A funcionalidade de construções de voz em títulos de notícia e em manchetes de jornais impressos
Guardado en:
| Autor principal: | |
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| Fecha de Publicación: | 2010 |
| Formato: | Master thesis |
| Lenguaje: | por |
| Fuente: | Repositório Institucional da UFG |
| Download full: | http://repositorio.bc.ufg.br/tede/handle/tde/2376 |
Sumario: | This present paper intends to analyze the functionality of voice constructions in headlines, and in newspaper headlines, a functionalist perspective of language. We based ourselves in Dik (1197 [1989]), Givón (1984, 1990,1992,1994, Camacho (2000.2002), among others, to analyze the construction of voice in an approach that emphasizes the inter-shape function. To treat discursive features of this genre and the notion of language game, which permeates the universe of discourse in an interactive newspaper, we make use of Erbolato (2004) and Lage (1987), and Wittgestein (2005 [1953]), respectively. It the voice is a phenomenon of interface semantics, syntactic and pragmatic, determined by how the language user perspectiviza the state of things represented in the statement. The idea is that buildings active and passive constructions, for example, correspond to the representation of a same state of things in the extra-linguistic world, but the choice of either structure produces different effects of meaning in the party. The papers that comprise the corpus of analysis are the "Leaf Line" and "The People", published editions between May 2008 and May 2009. journalism writing manuals advise that, in making headlines, and headlines, preference be given to buildings because they provide an active heading lower, the present world events in chronological order of events and therefore , enable greater understanding of what you read. The data show that this rule is violated by factors of a particular discourse-pragmatic: the use of active construction, for example, proved to be barely functional in certain situational contexts, especially to the News negative events (disasters, violence, corruption, etc..) which, by emphasizing the event and not the agent, are more common in passive constructions. |
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