Cracks of Presence#1: Plastic solitude
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Publication Date: | 2025 |
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Format: | Article |
Language: | por |
Source: | Revista Apotheke |
Download full: | https://periodicos.udesc.br/index.php/apotheke/article/view/25581 |
Summary: | This paper presents notes and reflections for the creation of an art installation which has as theoretical inspiration the thought about presence production by Hans Ulrich Gumbrecht (2010). The author suggests epistemological alternatives to the cartesian predominance of the Humanities in the incessant search for interpreting and attributing meaning to the analyzed phenomena and defends that the aesthetic experience will always confront us with the tension between presence and meaning. However, only the presence effects appeal with intensity to the senses. We will also dialogue with Georges Didi-Huberman’s (2010) thought when he refers that every eye carries its wrapping and the challenge is to let a gap open in this wrapping, allowing the gaze to open a gap in what it sees. |
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Cracks of Presence#1: Plastic solitudeGrietas de la Presencia#1: Soledad plásticaFendas de Presença#1: Solidão plásticaArt InstallationVideo InstallationPresence ProductionMedia ArtsLookInstalación de ArteVideo instalaciónProducción de PresenciaMedia ArtsMirarInstalação ArtísticaVídeo instalaçãoProdução de PresençaMedia ArtesOlharThis paper presents notes and reflections for the creation of an art installation which has as theoretical inspiration the thought about presence production by Hans Ulrich Gumbrecht (2010). The author suggests epistemological alternatives to the cartesian predominance of the Humanities in the incessant search for interpreting and attributing meaning to the analyzed phenomena and defends that the aesthetic experience will always confront us with the tension between presence and meaning. However, only the presence effects appeal with intensity to the senses. We will also dialogue with Georges Didi-Huberman’s (2010) thought when he refers that every eye carries its wrapping and the challenge is to let a gap open in this wrapping, allowing the gaze to open a gap in what it sees.Esta comunicación presenta apuntes y reflexiones para la creación de una instalación artística cuya inspiración teórica es el pensamiento de Hans Ulrich Gumbrecht (2010) sobre la producción de presencia. El autor sugiere alternativas epistemológicas al predominio cartesiano de las Humanidades en la búsqueda incesante de interpretar y atribuir significado a los fenómenos analizados y argumenta que la experiencia estética siempre nos enfrentará a la tensión entre presencia y significado. Sin embargo, sólo los efectos de la presencia atraen intensamente a los sentidos. Dialogaremos también con Georges Didi-Huberman (2010) cuando afirma que cada ojo lleva su propia envoltura y el desafío es permitir que se abra una brecha en esta envoltura, permitiendo que la mirada pueda abrir un foso en lo que ve.Esta comunicação apresenta apontamentos e reflexões para a criação de uma instalação artística que tem como inspiração teórica o pensamento sobre produção de presença de Hans Ulrich Gumbrecht (2010). O autor sugere alternativas epistemológicas ao predomínio cartesiano das Humanidades na busca incessante em interpretar e atribuir sentido aos fenômenos analisados e defende que a experiência estética sempre nos confronta com a tensão entre presença e sentido. No entanto, apenas os efeitos de presença apelam com intensidade aos sentidos. Dialogamos, também, com o pensamento de Georges Didi-Huberman (2010) ao referir-se que todo olho traz consigo o seu invólucro e o desafio é deixar que uma brecha se abra nesse invólucro, permitindo que o olhar abra um fosso naquilo que vê.Universidade do Estado de Santa Catarina2025-06-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.udesc.br/index.php/apotheke/article/view/2558110.5965/244712671112025144Revista Apotheke; Vol. 11 No. 1 (2025): Rethinking John Dewey: Art, Experience and Democracy Nowadays; 144-158Revista Apotheke; Vol. 11 Núm. 1 (2025): Repensando a John Dewey: Arte, Experiencia y Democracia Hoy; 144-158Revista Apotheke; v. 11 n. 1 (2025): Repensando John Dewey: Arte, Experiência