The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton

Bibliographic Details
Main Author: Guerizoli Kempinska, Olga Donata
Publication Date: 2022
Format: Article
Language: por
Source: Revista Estudos Feministas
DOI: 10.1590/1806-9584-2022v30n276548
Download full: https://periodicos.ufsc.br/index.php/ref/article/view/76548
Summary: In analysing the complex aesthetic relationship established between the poetics of Gothic and the poetics of Surrealism, based on the experiences of the crisis of myth, of the formless, and consequently, of terror and horror, the paper proposes the reading of some poems that stage this difficult articulation. Paul Éluard, Julia Hartwig and Anne Sexton seek, in fact, the procedures capable of representing the painful subjective helplessness, which also concerns the issue of gender limits. The regime of negativity characteristic of Gothic poetics leads to the refusal of the search for new mythsand new images of female creativity, typical of romanticism. By valuing the representation of space, Gothic prepared the path of criticism, poetic and feminist, of the discourses of psychoanalysis and phenomenology.
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spelling The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne SextonLa poesía de terror en Paul Éluard, Julia Hartwig y Anne SextonA poesia de terror em Paul Éluard, Julia Hartwig e Anne SextonsurrealismogóticogêneroterrorsubjetividadesurrealismogóticogéneroterrorsubjetividadeSurrealismGothicGenderTerrorSubjectivityIn analysing the complex aesthetic relationship established between the poetics of Gothic and the poetics of Surrealism, based on the experiences of the crisis of myth, of the formless, and consequently, of terror and horror, the paper proposes the reading of some poems that stage this difficult articulation. Paul Éluard, Julia Hartwig and Anne Sexton seek, in fact, the procedures capable of representing the painful subjective helplessness, which also concerns the issue of gender limits. The regime of negativity characteristic of Gothic poetics leads to the refusal of the search for new mythsand new images of female creativity, typical of romanticism. By valuing the representation of space, Gothic prepared the path of criticism, poetic and feminist, of the discourses of psychoanalysis and phenomenology.Al analizar la compleja relación estética que se teje entre la poética del gótico y la poética del surrealismo, asegurada por las experiencias de la crisis del mito, del informe y, en consecuencia,del terror y del horror, el artículo propone la lectura de algunos poemas que representan esta difícil articulación. Paul Éluard, Julia Hartwig y Anne Sexton buscan, de hecho, los procedimientos capaces de poner en escena la dolorosa impotencia subjetiva, que también se refiere a la cuestión de los límites de género. El régimen de negatividad característico de la poética gótica conduce alrechazo de la búsqueda de nuevos mitos y nuevas imágenes de la creatividad femenina, típica delromanticismo. Al valorar la representación del espacio, el gótico preparó el camino de la crítica,poética y feminista, los discursos del psicoanálisis y de la fenomenología.Ao indagar a complexa relação estética que se tece entre a poética do gótico e a poética do surrealismo, assegurada pelas experiências da crise do mito, do informe, e em consequência, do terror e do horror, neste artigo, proponho a leitura de alguns poemas que encenam essa difícil articulação. Paul Éluard, Julia Hartwig e Anne Sexton buscam, com efeito, os procedimentos aptos à encenação do doloroso desamparo subjetivo, que diz respeito, também, à questão dos limites do gênero. O regime da negatividade característico da poética gótica leva à recusa da busca por novos mitos e por novas imagens da criatividade feminina, típica do romantismo. Ao valorizar a representação do espaço, o gótico preparou o caminho da crítica, poética e feminista, dos discursos da psicanálise e da fenomenologia.Universidade Federal de Santa Catarina2022-09-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionRevisão de Literatura e Releitura de Interpretaçõesapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/7654810.1590/1806-9584-2022v30n276548Revista Estudos Feministas; Vol. 30 No. 2 (2022)Revista Estudos Feministas; Vol. 30 Núm. 2 (2022)Revista Estudos Feministas; v. 30 n. 2 (2022)1806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/76548/51550Copyright (c) 2022 Revista Estudos Feministashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGuerizoli Kempinska, Olga Donata2022-09-14T22:47:20Zoai:periodicos.ufsc.br:article/76548Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:58.759380Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true
dc.title.none.fl_str_mv The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
La poesía de terror en Paul Éluard, Julia Hartwig y Anne Sexton
A poesia de terror em Paul Éluard, Julia Hartwig e Anne Sexton
title The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
spellingShingle The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
Guerizoli Kempinska, Olga Donata
surrealismo
gótico
gênero
terror
subjetividade
surrealismo
gótico
género
terror
subjetividade
Surrealism
Gothic
Gender
Terror
Subjectivity
Guerizoli Kempinska, Olga Donata
surrealismo
gótico
gênero
terror
subjetividade
surrealismo
gótico
género
terror
subjetividade
Surrealism
Gothic
Gender
Terror
Subjectivity
title_short The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
title_full The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
title_fullStr The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
title_full_unstemmed The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
title_sort The Terror Poetry in the Work by Paul Éluard, Julia Hartwig and Anne Sexton
author Guerizoli Kempinska, Olga Donata
author_facet Guerizoli Kempinska, Olga Donata
Guerizoli Kempinska, Olga Donata
author_role author
dc.contributor.author.fl_str_mv Guerizoli Kempinska, Olga Donata
dc.subject.por.fl_str_mv surrealismo
gótico
gênero
terror
subjetividade
surrealismo
gótico
género
terror
subjetividade
Surrealism
Gothic
Gender
Terror
Subjectivity
topic surrealismo
gótico
gênero
terror
subjetividade
surrealismo
gótico
género
terror
subjetividade
Surrealism
Gothic
Gender
Terror
Subjectivity
description In analysing the complex aesthetic relationship established between the poetics of Gothic and the poetics of Surrealism, based on the experiences of the crisis of myth, of the formless, and consequently, of terror and horror, the paper proposes the reading of some poems that stage this difficult articulation. Paul Éluard, Julia Hartwig and Anne Sexton seek, in fact, the procedures capable of representing the painful subjective helplessness, which also concerns the issue of gender limits. The regime of negativity characteristic of Gothic poetics leads to the refusal of the search for new mythsand new images of female creativity, typical of romanticism. By valuing the representation of space, Gothic prepared the path of criticism, poetic and feminist, of the discourses of psychoanalysis and phenomenology.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Revisão de Literatura e Releitura de Interpretações
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/76548
10.1590/1806-9584-2022v30n276548
url https://periodicos.ufsc.br/index.php/ref/article/view/76548
identifier_str_mv 10.1590/1806-9584-2022v30n276548
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/76548/51550
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Estudos Feministas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Estudos Feministas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Revista Estudos Feministas; Vol. 30 No. 2 (2022)
Revista Estudos Feministas; Vol. 30 Núm. 2 (2022)
Revista Estudos Feministas; v. 30 n. 2 (2022)
1806-9584
0104-026X
reponame:Revista Estudos Feministas
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Revista Estudos Feministas
collection Revista Estudos Feministas
repository.name.fl_str_mv Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ||ref@cfh.ufsc.br
_version_ 1822181406404509696
dc.identifier.doi.none.fl_str_mv 10.1590/1806-9584-2022v30n276548

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