Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty

Bibliographic Details
Main Author: Salviano, Jarlee Oliveira Silva
Publication Date: 2019
Format: Article
Language: por
Source: Voluntas - Revista Internacional de Filosofia (Santa Maria)
Download full: https://periodicos.ufsm.br/voluntas/article/view/39300
Summary: Following in the footsteps of Kant, Schopenhauer builds his Metaphysics of the beauty from the conception of art “disinterested”. Knowledge determined by motives gives to the spectator of art the “exciting” and the mere empirical satisfaction, but not the beauty or the sublime. The Genius, most potent and effective representation of the Pure Subjectivity of Knowledge is described in the Book III of The world as will and representation in an apparently ambiguous way: as the Willenlos (free of will), like that free of the storm of the passions and the impetus of desires. But at the same time as that subjected to vehement affections and irrational passions. However, it is, in the aesthetic experience of the genius or the contemplator of art, a disinterested pleasure, a complacency of another order than that of the man of common sense and science. The article then seeks to analyze Schopenhauer’s concept of aesthetic complacency or satisfaction and its roots in Kant’s philosophy.
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spelling Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beautyAesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beautyAesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beautyAesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beautyAesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beautyComplacência estética e satisfação do querer na metafísica do belo de SchopenhauerSchopenhauerKantDisinterestComplacencySchopenhauerKantDisinterestComplacencySchopenhauerKantDisinterestComplacencySchopenhauerKantDisinterestComplacencySchopenhauerKantDisinterestComplacencySchopenhauerKantDesinteresseComplacênciaFollowing in the footsteps of Kant, Schopenhauer builds his Metaphysics of the beauty from the conception of art “disinterested”. Knowledge determined by motives gives to the spectator of art the “exciting” and the mere empirical satisfaction, but not the beauty or the sublime. The Genius, most potent and effective representation of the Pure Subjectivity of Knowledge is described in the Book III of The world as will and representation in an apparently ambiguous way: as the Willenlos (free of will), like that free of the storm of the passions and the impetus of desires. But at the same time as that subjected to vehement affections and irrational passions. However, it is, in the aesthetic experience of the genius or the contemplator of art, a disinterested pleasure, a complacency of another order than that of the man of common sense and science. The article then seeks to analyze Schopenhauer’s concept of aesthetic complacency or satisfaction and its roots in Kant’s philosophy.Following in the footsteps of Kant, Schopenhauer builds his Metaphysics of the beauty from the conception of art “disinterested”. Knowledge determined by motives gives to the spectator of art the “exciting” and the mere empirical satisfaction, but not the beauty or the sublime. The Genius, most potent and effective representation of the Pure Subjectivity of Knowledge is described in the Book III of The world as will and representation in an apparently ambiguous way: as the Willenlos (free of will), like that free of the storm of the passions and the impetus of desires. But at the same time as that subjected to vehement affections and irrational passions. However, it is, in the aesthetic experience of the genius or the contemplator of art, a disinterested pleasure, a complacency of another order than that of the man of common sense and science. The article then seeks to analyze Schopenhauer’s concept of aesthetic complacency or satisfaction and its roots in Kant’s philosophy.Following in the footsteps of Kant, Schopenhauer builds his Metaphysics of the beauty from the conception of art “disinterested”. Knowledge determined by motives gives to the spectator of art the “exciting” and the mere empirical satisfaction, but not the beauty or the sublime. The Genius, most potent and effective representation of the Pure Subjectivity of Knowledge is described in the Book III of The world as will and representation in an apparently ambiguous way: as the Willenlos (free of will), like that free of the storm of the passions and the impetus of desires. But