Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present days

Detalhes bibliográficos
Autor(a) principal: Kahtalian, Marcos
Data de Publicação: 2020
Outros Autores: Tenório da Motta, Leda
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Culturas Midiáticas (Online)
Texto Completo: https://periodicos.ufpb.br/index.php/cm/article/view/55890
Resumo: The purpose of this article is to highlight the productive relationships between Edgar Morin's (1996) theories of complexity and cinema, understood from this frame as a complex art, foreshadowing his later thinking. We work with the hypothesis that the understanding of cinema as a complex art may be relevant to the recent discussion on the different modalities of viewing the film, with the perceived decline of movie theaters as a point of reception for the film. To this be done, not only contributions from theorists of complexity and cultural networks will be mobilized, but also specific contributions from theories of cinematographic form and cinema as a social practice, also from Morin (2014) and the most recent discussion on ontology of cinema, as can be seen in Jacques Aumont (2012), among other authors.
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spelling Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present daysCine a la luz de las teorías de la complejidad de Edgar Morin:: una reflexión productiva para el momento presenteO cinema à luz das teorias da complexidade de Edgar Morin:: uma reflexão produtiva para o momento atualCinemaComplexity TheoryEdgar MorinCineTeorias de la complejidadEdgar MorinCinemaTeoria da complexidadeEdgar MorinThe purpose of this article is to highlight the productive relationships between Edgar Morin's (1996) theories of complexity and cinema, understood from this frame as a complex art, foreshadowing his later thinking. We work with the hypothesis that the understanding of cinema as a complex art may be relevant to the recent discussion on the different modalities of viewing the film, with the perceived decline of movie theaters as a point of reception for the film. To this be done, not only contributions from theorists of complexity and cultural networks will be mobilized, but also specific contributions from theories of cinematographic form and cinema as a social practice, also from Morin (2014) and the most recent discussion on ontology of cinema, as can be seen in Jacques Aumont (2012), among other authors.El propósito de este artículo es resaltar las relaciones productivas entre las teorías de la complejidad de Edgar Morin (1996) y el cine, entendido desde este marco como un arte complejo, presagiando su pensamiento posterior. Se juega aquí con la hipótesis de que la comprensión del cine como un arte complejo puede ser relevante para la discusión reciente sobre las diferentes modalidades de visualización de la película, con el declive percibido de las salas de cine como un punto de recepción para la película. Teóricamente, no solo se movilizarán aportes de las teorías de la complejidad y las redes culturales, sino también los aportes específicos de las teorías de la forma cinematográfica y el cine como práctica social, también de Morin (2014) y de la más reciente discusión sobre la ontología del cine, como puede verse en Jacques Aumont (2012), entre otros autores.O propósito deste artigo é evidenciar as relações produtivas entre as teorias da complexidade de Edgar Morin (1996) e o cinema, entendido a partir dessa moldura como arte complexa, prenunciadora de seu pensamento posterior. Joga-se aqui com a hipótese de que o entendimento do cinema como arte complexa pode ser relevante para a recente discussão sobre as diversas modalidades da visualização do filme, com o declínio percebido das salas de cinema como ponto de recepção do filme. Teoricamente serão mobilizados não apenas os aportes das teorias da complexidade e das redes culturais, mas também as contribuições específicas das teorias da forma cinematográfica e do cinema como prática social, também a partir de Morin (2014) e da discussão mais recente referente à ontologia do cinema, como se pode ver em Jacques Aumont (2012), entre outros autores.Universidade Federal da Paraíba2020-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos parestextoapplication/pdfhttps://periodicos.ufpb.br/index.php/cm/article/view/5589010.22478/ufpb.1983-5930.2020v13n2.55890Culturas Midiáticas; Vol. 13 No. 2 (2020); 22-38Culturas Midiáticas; Vol. 13 Núm. 2 (2020); 22-38Culturas Midiáticas; v. 