The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical
| Main Author: | |
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| Publication Date: | 2024 |
| Format: | Article |
| Language: | por |
| Source: | Revista Archai (Online) |
| Download full: | https://periodicos.unb.br/index.php/archai/article/view/56533 |
Summary: | The purpose of this paper is to show the dramatic importance of the Platonic thesis on the comical within the very economy of the dialogues. The guiding hypothesis will be that the conception that Plato develops about the comical or ridiculous, especially in the Philebus, mixes with the characterization of Socrates and with his way of philosophizing. Therefore, what we intend to demonstrate is that the figure of Socrates, who, as a character of Plato, is the incarnation of the paradigm of philosophical life par excellence, manifests by his own dramatization in the dialogues the very nature of the comical according to the Platonic conceptualization. |
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The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comicalThe ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comicalThe ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comicalThe ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comicalThe ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comicalO filósofo ridículo: Sócrates como dramatização da tese platônica sobre o cômicoThe ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comicalPlatoComicalLaughterIgnoranceEnvyPlatoComicalLaughterIgnoranceEnvyPlatãoCômicoRisoIgnorânciaInvejaPlatoComicalLaughterIgnoranceEnvyPlatoComicalLaughterIgnoranceEnvyPlatoComicalLaughterIgnoranceEnvyPlatoComicalLaughterIgnoranceEnvyThe purpose of this paper is to show the dramatic importance of the Platonic thesis on the comical within the very economy of the dialogues. The guiding hypothesis will be that the conception that Plato develops about the comical or ridiculous, especially in the Philebus, mixes with the characterization of Socrates and with his way of philosophizing. Therefore, what we intend to demonstrate is that the figure of Socrates, who, as a character of Plato, is the incarnation of the paradigm of philosophical life par excellence, manifests by his own dramatization in the dialogues the very nature of the comical according to the Platonic conceptualization.The purpose of this paper is to show the dramatic importance of the Platonic thesis on the comical within the very economy of the dialogues. The guiding hypothesis will be that the conception that Plato develops about the comical or ridiculous, especially in the Philebus, mixes with the characterization of Socrates and with his way of philosophizing. Therefore, what we intend to demonstrate is that the figure of Socrates, who, as a character of Plato, is the incarnation of the paradigm of philosophical life par excellence, manifests by his own dramatization in the dialogues the very nature of the comical according to the Platonic conceptualization.The purpose of this paper is to show the dramatic importance of the Platonic thesis on the comical within the very economy of the dialogues. The guiding hypothesis will be that the conception that Plato develops about the comical or ridiculous, especially in the Philebus, mixes with the characterization of Socrates and with his way of philosophizing. Therefore, what we intend to demonstrate is that the figure of Socrates, who, as a character of Plato, is the incarnation of the paradigm of philosophical life par excellence, manifests by his own dramatization in the dialogues the very nature of the comical according to the Platonic conceptualization.The purpose of this paper is to show the dramatic importance of the Platonic thesis on the comical within the very economy of the dialogues. The guiding hypothesis will be that the conception that Plato develops about the comical or ridiculous, especially in the Philebus, mixes with the characterization of Socrates and with his way of philosophizing. Therefore, what we intend to demonstrate is that the figure of Socrates, who, as a character of Plato, is the incarnation of the paradigm of philosophical life par excellence, manifests by his own dramatization in the dialogues the very nature of the comical according to the Platonic conceptualization.The purpose of this paper is to show the dramatic importance of the Platonic thesis on the comical within the very economy of the dialogues. The guiding hypothesis will be that the conception that Plato develops about the comical or ridiculous, especially in the Philebus, mixes with the characterization of Socrates and with his way of philosophizing. Therefore, what we intend to demonstrate is that the figure of Socrates, who, as a character of Plato, is the incarnation of the paradigm of philosophical life par excellence, manifests by his own dramatization in the dialogues the very nature of the comical according to the Platonic conceptualization.O objetivo deste artigo é o de mostrar a importância dramática da tese platônica sobre o cômico no interior da própria economia dos diálogos. A hipótese condutora será a de que a concepção que Platão desenvolve sobre o cômico ou ridículo, especialmente no Filebo, confunde-se com a própria caracterização da personagem Sócrates e com o seu modo de filosofar. Por conseguinte, o que se pretende demonstrar é que a figura de Sócrates, que, enquanto personagem de Platão, é a encarnação do paradigma de vida filosófica por excelência, torna manifesto pela sua própria dramatização nos diálogos a natureza mesma do cômico segundo a conceituação platônica.The purpose of this paper is to show the dramatic importance of the Platonic thesis on the comical within the very economy of the dialogues. The guiding hypothesis will be that the conception that Plato develops about the comical or ridiculous, especially in the Philebus, mixes with the characterization of Socrates and with his way of philosophizing. Therefore, what we intend to demonstrate is that the figure of Socrates, who, as a character of Plato, is the incarnation of the paradigm of philosophical life par excellence, manifests by his own dramatization in the dialogues the very nature of the comical according to the Platonic conceptualization.Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil2024-08-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticlesArtigosapplication/pdfhttps://periodicos.unb.br/index.php/archai/article/view/5653310.14195/1984-249X_34_13Revista Archai; No. 34 (2024): Archai 34 (2024); e03413Archai Journal; n. 34 (2024): Archai 34 (2024); e034131984-249X2179-496010.14195/1984-249X _ 34reponame:Revista Archai (Online)instname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/archai/article/view/56533/41751Copyright (c) 2024 Felipe Ramos Gallhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRamos Gall, Felipe2024-12-29T14:04:08Zoai:ojs.pkp.sfu.ca:article/56533Revistahttps://periodicos.unb.br/index.php/archaiPUBhttps://periodicos.unb.br/index.php/archai/oai||archaijournal@unb.br|| cornelli@unb.br1984-249X1984-249Xopendoar:2024-12-29T14:04:08Revista Archai (Online) - Universidade de Brasília (UnB)false |
| dc.title.none.fl_str_mv |
The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical O filósofo ridículo: Sócrates como dramatização da tese platônica sobre o cômico The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical |
| title |
The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical |
| spellingShingle |
The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical Ramos Gall, Felipe Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy Platão Cômico Riso Ignorância Inveja Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy |
| title_short |
The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical |
| title_full |
The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical |
| title_fullStr |
The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical |
| title_full_unstemmed |
The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical |
| title_sort |
The ridiculous philosopher: Socrates as a dramatization of the Platonic thesis on the comical |
| author |
Ramos Gall, Felipe |
| author_facet |
Ramos Gall, Felipe |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Ramos Gall, Felipe |
| dc.subject.por.fl_str_mv |
Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy Platão Cômico Riso Ignorância Inveja Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy |
| topic |
Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy Platão Cômico Riso Ignorância Inveja Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy Plato Comical Laughter Ignorance Envy |
| description |
The purpose of this paper is to show the dramatic importance of the Platonic thesis on the comical within the very economy of the dialogues. The guiding hypothesis will be that the conception that Plato develops about the comical or ridiculous, especially in the Philebus, mixes with the characterization of Socrates and with his way of philosophizing. Therefore, what we intend to demonstrate is that the figure of Socrates, who, as a character of Plato, is the incarnation of the paradigm of philosophical life par excellence, manifests by his own dramatization in the dialogues the very nature of the comical according to the Platonic conceptualization. |
| publishDate |
2024 |
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2024-08-06 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Articles Artigos |
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article |
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publishedVersion |
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https://periodicos.unb.br/index.php/archai/article/view/56533 10.14195/1984-249X_34_13 |
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https://periodicos.unb.br/index.php/archai/article/view/56533 |
| identifier_str_mv |
10.14195/1984-249X_34_13 |
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por |
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por |
| dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/archai/article/view/56533/41751 |
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Copyright (c) 2024 Felipe Ramos Gall https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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Copyright (c) 2024 Felipe Ramos Gall https://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf |
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Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil |
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Cátedra UNESCO Archai (Universidade de Brasília); Imprensa da Universidade de Coimbra, Portugal; Annablume Editora, São Paulo, Brasil |
| dc.source.none.fl_str_mv |
Revista Archai; No. 34 (2024): Archai 34 (2024); e03413 Archai Journal; n. 34 (2024): Archai 34 (2024); e03413 1984-249X 2179-4960 10.14195/1984-249X _ 34 reponame:Revista Archai (Online) instname:Universidade de Brasília (UnB) instacron:UNB |
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UNB |
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UNB |
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Revista Archai (Online) |
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Revista Archai (Online) |
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Revista Archai (Online) - Universidade de Brasília (UnB) |
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||archaijournal@unb.br|| cornelli@unb.br |
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