The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th century

Bibliographic Details
Main Author: Piazza de Melo, Thatiane
Publication Date: 2021
Format: Article
Language: por
Source: Revista Téssera (Uberlândia)
Download full: https://seer.ufu.br/index.php/tessera/article/view/58753
Summary: This article aims to demonstrate all the impact that the work “Divina Comédia” written by the author Dante Alighieri had on pictorial productions in the 14th century in Italy. In particular, the painting made by the painter Giotto di Bondone in the Scrovegni chapel in Padua will be covered. To achieve such an objective, the verses of this story will be compared with the images, mainly in the part of the fresco on the theme of the Last Judgment, in which Hell and the characters present in this space are similar to the author's description. Therefore, we will present an overview of these close relations between these artistic segments that conveyed a perspective of culture and mentalities in the medieval period.
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spelling The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th centuryOs Infernos na ‘Divina Comédia e nos afrescos da capela Scrovegni: : contatos entre Dante Alighieri e Giotto di Bondone no século XIVDante AlighieriGiotto di BondoneDivina ComédiaCapela ScrovegniDante AlighieriGiotto di BondoneDivine ComedyScrovegni chapelThis article aims to demonstrate all the impact that the work “Divina Comédia” written by the author Dante Alighieri had on pictorial productions in the 14th century in Italy. In particular, the painting made by the painter Giotto di Bondone in the Scrovegni chapel in Padua will be covered. To achieve such an objective, the verses of this story will be compared with the images, mainly in the part of the fresco on the theme of the Last Judgment, in which Hell and the characters present in this space are similar to the author's description. Therefore, we will present an overview of these close relations between these artistic segments that conveyed a perspective of culture and mentalities in the medieval period.O presente artigo visa demonstrar todo o impacto que a obra “Divina Comédia” escrita pelo autor Dante Alighieri exerceu nas produções pictóricas no século XIV na Itália. Em específico, será abordada a pintura realizada pelo pintor Giotto di Bondone na capela Scrovegni em Pádua. Para atingir tamanho objetivo, serão comparados os versos dessa história com as imagens, principalmente na parte do afresco sobre o tema do Juízo Final, em que o Inferno e os personagens presentes nesse espaço se assemelham com a descrição do autor. Sendo assim, apresentaremos um panorama dessas relações estreitas entre esses segmentos artísticos que transmitiram uma perspectiva da cultura e das mentalidades no período medieval.  EDUFU2021-06-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos Paresapplication/pdfhttps://seer.ufu.br/index.php/tessera/article/view/5875310.14393/TES-v3n2-2021-58753Téssera; Vol. 3 No. 2 (2021); 40-55Téssera; v. 3 n. 2 (2021); 40-552595-8925reponame:Revista Téssera (Uberlândia)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/tessera/article/view/58753/32024Copyright (c) 2021 Thatiane Piazza de Meloinfo:eu-repo/semantics/openAccessPiazza de Melo, Thatiane2021-06-30T16:35:45Zoai:ojs.www.seer.ufu.br:article/58753Revistahttps://seer.ufu.br/index.php/tessera/indexPUBhttps://seer.ufu.br/index.php/tessera/oairevistatessera@gmail.com || vitor_vhlg@hotmail.com2595-89252595-8925opendoar:2021-06-30T16:35:45Revista Téssera (Uberlândia) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th century
Os Infernos na ‘Divina Comédia e nos afrescos da capela Scrovegni: : contatos entre Dante Alighieri e Giotto di Bondone no século XIV
title The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th century
spellingShingle The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th century
Piazza de Melo, Thatiane
Dante Alighieri
Giotto di Bondone
Divina Comédia
Capela Scrovegni
Dante Alighieri
Giotto di Bondone
Divine Comedy
Scrovegni chapel
title_short The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th century
title_full The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th century
title_fullStr The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th century
title_full_unstemmed The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th century
title_sort The hells in the ‘Divine Comedy’ and the frescoes in the scrovegni chapel: : contacts between Dante Alighieri and Giotto di Bondone in the 14th century
author Piazza de Melo, Thatiane
author_facet Piazza de Melo, Thatiane
author_role author
dc.contributor.author.fl_str_mv Piazza de Melo, Thatiane
dc.subject.por.fl_str_mv Dante Alighieri
Giotto di Bondone
Divina Comédia
Capela Scrovegni
Dante Alighieri
Giotto di Bondone
Divine Comedy
Scrovegni chapel
topic Dante Alighieri
Giotto di Bondone
Divina Comédia
Capela Scrovegni
Dante Alighieri
Giotto di Bondone
Divine Comedy
Scrovegni chapel
description This article aims to demonstrate all the impact that the work “Divina Comédia” written by the author Dante Alighieri had on pictorial productions in the 14th century in Italy. In particular, the painting made by the painter Giotto di Bondone in the Scrovegni chapel in Padua will be covered. To achieve such an objective, the verses of this story will be compared with the images, mainly in the part of the fresco on the theme of the Last Judgment, in which Hell and the characters present in this space are similar to the author's description. Therefore, we will present an overview of these close relations between these artistic segments that conveyed a perspective of culture and mentalities in the medieval period.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo avaliado pelos Pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/tessera/article/view/58753
10.14393/TES-v3n2-2021-58753
url https://seer.ufu.br/index.php/tessera/article/view/58753
identifier_str_mv 10.14393/TES-v3n2-2021-58753
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/tessera/article/view/58753/32024
dc.rights.driver.fl_str_mv Copyright (c) 2021 Thatiane Piazza de Melo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Thatiane Piazza de Melo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv EDUFU
publisher.none.fl_str_mv EDUFU
dc.source.none.fl_str_mv Téssera; Vol. 3 No. 2 (2021); 40-55
Téssera; v. 3 n. 2 (2021); 40-55
2595-8925
reponame:Revista Téssera (Uberlândia)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str Revista Téssera (Uberlândia)
collection Revista Téssera (Uberlândia)
repository.name.fl_str_mv Revista Téssera (Uberlândia) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv revistatessera@gmail.com || vitor_vhlg@hotmail.com
_version_ 1839095224825020416

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