Multitude, solitude: when the poet turns out to be a reader in the boundaries of reason

Bibliographic Details
Main Author: Loiola, Rita
Publication Date: 2022
Format: Article
Language: por
Source: Remate de Males (Online)
Download full: https://periodicos.sbu.unicamp.br/ojs/index.php/remate/article/view/8667555
Summary: The request to the reader is a central element in the constitution of Charles Baudelaire’s poetics. In some of the prose poems collected in the posthumous title Le Spleen de Paris, the relationship between the poet and the reader seems to be established through the staging of the poetic persona as a reader pushed to the boundaries of reason. This article aims to point out some aspects of the dramatization of the poet as an interpreter who sometimes fails before reality, faced with his own inability to decipher it. We will start by reading the prose poem “Les Foules” by Baudelaire, the short story “The Man of the Crowd”, by Edgar Allan Poe, translated by the poet, and excerpts from Les Paradis artificiels, trying to examine the relationship between the words “solitude” and “multitude” and a certain fluidity or indeterminacy of meaning. It is intended, therefore, to point out how the representation of the poet as an exegete, not always successful, may be operating in the construction of what could be called Baudelaire’s “poetics of contradiction”.
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spelling Multitude, solitude: when the poet turns out to be a reader in the boundaries of reasonMultitud, soledad: cuando el poeta se convierte en lector dentro de los límites de la razónMultidão, solidão: quando o poeta se converte em leitor nos limites da razãoCharles BaudelaireProse poemReaderCharles BaudelairePoema en prosaLectorCharles BaudelairePoema em prosaLeitor The request to the reader is a central element in the constitution of Charles Baudelaire’s poetics. In some of the prose poems collected in the posthumous title Le Spleen de Paris, the relationship between the poet and the reader seems to be established through the staging of the poetic persona as a reader pushed to the boundaries of reason. This article aims to point out some aspects of the dramatization of the poet as an interpreter who sometimes fails before reality, faced with his own inability to decipher it. We will start by reading the prose poem “Les Foules” by Baudelaire, the short story “The Man of the Crowd”, by Edgar Allan Poe, translated by the poet, and excerpts from Les Paradis artificiels, trying to examine the relationship between the words “solitude” and “multitude” and a certain fluidity or indeterminacy of meaning. It is intended, therefore, to point out how the representation of the poet as an exegete, not always successful, may be operating in the construction of what could be called Baudelaire’s “poetics of contradiction”. La petición dirigida al lector es un elemento central de la constitución de la poética de Charles Baudelaire. En algunos poemas en prosa reunidos en el título póstumo El bazo de París, la relación entre poeta y lector parece establecerse a través de la puesta en escena del sujeto poético como lector llevado a los límites de la razón. Este artículo busca señalar algunos aspectos de esta dramatización del poeta como intérprete que a veces falla ante lo real, enfrentado a su propia incapacidad para descifrar. La lectura partirá de aproximaciones entre el poema en prosa de Baudelaire "Las multitudes", el cuento de Edgar Allan Poe "El hombre de la multitud", traducido por el poeta, y extractos de Paraísos artificiales, que buscan examinar la relación entre los términos "soledad" y "multitud" y una cierta fluidez o indeterminación de la constitución del significado. Así, se pretende señalar cómo la representación del poeta como exégeta no siempre exitosa frente a la promesa de significados puede estar operando en la construcción de lo que podría llamarse una "escoria poética de contradicción" del texto baudelairiano.A solicitação endereçada ao leitor é elemento central da constituição da poética de Charles Baudelaire. Em alguns poemas em prosa reunidos no título póstumo O spleen de Paris, a relação entre poeta e leitor parece se estabelecer por meio da encenação do sujeito poético como um leitor levado aos limites da razão. Este artigo busca apontar alguns aspectos dessa dramatização do poeta como intérprete que por vezes fracassa diante do real, confrontado com a própria incapacidade de decifração. A leitura partirá de aproximações entre o poema em prosa “As multidões”, de Baudelaire, do conto “The Man of the Crowd”, de Edgar Allan Poe, traduzido pelo poeta, e de trechos dos Paraísos artificiais, buscando examinar a relação entre os termos “solidão” e “multidão” e uma certa fluidez ou indeterminação da constituição do sentido. Pretende-se, assim, apontar de que maneira a representação do poeta como um exegeta nem sempre bem-sucedido diante da promessa de significados pode estar operando na construção do que se poderia chamar de uma “poética da contradição” do texto baudelairiano.Universidade Estadual de Campinas2022-08-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/remate/article/view/866755510.20396/remate.v42i1.8667555Remate