Experience, art and education from Dewey's analytical perspective

Bibliographic Details
Main Author: Henning, Leoni Maria Padilha
Publication Date: 2023
Format: Article
Language: por
Source: Revista Apotheke
Download full: https://periodicos.udesc.br/index.php/apotheke/article/view/24233
Summary: The text consists of seven parts starting from an introduction in which the bibliographical proposal is presented, basically developing through John Dewey's references that deal with the theme involving art and education, based on the concept of experience. After exposing some theoretical and biographical information about the author, we start with the problem of dualisms present in our culture, since the Greeks, which led to a disregard of experience in favor of the dimension of theory, privileged locus of truth. In this sense, art being in the context of human practice, it developed in empiricism, locating itself in a dimension of inferiority compared to the noble activities of the spirit, whose contemplation was understood as the source of true scientific knowledge. This understanding of human knowledge generated difficulties that are still observed in a markedly elitist and prejudiced unfair classification. Such prejudices demand urgent formative work from education so that Dewey's prophecy does not come true, according to which, if workers do not appropriate the fundamentals of their activities, they will easily become mere appendages of technology and the machines that operate. Intending to make the philosophy of education essentially accessible and closely linked to pedagogical practices, Dewey starts from the experience vitally associated with human and social development, as long as it presents an aesthetic quality that makes it unique and is a guarantee of procedural, constant and truly educational growth. We realize the importance of art in education alongside science and philosophy, for the improvement of increasingly advanced thinking to face the problems present in the world of experiences.
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spelling Experience, art and education from Dewey's analytical perspectiveExperiencia, arte y educación desde la perspectiva analítica de DeweyExperiência, arte e educação pela perspectiva analítica de DeweyeducaçãoarteexperiênciaDeweyeducationartexperienceDeweyeducaciónarteexperienciaDeweyThe text consists of seven parts starting from an introduction in which the bibliographical proposal is presented, basically developing through John Dewey's references that deal with the theme involving art and education, based on the concept of experience. After exposing some theoretical and biographical information about the author, we start with the problem of dualisms present in our culture, since the Greeks, which led to a disregard of experience in favor of the dimension of theory, privileged locus of truth. In this sense, art being in the context of human practice, it developed in empiricism, locating itself in a dimension of inferiority compared to the noble activities of the spirit, whose contemplation was understood as the source of true scientific knowledge. This understanding of human knowledge generated difficulties that are still observed in a markedly elitist and prejudiced unfair classification. Such prejudices demand urgent formative work from education so that Dewey's prophecy does not come true, according to which, if workers do not appropriate the fundamentals of their activities, they will easily become mere appendages of technology and the machines that operate. Intending to make the philosophy of education essentially accessible and closely linked to pedagogical practices, Dewey starts from the experience vitally associated with human and social development, as long as it presents an aesthetic quality that makes it unique and is a guarantee of procedural, constant and truly educational growth. We realize the importance of art in education alongside science and philosophy, for the improvement of increasingly advanced thinking to face the problems present in the world of experiences.El texto consta de siete partes a partir de una introducción en la que se presenta la propuesta bibliográfica, desarrollándose básicamente a través de las referencias de John Dewey que abordan el tema que involucra el arte y la educación, a partir del concepto de experiencia. Tras exponer algunos datos teóricos y biográficos del autor, partimos del problema de los dualismos presentes en nuestra cultura, desde los griegos, que llevaron a un desprecio de la experiencia en favor de la dimensión de la teoría, lugar privilegiado de la verdad. En este sentido, estando el arte en el contexto de la práctica humana, se desarrolló en el empirismo, ubicándose en una dimensión de inferioridad frente a las nobles actividades del espíritu, cuya contemplación se entendía como fuente del verdadero conocimiento científico. Esta comprensión del conocimiento humano generó dificultades que aún se observan en una clasificación injusta marcadamente elitista y prejuiciada. Tales prejuicios demandan de la educación un trabajo formativo urgente para que no se cumpla la profecía de Dewey, según la cual, si los trabajadores no se apropian de los fundamentos de sus actividades, fácilmente se convertirán en meros apéndices de la tecnología y de las máquinas que operan. Con la intención de hacer la filosofía de la educación esencialmente accesible y estrechamente ligada a las prácticas pedagógicas, Dewey parte de la experiencia vitalmente asociada al desarrollo humano y social, siempre que presente una cualidad estética que la haga única y sea garantía de una vida procedimental, constante y crecimiento verdaderamente educativo. Nos damos cuenta de la importancia del arte en la educación junto con la ciencia y la filosofía, para la mejora del pensamiento cada vez más avanzado para enfrentar los problemas presentes en el mundo de las experiencias.O texto constitui-se por sete partes partindo de uma introdução em que a proposta de caráter bibliográfico é apresentada, se desenvolvendo basicamente pelas referências de John Dewey que tratam do tema envolvendo arte e educação, fundados no conceito de experiência. Após expor algumas informações teórico-biográficas sobre o autor, partimos do problema dos dualismos presentes em nossa cultura, desde os gregos, que acarretou um desmerecimento da experiência em favor da dimensão da