at the same time as that subjected to vehement affections and irrational passions. However, it is, in the aesthetic experience of the genius or the contemplator of art, a disinterested pleasure, a complacency of another order than that of the man of common sense and science. The article then seeks to analyze Schopenhauer’s concept of aesthetic complacency or satisfaction and its roots in Kant’s philosophy.Following in the footsteps of Kant, Schopenhauer builds his Metaphysics of the beauty from the conception of art “disinterested”. Knowledge determined by motives gives to the spectator of art the “exciting” and the mere empirical satisfaction, but not the beauty or the sublime. The Genius, most potent and effective representation of the Pure Subjectivity of Knowledge is described in the Book III of The world as will and representation in an apparently ambiguous way: as the Willenlos (free of will), like that free of the storm of the passions and the impetus of desires. But at the same time as that subjected to vehement affections and irrational passions. However, it is, in the aesthetic experience of the genius or the contemplator of art, a disinterested pleasure, a complacency of another order than that of the man of common sense and science. The article then seeks to analyze Schopenhauer’s concept of aesthetic complacency or satisfaction and its roots in Kant’s philosophy.Following in the footsteps of Kant, Schopenhauer builds his Metaphysics of the beauty from the conception of art “disinterested”. Knowledge determined by motives gives to the spectator of art the “exciting” and the mere empirical satisfaction, but not the beauty or the sublime. The Genius, most potent and effective representation of the Pure Subjectivity of Knowledge is described in the Book III of The world as will and representation in an apparently ambiguous way: as the Willenlos (free of will), like that free of the storm of the passions and the impetus of desires. But at the same time as that subjected to vehement affections and irrational passions. However, it is, in the aesthetic experience of the genius or the contemplator of art, a disinterested pleasure, a complacency of another order than that of the man of common sense and science. The article then seeks to analyze Schopenhauer’s concept of aesthetic complacency or satisfaction and its roots in Kant’s philosophy.Seguindo os passos de Kant, Schopenhauer erige sua Metafísica do belo a partir da concepção de arte “desinteressada”. O conhecimento determinado por motivos proporciona ao espectador da arte o “excitante” e a mera satisfação empírica, mas não o belo ou o sublime. O gênio, representação mais potente e eficaz da subjetividade pura do conhecimento, é descrito no Livro III de O mundo como vontade e representação de modo aparentemente ambíguo: como o Willenlos (isento de vontade), como aquele “livre da tempestade das paixões” e do “ímpeto dos desejos”. Mas, ao mesmo tempo, como aquele “submetido a afetos veementes e paixões irracionais”. No entanto, trata-se, na vivência estética do gênio ou do contemplador da arte, de um prazer desinteressado, de uma complacência de outra ordem que a do homem do senso comum e de ciência. O artigo procura, então, analisar o conceito de complacência ou satisfação estética em Schopenhauer e seu enraizamento na filosofia de Kant.Universidade Federal de Santa Maria2019-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://periodicos.ufsm.br/voluntas/article/view/3930010.5902/2179378639300Voluntas: International Journal of Philosophy; Bd. 10 Nr. 3 (2019): Dossier Philosophien des Gedächtnis + Schopenhauer-Studien; 190 - 198Voluntas: International Journal of Philosophy; Vol. 10 No. 3 (2019): Dossier Philosophies of Memory + Schopenhauerian Studies; 190 - 198Voluntas: International Journal of Philosophy; Vol. 10 Núm. 3 (2019): Dossier Philosophies of Memory + Schopenhauerian Studies; 190 - 198Voluntas: International Journal of Philosophy; Vol. 10 No 3 (2019): Dossiê Filosofias da Memória + Estudos Schopenhaurianos – Ed. 22; 190 - 198Voluntas: International Journal of Philosophy; V. 10 N. 3 (2019): Dossier Filosofie della memoria + Studi Schopenhaueriani; 190 - 198Voluntas: Revista Internacional de Filosofia; v. 10 n. 3 (2019): Dossiê Filosofias da Memória + Estudos Schopenhaurianos – Ed. 22; 190 - 1982179-3786reponame:Voluntas - Revista Internacional de Filosofia (Santa Maria)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttps://periodicos.ufsm.br/voluntas/article/view/39300/pdfhttps://periodicos.ufsm.br/voluntas/article/view/39300/htmlCopyright (c) 2019 Voluntas: Revista Internacional de Filosofiainfo:eu-repo/semantics/openAccessSalviano, Jarlee Oliveira Silva2024-07-24T15:08:15Zoai:ojs.pkp.sfu.ca:article/39300Revistahttps://periodicos.ufsm.br/voluntas/indexPUBhttps://periodicos.ufsm.br/voluntas/oaivoluntas@ufsm.br || centraldeperiodicos@ufsm.br2179-37862179-3786opendoar:2024-07-24T15:08:15Voluntas - Revista Internacional de Filosofia (Santa Maria) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