13 n. 2 (2020); 22-382763-93981983-5930reponame:Revista Culturas Midiáticas (Online)instname:Universidade Federal da Paraíba (UFPB)instacron:UFPBporhttps://periodicos.ufpb.br/index.php/cm/article/view/55890/32257Copyright (c) 2020 Marcos Kahtalian, Leda Tenório da Mottainfo:eu-repo/semantics/openAccessKahtalian, MarcosTenório da Motta, Leda2020-12-21T18:48:55Zoai:periodicos.ufpb.br:article/55890Revistahttps://periodicos.ufpb.br/ojs2/index.php/cm/indexPUBhttps://periodicos.ufpb.br/ojs2/index.php/cm/oairevistaculturasmidiaticas@gmail.com || periodicos.ufpb@gmail.com2763-93981983-5930opendoar:2020-12-21T18:48:55Revista Culturas Midiáticas (Online) - Universidade Federal da Paraíba (UFPB)false
dc.title.none.fl_str_mv Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present days
Cine a la luz de las teorías de la complejidad de Edgar Morin:: una reflexión productiva para el momento presente
O cinema à luz das teorias da complexidade de Edgar Morin:: uma reflexão produtiva para o momento atual
title Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present days
spellingShingle Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present days
Kahtalian, Marcos
Cinema
Complexity Theory
Edgar Morin
Cine
Teorias de la complejidad
Edgar Morin
Cinema
Teoria da complexidade
Edgar Morin
title_short Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present days
title_full Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present days
title_fullStr Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present days
title_full_unstemmed Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present days
title_sort Cinema by the lenses of Edgar Morin's theories of complexity:: a productive reflection for the present days
author Kahtalian, Marcos
author_facet Kahtalian, Marcos
Tenório da Motta, Leda
author_role author
author2 Tenório da Motta, Leda
author2_role author
dc.contributor.author.fl_str_mv Kahtalian, Marcos
Tenório da Motta, Leda
dc.subject.por.fl_str_mv Cinema
Complexity Theory
Edgar Morin
Cine
Teorias de la complejidad
Edgar Morin
Cinema
Teoria da complexidade
Edgar Morin
topic Cinema
Complexity Theory
Edgar Morin
Cine
Teorias de la complejidad
Edgar Morin
Cinema
Teoria da complexidade
Edgar Morin
description The purpose of this article is to highlight the productive relationships between Edgar Morin's (1996) theories of complexity and cinema, understood from this frame as a complex art, foreshadowing his later thinking. We work with the hypothesis that the understanding of cinema as a complex art may be relevant to the recent discussion on the different modalities of viewing the film, with the perceived decline of movie theaters as a point of reception for the film. To this be done, not only contributions from theorists of complexity and cultural networks will be mobilized, but also specific contributions from theories of cinematographic form and cinema as a social practice, also from Morin (2014) and the most recent discussion on ontology of cinema, as can be seen in Jacques Aumont (2012), among other authors.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
texto
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufpb.br/index.php/cm/article/view/55890
10.22478/ufpb.1983-5930.2020v13n2.55890
url https://periodicos.ufpb.br/index.php/cm/article/view/55890
identifier_str_mv 10.22478/ufpb.1983-5930.2020v13n2.55890
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufpb.br/index.php/cm/article/view/55890/32257
dc.rights.driver.fl_str_mv Copyright (c) 2020 Marcos Kahtalian, Leda Tenório da Motta
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Marcos Kahtalian, Leda Tenório da Motta
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal da Paraíba
publisher.none.fl_str_mv Universidade Federal da Paraíba
dc.source.none.fl_str_mv Culturas Midiáticas; Vol. 13 No. 2 (2020); 22-38
Culturas Midiáticas; Vol. 13 Núm. 2 (2020); 22-38
Culturas Midiáticas; v. 13 n. 2 (2020); 22-38
2763-9398
1983-5930
reponame:Revista Culturas Midiáticas (Online)
instname:Universidade Federal da Paraíba (UFPB)
instacron:UFPB
instname_str Universidade Federal da Paraíba (UFPB)
instacron_str UFPB
institution UFPB
reponame_str Revista Culturas Midiáticas (Online)
collection Revista Culturas Midiáticas (Online)
repository.name.fl_str_mv Revista Culturas Midiáticas (Online) - Universidade Federal da Paraíba (UFPB)
repository.mail.fl_str_mv revistaculturasmidiaticas@gmail.com || periodicos.ufpb@gmail.com
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