teoria, lócus privilegiado da verdade. Nesse sentido, a arte estando no contexto da prática humana se desenvolvia na empiria localizando-se numa dimensão de inferioridade frente às atividades nobres do espírito, cuja contemplação era entendida como a fonte do saber científico verdadeiro. Essa compreensão dos saberes humanos gerou dificuldades que ainda são observadas numa classificação injusta marcadamente elitista e preconceituosa. Tais prejuízos demandam da educação um trabalho formativo urgente para que a profecia de Dewey não se realize, segundo a qual, caso os trabalhadores não se apropriem dos fundamentos das suas atividades, facilmente tornar-se-ão mero apêndices da tecnologia e das máquinas que operam. Pretendendo tornar a filosofia da educação essencialmente acessível e vinculada estreitamente às práticas pedagógicas, Dewey parte da experiência vitalmente associada ao desenvolvimento humano e social, desde que apresente uma qualidade estética que a faz única e seja garantidora do crescimento processual, constante e realmente educativo. Percebemos a importância da arte na educação ao lado da ciência e da filosofia, para o aprimoramento do pensamento cada vez mais avançado para o enfrentamento dos problemas presentes no mundo das experiências.Universidade do Estado de Santa Catarina2023-09-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.udesc.br/index.php/apotheke/article/view/2423310.5965/24471267922023152Revista Apotheke; Vol. 9 No. 2 (2023): Dissenting Experiences in Teaching Visual Arts; 152-167Revista Apotheke; Vol. 9 Núm. 2 (2023): Experiencias disidentes en la enseñanza de las artes visuales; 152-167Revista Apotheke; v. 9 n. 2 (2023): Experiências Dissidentes no Ensino de Artes Visuais; 152-1672447-126710.5965/24471267922023001reponame:Revista Apothekeinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/apotheke/article/view/24233/16132Copyright (c) 2023 Leoni Maria Padilha Henninginfo:eu-repo/semantics/openAccessHenning, Leoni Maria Padilha2024-02-28T14:43:09Zoai::article/24233Revistahttps://periodicos.udesc.br/index.php/apotheke/PUBhttps://periodicos.udesc.br/index.php/apotheke/oaiportal.periodicos@udesc.br | revistaapotheke@gmail.com | revista.apotheke.ceart@udesc.br2447-12672447-1267opendoar:2024-02-28T14:43:09Revista Apotheke - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Experience, art and education from Dewey's analytical perspective
Experiencia, arte y educación desde la perspectiva analítica de Dewey
Experiência, arte e educação pela perspectiva analítica de Dewey
title Experience, art and education from Dewey's analytical perspective
spellingShingle Experience, art and education from Dewey's analytical perspective
Henning, Leoni Maria Padilha
educação
arte
experiência
Dewey
education
art
experience
Dewey
educación
arte
experiencia
Dewey
title_short Experience, art and education from Dewey's analytical perspective
title_full Experience, art and education from Dewey's analytical perspective
title_fullStr Experience, art and education from Dewey's analytical perspective
title_full_unstemmed Experience, art and education from Dewey's analytical perspective
title_sort Experience, art and education from Dewey's analytical perspective
author Henning, Leoni Maria Padilha
author_facet Henning, Leoni Maria Padilha
author_role author
dc.contributor.author.fl_str_mv Henning, Leoni Maria Padilha
dc.subject.por.fl_str_mv educação
arte
experiência
Dewey
education
art
experience
Dewey
educación
arte
experiencia
Dewey
topic educação
arte
experiência
Dewey
education
art
experience
Dewey
educación
arte
experiencia
Dewey
description The text consists of seven parts starting from an introduction in which the bibliographical proposal is presented, basically developing through John Dewey's references that deal with the theme involving art and education, based on the concept of experience. After exposing some theoretical and biographical information about the author, we start with the problem of dualisms present in our culture, since the Greeks, which led to a disregard of experience in favor of the dimension of theory, privileged locus of truth. In this sense, art being in the context of human practice, it developed in empiricism, locating itself in a dimension of inferiority compared to the noble activities of the spirit, whose contemplation was understood as the source of true scientific knowledge. This understanding of human knowledge generated difficulties that are still observed in a markedly elitist and prejudiced unfair classification. Such prejudices demand urgent formative work from education so that Dewey's prophecy does not come true, according to which, if workers do not appropriate the fundamentals of their activities, they will easily become mere appendages of technology and the machines that operate. Intending to make the philosophy of education essentially accessible and closely linked to pedagogical practices, Dewey starts from the experience vitally associated with human and social development, as long as it presents an aesthetic quality that makes it unique and is a guarantee of procedural, constant and truly educational growth. We realize the importance of art in education alongside science and philosophy, for the improvement of increasingly advanced thinking to face the problems present in the world of experiences.
publishDate 2023
dc.date.none.fl_str_mv 2023-09-19
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dc.identifier.uri.fl_str_mv https://periodicos.udesc.br/index.php/apotheke/article/view/24233
10.5965/24471267922023152
url https://periodicos.udesc.br/index.php/apotheke/article/view/24233
identifier_str_mv 10.5965/24471267922023152
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dc.relation.none.fl_str_mv https://periodicos.udesc.br/index.php/apotheke/article/view/24233/16132
dc.rights.driver.fl_str_mv Copyright (c) 2023 Leoni Maria Padilha Henning
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Leoni Maria Padilha Henning
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Revista Apotheke; Vol. 9 No. 2 (2023): Dissenting Experiences in Teaching Visual Arts; 152-167
Revista Apotheke; Vol. 9 Núm. 2 (2023): Experiencias disidentes en la enseñanza de las artes visuales; 152-167
Revista Apotheke; v. 9 n. 2 (2023): Experiências Dissidentes no Ensino de Artes Visuais; 152-167
2447-1267
10.5965/24471267922023001
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