Complacência estética e satisfação do querer na metafísica do belo de Schopenhauer
title Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
spellingShingle Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
Salviano, Jarlee Oliveira Silva
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Desinteresse
Complacência
title_short Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
title_full Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
title_fullStr Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
title_full_unstemmed Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
title_sort Aesthetic complacency and satisfaction of will in Schopenhauer's metaphysic of the beauty
author Salviano, Jarlee Oliveira Silva
author_facet Salviano, Jarlee Oliveira Silva
author_role author
dc.contributor.author.fl_str_mv Salviano, Jarlee Oliveira Silva
dc.subject.por.fl_str_mv Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Desinteresse
Complacência
topic Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Disinterest
Complacency
Schopenhauer
Kant
Desinteresse
Complacência
description Following in the footsteps of Kant, Schopenhauer builds his Metaphysics of the beauty from the conception of art “disinterested”. Knowledge determined by motives gives to the spectator of art the “exciting” and the mere empirical satisfaction, but not the beauty or the sublime. The Genius, most potent and effective representation of the Pure Subjectivity of Knowledge is described in the Book III of The world as will and representation in an apparently ambiguous way: as the Willenlos (free of will), like that free of the storm of the passions and the impetus of desires. But at the same time as that subjected to vehement affections and irrational passions. However, it is, in the aesthetic experience of the genius or the contemplator of art, a disinterested pleasure, a complacency of another order than that of the man of common sense and science. The article then seeks to analyze Schopenhauer’s concept of aesthetic complacency or satisfaction and its roots in Kant’s philosophy.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsm.br/voluntas/article/view/39300
10.5902/2179378639300
url https://periodicos.ufsm.br/voluntas/article/view/39300
identifier_str_mv 10.5902/2179378639300
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsm.br/voluntas/article/view/39300/pdf
https://periodicos.ufsm.br/voluntas/article/view/39300/html
dc.rights.driver.fl_str_mv Copyright (c) 2019 Voluntas: Revista Internacional de Filosofia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Voluntas: Revista Internacional de Filosofia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Voluntas: International Journal of Philosophy; Bd. 10 Nr. 3 (2019): Dossier Philosophien des Gedächtnis + Schopenhauer-Studien; 190 - 198
Voluntas: International Journal of Philosophy; Vol. 10 No. 3 (2019): Dossier Philosophies of Memory + Schopenhauerian Studies; 190 - 198
Voluntas: International Journal of Philosophy; Vol. 10 Núm. 3 (2019): Dossier Philosophies of Memory + Schopenhauerian Studies; 190 - 198
Voluntas: International Journal of Philosophy; Vol. 10 No 3 (2019): Dossiê Filosofias da Memória + Estudos Schopenhaurianos – Ed. 22; 190 - 198
Voluntas: International Journal of Philosophy; V. 10 N. 3 (2019): Dossier Filosofie della memoria + Studi Schopenhaueriani; 190 - 198
Voluntas: Revista Internacional de Filosofia; v. 10 n. 3 (2019): Dossiê Filosofias da Memória + Estudos Schopenhaurianos – Ed. 22; 190 - 198
2179-3786
reponame:Voluntas - Revista Internacional de Filosofia (Santa Maria)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Voluntas - Revista Internacional de Filosofia (Santa Maria)
collection Voluntas - Revista Internacional de Filosofia (Santa Maria)
repository.name.fl_str_mv Voluntas - Revista Internacional de Filosofia (Santa Maria) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv voluntas@ufsm.br || centraldeperiodicos@ufsm.br
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