I sing black feminism by Cida Souza

Bibliographic Details
Main Author: Paz, Vanessa Silva
Publication Date: 2025
Other Authors: Moreira, Jailma dos Santos Pedreira
Format: Article
Language: por
Source: Grau Zero
Download full: https://revistas.uneb.br/grauzero/article/view/v13n1p21
Summary: It is a reflection on the poem I sing black feminism, by Cida Souza, a black writer from the city of Cardeal da Silva, Bahia, Brazil. We will discuss what her verses propose, considering the trajectory of black women in Brazil. In this sense, black feminism will be the guiding thread to think about the power of this rewriting, tagged by intersectional prejudices. For this reflection, studies by Santiago (2020), Anzaldúa (1980), Evaristo (2020), Zakaria (2020), Spivak (2010), Moore (2007), Moreira (2015, 2020), among others, will be considered. Therefore, we perceive how Cida Souza's poetics reveals itself as a force device pointing to a re-existence of oneself and other possible worlds.
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spelling I sing black feminism by Cida SouzaLa chanson féministe noire de l’écrivane Cida SouzaO canto feminista-negro de Cida SouzaBlack feminism; poetry re-existence; Black writersFeminismo negro. Poética de re-existência. Escritoras negras.Féminisme noir. Poétique de la reexisténce. Ecrivaines noires.It is a reflection on the poem I sing black feminism, by Cida Souza, a black writer from the city of Cardeal da Silva, Bahia, Brazil. We will discuss what her verses propose, considering the trajectory of black women in Brazil. In this sense, black feminism will be the guiding thread to think about the power of this rewriting, tagged by intersectional prejudices. For this reflection, studies by Santiago (2020), Anzaldúa (1980), Evaristo (2020), Zakaria (2020), Spivak (2010), Moore (2007), Moreira (2015, 2020), among others, will be considered. Therefore, we perceive how Cida Souza's poetics reveals itself as a force device pointing to a re-existence of oneself and other possible worlds.Il s’agit d’une réflexion sur le poème Je chante le féminisme noir, la poétesse noir Cida Souza. Nous discuterons de ce que ses versets proposent, en considérant la trajectoire des femmes noires au Brésil. Le féminisme noir sera le fil conducteur pour réfléchir à la puissance de cette réécriture, surmarquée par des préjugés Intersectionnels. Pour cette réflexion seront considérées, des études de Santiago (2020), Anzaldúa (1980), Evaristo (2020), Zakaria (2020), Spivak (2010), Moore (2007), Moreira (2015, 2020), entre autres. Ansi, nous percevons comment la poétique de Cida Souza se révèle comme un dispositif de force pointant vers une réexistence de soi et d’autres mondes possibles.Trata-se de uma reflexão sobre o poema Eu canto o feminismo negro, de Cida Souza, escritora negra de Cardeal da Silva-Ba. Discutiremos sobre o que propõem seus versos, considerando a trajetória de mulheres negras no Brasil. Nesse sentido, o feminismo será o fio condutor para pensar o poder dessa re/escrita, sobremarcada por preconceitos Interseccionais. Para essa reflexão, serão considerados estudos de Santiago (2020), Anzaldúa (1980), Evaristo (2020), Zakaria (2020), Spivak (2010), Moore (2007), Moreira (2015, 2020), entre outras/os. Dessa forma, percebemos como a poética de Cida Souza revela-se dispositivo de força apontando para uma reexistência de si e de outros mundos possíveis.Fábrica de Letras do Pós-Crítica/UNEB2025-07-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.uneb.br/grauzero/article/view/v13n1p2110.30620/gz.v13n1.p21Grau Zero – Revista de Crítica Cultural; v. 13 n. 1 (2025): Narrativas baianas contemporâneas: desafios e potências; 21-382318-7085reponame:Grau Zeroinstname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://revistas.uneb.br/grauzero/article/view/v13n1p21/p21Copyright (c) 2025 Grau Zero – Revista de Crítica Culturalhttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessPaz, Vanessa SilvaMoreira, Jailma dos Santos Pedreira2025-07-10T21:31:38Zoai:revistas.uneb.br:article/20782Revistahttps://revistas.uneb.br/index.php/grauzeroPUBhttps://revistas.uneb.br/index.php/grauzero/oaijfelix@uneb.br || grauzero.uneb@gmail.com || fabricadeletras.uneb@gmail.com2318-70852318-7085opendoar:2025-07-10T21:31:38Grau Zero - Universidade do Estado da Bahia (UNEB)false
dc.title.none.fl_str_mv I sing black feminism by Cida Souza
La chanson féministe noire de l’écrivane Cida Souza
O canto feminista-negro de Cida Souza
title I sing black feminism by Cida Souza
spellingShingle I sing black feminism by Cida Souza
Paz, Vanessa Silva
Black feminism; poetry re-existence; Black writers
Feminismo negro. Poética de re-existência. Escritoras negras.