de Males; Vol. 42 No. 1 (2022): Dossier : « Le dernier Baudelaire » : les 200 ans de la naissance du poète; 154-173Remate de Males; Vol. 42 Núm. 1 (2022): Dossiê: “O último Baudelaire”: 200 anos de nascimento do poeta.; 154-173Remate de Males; v. 42 n. 1 (2022): Dossiê: “O último Baudelaire”: 200 anos de nascimento do poeta; 154-1732316-5758reponame:Remate de Males (Online)instname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/remate/article/view/8667555/29532France; Century XIXFrancia; Siglo XIXFrança; Século XIXCopyright (c) 2022 Licença Creative Commonsinfo:eu-repo/semantics/openAccessLoiola, RitaLoiola, RitaLoiola, Rita2022-09-06T19:11:41Zoai:ojs.periodicos.sbu.unicamp.br:article/8667555Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/remate/indexPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/remate/oairemate@iel.unicamp.br || ppec@unicamp.br2316-57580103-183Xopendoar:2022-09-06T19:11:41Remate de Males (Online) - Universidade Estadual de Campinas (UNICAMP)false
dc.title.none.fl_str_mv Multitude, solitude: when the poet turns out to be a reader in the boundaries of reason
Multitud, soledad: cuando el poeta se convierte en lector dentro de los límites de la razón
Multidão, solidão: quando o poeta se converte em leitor nos limites da razão
title Multitude, solitude: when the poet turns out to be a reader in the boundaries of reason
spellingShingle Multitude, solitude: when the poet turns out to be a reader in the boundaries of reason
Loiola, Rita
Charles Baudelaire
Prose poem
Reader
Charles Baudelaire
Poema en prosa
Lector
Charles Baudelaire
Poema em prosa
Leitor
title_short Multitude, solitude: when the poet turns out to be a reader in the boundaries of reason
title_full Multitude, solitude: when the poet turns out to be a reader in the boundaries of reason
title_fullStr Multitude, solitude: when the poet turns out to be a reader in the boundaries of reason
title_full_unstemmed Multitude, solitude: when the poet turns out to be a reader in the boundaries of reason
title_sort Multitude, solitude: when the poet turns out to be a reader in the boundaries of reason
author Loiola, Rita
author_facet Loiola, Rita
author_role author
dc.contributor.author.fl_str_mv Loiola, Rita
Loiola, Rita
Loiola, Rita
dc.subject.por.fl_str_mv Charles Baudelaire
Prose poem
Reader
Charles Baudelaire
Poema en prosa
Lector
Charles Baudelaire
Poema em prosa
Leitor
topic Charles Baudelaire
Prose poem
Reader
Charles Baudelaire
Poema en prosa
Lector
Charles Baudelaire
Poema em prosa
Leitor
description The request to the reader is a central element in the constitution of Charles Baudelaire’s poetics. In some of the prose poems collected in the posthumous title Le Spleen de Paris, the relationship between the poet and the reader seems to be established through the staging of the poetic persona as a reader pushed to the boundaries of reason. This article aims to point out some aspects of the dramatization of the poet as an interpreter who sometimes fails before reality, faced with his own inability to decipher it. We will start by reading the prose poem “Les Foules” by Baudelaire, the short story “The Man of the Crowd”, by Edgar Allan Poe, translated by the poet, and excerpts from Les Paradis artificiels, trying to examine the relationship between the words “solitude” and “multitude” and a certain fluidity or indeterminacy of meaning. It is intended, therefore, to point out how the representation of the poet as an exegete, not always successful, may be operating in the construction of what could be called Baudelaire’s “poetics of contradiction”.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/remate/article/view/8667555
10.20396/remate.v42i1.8667555
url https://periodicos.sbu.unicamp.br/ojs/index.php/remate/article/view/8667555
identifier_str_mv 10.20396/remate.v42i1.8667555
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.sbu.unicamp.br/ojs/index.php/remate/article/view/8667555/29532
dc.rights.driver.fl_str_mv Copyright (c) 2022 Licença Creative Commons
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Licença Creative Commons
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv France; Century XIX
Francia; Siglo XIX
França; Século XIX
dc.publisher.none.fl_str_mv Universidade Estadual de Campinas
publisher.none.fl_str_mv Universidade Estadual de Campinas
dc.source.none.fl_str_mv Remate de Males; Vol. 42 No. 1 (2022): Dossier : « Le dernier Baudelaire » : les 200 ans de la naissance du poète; 154-173
Remate de Males; Vol. 42 Núm. 1 (2022): Dossiê: “O último Baudelaire”: 200 anos de nascimento do poeta.; 154-173
Remate de Males; v. 42 n. 1 (2022): Dossiê: “O último Baudelaire”: 200 anos de nascimento do poeta; 154-173
2316-5758
reponame:Remate de Males (Online)
instname:Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (UNICAMP)
instacron_str UNICAMP
institution UNICAMP
reponame_str Remate de Males (Online)
collection Remate de Males (Online)
repository.name.fl_str_mv Remate de Males (Online) - Universidade Estadual de Campinas (UNICAMP)
repository.mail.fl_str_mv remate@iel.unicamp.br || ppec@unicamp.br
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