e Democracia Hoje; 144-1582447-126710.5965/244712671112025001reponame:Revista Apothekeinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/apotheke/article/view/25581/18778Copyright (c) 2025 CAMILO CAVALCANTEinfo:eu-repo/semantics/openAccessCavalcante, CamiloNogueira, Luís Carlos da Costa2025-07-04T22:29:28Zoai::article/25581Revistahttps://periodicos.udesc.br/index.php/apotheke/PUBhttps://periodicos.udesc.br/index.php/apotheke/oaiportal.periodicos@udesc.br | revistaapotheke@gmail.com | revista.apotheke.ceart@udesc.br2447-12672447-1267opendoar:2025-07-04T22:29:28Revista Apotheke - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Cracks of Presence#1: Plastic solitude Grietas de la Presencia#1: Soledad plástica Fendas de Presença#1: Solidão plástica |
title |
Cracks of Presence#1: Plastic solitude |
spellingShingle |
Cracks of Presence#1: Plastic solitude Cavalcante, Camilo Art Installation Video Installation Presence Production Media Arts Look Instalación de Arte Video instalación Producción de Presencia Media Arts Mirar Instalação Artística Vídeo instalação Produção de Presença Media Artes Olhar |
title_short |
Cracks of Presence#1: Plastic solitude |
title_full |
Cracks of Presence#1: Plastic solitude |
title_fullStr |
Cracks of Presence#1: Plastic solitude |
title_full_unstemmed |
Cracks of Presence#1: Plastic solitude |
title_sort |
Cracks of Presence#1: Plastic solitude |
author |
Cavalcante, Camilo |
author_facet |
Cavalcante, Camilo Nogueira, Luís Carlos da Costa |
author_role |
author |
author2 |
Nogueira, Luís Carlos da Costa |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Cavalcante, Camilo Nogueira, Luís Carlos da Costa |
dc.subject.por.fl_str_mv |
Art Installation Video Installation Presence Production Media Arts Look Instalación de Arte Video instalación Producción de Presencia Media Arts Mirar Instalação Artística Vídeo instalação Produção de Presença Media Artes Olhar |
topic |
Art Installation Video Installation Presence Production Media Arts Look Instalación de Arte Video instalación Producción de Presencia Media Arts Mirar Instalação Artística Vídeo instalação Produção de Presença Media Artes Olhar |
description |
This paper presents notes and reflections for the creation of an art installation which has as theoretical inspiration the thought about presence production by Hans Ulrich Gumbrecht (2010). The author suggests epistemological alternatives to the cartesian predominance of the Humanities in the incessant search for interpreting and attributing meaning to the analyzed phenomena and defends that the aesthetic experience will always confront us with the tension between presence and meaning. However, only the presence effects appeal with intensity to the senses. We will also dialogue with Georges Didi-Huberman’s (2010) thought when he refers that every eye carries its wrapping and the challenge is to let a gap open in this wrapping, allowing the gaze to open a gap in what it sees. |
publishDate |
2025 |
dc.date.none.fl_str_mv |
2025-06-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.udesc.br/index.php/apotheke/article/view/25581 10.5965/244712671112025144 |
url |
https://periodicos.udesc.br/index.php/apotheke/article/view/25581 |
identifier_str_mv |
10.5965/244712671112025144 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.udesc.br/index.php/apotheke/article/view/25581/18778 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2025 CAMILO CAVALCANTE info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2025 CAMILO CAVALCANTE |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Apotheke; Vol. 11 No. 1 (2025): Rethinking John Dewey: Art, Experience and Democracy Nowadays; 144-158 Revista Apotheke; Vol. 11 Núm. 1 (2025): Repensando a John Dewey: Arte, Experiencia y Democracia Hoy; 144-158 Revista Apotheke; v. 11 n. 1 (2025): Repensando John Dewey: Arte, Experiência e Democracia Hoje; 144-158 2447-1267 10.5965/244712671112025001 reponame:Revista Apotheke instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Revista Apotheke |
collection |
Revista Apotheke |
repository.name.fl_str_mv |
Revista Apotheke - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
portal.periodicos@udesc.br | revistaapotheke@gmail.com | revista.apotheke.ceart@udesc.br |
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1842260972527419392 |