses, even if in different supports and codes and in textual games with different reception and interaction statutes. Therefore, in the first chapter of this text, we will do, from the perspective of Lucia Santaella (2014), the conceptualization of the reader, both of literature and that subject who reads and interacts with a narrative that is displayed on screens, through his interaction with the virtualized content that consists of a video game. We will also conceptualize, under the vision of Johan Huizinga (2019), what the game consists of, not only as a consequence of the existence of human society, but in its essence, as an undeniable reality above men. As a bridge between games and literature, we will have the contribution of Alan Richard da Luz (2010) and his studies on the video game, which will allow us to prove how narrative possibilities exist in the virtualization of games, which is the essence of video games. On the virtual and its manifestations, we will have Pierre Lévy (1996) elucidating important questions to the theme. At the beginning of this dissertation, we will exemplify how intertext and dialogue between videogames and literature can take place. Then, this work selected principally to video games, its logic and internal mechanics, as well as certain characteristics inherent to the media it represents, observed as possibilities of reading in the various titles available to consumers of video games. Ahead, we analyze dialogical and intertextual elements existing between three works already stated, two literary and one electronic. Again, the objective of the analysis is to recognize the intertextual and dialogical movements that transit between the three works, realizing that the video game, like literature, is capable of reading, interpreting and reflecting the one who reads, proving its inherent artistic value and its impact in contemporary society.A presente dissertação se propõe a refletir sobre a aproximação entre as narrativas que residem tanto em obras literárias, quanto as contidas em uma mídia mais recente, os videogames. A intenção deste trabalho é analisar produções estéticas, em diálogo, em suportes distintos, considerando as obras Coração das Trevas (2002), de Joseph Conrad, A Peste (2008), de Albert Camus e o videogame Dying Light (2015), da desenvolvedora polonesa Techland, traçando paralelos entre as diegeses coexistentes e intertextuais, mesmo que em suportes e códigos diferenciados e em jogos textuais de distintos estatutos de recepção e interação. Para tanto, no primeiro capítulo deste texto, faremos, sob a ótica de Lucia Santaella (2014), a conceitualização do leitor, tanto de literatura quanto daquele sujeito que lê e interage com a narrativa que é apresentada em telas, através de sua interação com o conteúdo virtualizado em que consiste um videogame. Conceituaremos, também, sob a visão de Johan Huizinga (2019), no que consiste o jogo, não somente como consequência da existência da sociedade humana, mas em sua essência, como inegável realidade acima dos homens. Como ponte entre os jogos e a literatura, teremos o aporte de Alan Richard da Luz (2010) e seus estudos sobre o videogame, o que nos permitirá comprovar as possibilidades narrativas existentes na virtualização dos jogos, que é no que consiste a essência dos videogames. Sobre o virtual e suas manifestações, teremos Pierre Lévy (1996) elucidando questões pertinentes ao tema. No começo desta dissertação, exemplificaremos como pode se dar o intertexto e o diálogo entre videogames e literatura. Em seguida, este trabalho dará ênfase maior aos videogames, sua lógica e mecânica interna, assim como determinadas características inerentes à mídia que representa, observadas as possibilidades de leitura nos diversos títulos disponíveis aos consumidores de videogames. Adiante, analisaremos elementos dialógicos e intertextuais existentes entre três obras já referidas, duas literárias e uma eletrônica. Reiterando, o objetivo da análise é reconhecer os movimentos intertextuais e dialógicos que transitam entre as três obras, constatando que o videogame, assim como a literatura, é passível de leitura, interpretação e reflexão daquele que o lê, comprovando seu valor artístico inerente e seu impacto na sociedade contemporânea.Universidade de Passo FundoInstituto de Filosofia e Ciências Humanas - IFCHBrasilUPFPrograma de Pós-Graduação em LetrasRettenmaier, Miguelhttp://lattes.cnpq.br/9201120360134334Hessel, Lucas Mendes2025-05-27T15:02:34Z2021-04-06info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfapplication/pdfHESSEL, Lucas Mendes. Peste, trevas e telas: Camus, Conrad e Dying Light. 2021. 136 f. Dissertação (Mestrado em Letras) - Universidade de Passo Fundo, Passo Fundo, RS, 2021.https://repositorio.upf.br/handle/123456789/8518porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UPFinstname:Universidade de Passo Fundo (UPF)instacron:UPF2025-12-30T20:10:47Zoai:repositorio.upf.br:123456789/8518Repositório InstitucionalPRIhttp://repositorio.upf.br/oai/requestjucelei@upf.br||biblio@upf.bropendoar:16102025-12-30T20:10:47Repositório Institucional da UPF - Universidade de Passo Fundo (UPF) |
| spellingShingle | Peste, trevas e telas: Camus, Conrad e Dying Light Hessel, Lucas Mendes Vídeo games Intertextualidade Jogos eletrônicos Literatura e tecnologia LINGUISTICA, LETRAS E ARTES |
| status_str | publishedVersion |
| title | Peste, trevas e telas: Camus, Conrad e Dying Light |
| title_full | Peste, trevas e telas: Camus, Conrad e Dying Light |
| title_fullStr | Peste, trevas e telas: Camus, Conrad e Dying Light |
| title_full_unstemmed | Peste, trevas e telas: Camus, Conrad e Dying Light |
| title_short | Peste, trevas e telas: Camus, Conrad e Dying Light |
| title_sort | Peste, trevas e telas: Camus, Conrad e Dying Light |
| topic | Vídeo games Intertextualidade Jogos eletrônicos Literatura e tecnologia LINGUISTICA, LETRAS E ARTES |
| url | https://repositorio.upf.br/handle/123456789/8518 |