Féminisme noir. Poétique de la reexisténce. Ecrivaines noires.
title_short I sing black feminism by Cida Souza
title_full I sing black feminism by Cida Souza
title_fullStr I sing black feminism by Cida Souza
title_full_unstemmed I sing black feminism by Cida Souza
title_sort I sing black feminism by Cida Souza
author Paz, Vanessa Silva
author_facet Paz, Vanessa Silva
Moreira, Jailma dos Santos Pedreira
author_role author
author2 Moreira, Jailma dos Santos Pedreira
author2_role author
dc.contributor.author.fl_str_mv Paz, Vanessa Silva
Moreira, Jailma dos Santos Pedreira
dc.subject.por.fl_str_mv Black feminism; poetry re-existence; Black writers
Feminismo negro. Poética de re-existência. Escritoras negras.
Féminisme noir. Poétique de la reexisténce. Ecrivaines noires.
topic Black feminism; poetry re-existence; Black writers
Feminismo negro. Poética de re-existência. Escritoras negras.
Féminisme noir. Poétique de la reexisténce. Ecrivaines noires.
description It is a reflection on the poem I sing black feminism, by Cida Souza, a black writer from the city of Cardeal da Silva, Bahia, Brazil. We will discuss what her verses propose, considering the trajectory of black women in Brazil. In this sense, black feminism will be the guiding thread to think about the power of this rewriting, tagged by intersectional prejudices. For this reflection, studies by Santiago (2020), Anzaldúa (1980), Evaristo (2020), Zakaria (2020), Spivak (2010), Moore (2007), Moreira (2015, 2020), among others, will be considered. Therefore, we perceive how Cida Souza's poetics reveals itself as a force device pointing to a re-existence of oneself and other possible worlds.
publishDate 2025
dc.date.none.fl_str_mv 2025-07-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.uneb.br/grauzero/article/view/v13n1p21
10.30620/gz.v13n1.p21
url https://revistas.uneb.br/grauzero/article/view/v13n1p21
identifier_str_mv 10.30620/gz.v13n1.p21
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.uneb.br/grauzero/article/view/v13n1p21/p21
dc.rights.driver.fl_str_mv Copyright (c) 2025 Grau Zero – Revista de Crítica Cultural
https://creativecommons.org/licenses/by-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2025 Grau Zero – Revista de Crítica Cultural
https://creativecommons.org/licenses/by-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Fábrica de Letras do Pós-Crítica/UNEB
publisher.none.fl_str_mv Fábrica de Letras do Pós-Crítica/UNEB
dc.source.none.fl_str_mv Grau Zero – Revista de Crítica Cultural; v. 13 n. 1 (2025): Narrativas baianas contemporâneas: desafios e potências; 21-38
2318-7085
reponame:Grau Zero
instname:Universidade do Estado da Bahia (UNEB)
instacron:UNEB
instname_str Universidade do Estado da Bahia (UNEB)
instacron_str UNEB
institution UNEB
reponame_str Grau Zero
collection Grau Zero
repository.name.fl_str_mv Grau Zero - Universidade do Estado da Bahia (UNEB)
repository.mail.fl_str_mv jfelix@uneb.br || grauzero.uneb@gmail.com || fabricadeletras.uneb@gmail.com
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