Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita

Bibliographic Details
Main Author: Polidoro, Stefanie Liz
Publication Date: 2022
Format: Article
Language: por
Source: Móin-Móin (Online)
Download full: https://periodicos.udesc.br/index.php/moin/article/view/22425
Summary: This article begins by presenting a path of investigation about the grotesque, emphasizing the relationship between the actress and her buffoonish character Ternurinha. The perspective adopted to approach the theme of the grotesque is elaborated from the dialogue with the American linguist Mary Russo, with the professors and researchers in the area of communication at UFRJ Muniz Sodré and Raquel Paiva, and with the Swiss psychoanalyst Carl Jung. Based on this dialogue, it is asked whether the grotesque is necessarily laughable, and about it, the question of researcher, teacher and clown Ana Fuchs is discussed: “What are we laughing at?”. The last part of the article is dedicated to Cabeção, a character created by the dancer, researcher, and player Maria Eugênia Tita, brought to exemplify and help to reflect on the grotesque states that can be perceived from him.
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spelling Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia TitaO grotesco acontece por catástrofe? da experiência pessoal com Ternurinha ao Cabeção, de Maria Eugênia TitaMaria Eugênia TitagrotescorisorisívelMaria Eugênia TitagrotesquelaughterlaughableThis article begins by presenting a path of investigation about the grotesque, emphasizing the relationship between the actress and her buffoonish character Ternurinha. The perspective adopted to approach the theme of the grotesque is elaborated from the dialogue with the American linguist Mary Russo, with the professors and researchers in the area of communication at UFRJ Muniz Sodré and Raquel Paiva, and with the Swiss psychoanalyst Carl Jung. Based on this dialogue, it is asked whether the grotesque is necessarily laughable, and about it, the question of researcher, teacher and clown Ana Fuchs is discussed: “What are we laughing at?”. The last part of the article is dedicated to Cabeção, a character created by the dancer, researcher, and player Maria Eugênia Tita, brought to exemplify and help to reflect on the grotesque states that can be perceived from him.Este artigo inicia apresentando um percurso de investigação acerca do grotesco, enfatizado na relação entre a atriz e sua personagem bufonesca Ternurinha. A perspectiva adotada para abordar o tema do grotesco é elaborada a partir do diálogo com a linguista estadunidense Mary Russo, com os professores e pesquisadores da área de comunicação da UFRJ Muniz Sodré e Raquel Paiva, e com o psicanalista suíço Carl Jung. Com base nesse diálogo, é indagado se o grotesco é necessariamente risível, e sobre ele, discute-se a pergunta da pesquisadora, professora e palhaça Ana Fuchs: “Do que estamos rindo?”. A última parte do artigo é dedicada ao Cabeção, personagem criado pela bailarina, pesquisadora e brincante Maria Eugênia Tita, trazido para exemplificar e auxiliar a refletir sobre os estados grotescos que podem ser percebidos a partir dele.Universidade do Estado de Santa Catarina2022-09-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionpeer-reviewed articleartículo revisado por paresarticle revu par des pairsArtigo avaliado pelos paresapplication/pdfhttps://periodicos.udesc.br/index.php/moin/article/view/2242510.5965/2595034701262022136Móin-Móin Magazine - Studies in the Art of Puppetry; Vol. 1 No. 26 (2022): Laughter and the grotesque in Puppetry; 136-154Móin-Móin - Revista de Estudios sobre Teatro de Formas Animadas; Vol. 1 Núm. 26 (2022): La risa y lo grotesco en el Teatro de Animación; 136-154Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; Vol. 1 No 26 (2022): Le rire et le grotesque aux Théâtres de Marionnettes; 136-154Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; v. 1 n. 26 (2022): O riso e o grotesco no Teatro de Animação; 136-1542595-03471809-1385reponame:Móin-Móin (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/moin/article/view/22425/14670Copyright (c) 2022 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadasinfo:eu-repo/semantics/openAccessPolidoro, Stefanie Liz2024-02-29T11:56:19Zoai::article/22425Revistahttps://periodicos.udesc.br/index.php/moin/PUBhttps://periodicos.udesc.br/index.php/moin/oaimoinmoin.ceart@udesc.br | portal.periodicos@udesc.brhttps://doi.org/10.5965/259503472595-03471809-1385opendoar:2024-02-29T11:56:19Móin-Móin (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita
O grotesco acontece por catástrofe? da experiência pessoal com Ternurinha ao Cabeção, de Maria Eugênia Tita
title Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita
spellingShingle Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita
Polidoro, Stefanie Liz
Maria Eugênia Tita
grotesco
riso
risível
Maria Eugênia Tita
grotesque
laughter
laughable
title_short Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita
title_full Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita
title_fullStr Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita
title_full_unstemmed Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita
title_sort Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita
author Polidoro, Stefanie Liz
author_facet Polidoro, Stefanie Liz
author_role author
dc.contributor.author.fl_str_mv Polidoro, Stefanie Liz
dc.subject.por.fl_str_mv Maria Eugênia Tita
grotesco
riso
risível
Maria Eugênia Tita
grotesque
laughter
laughable
topic Maria Eugênia Tita
grotesco
riso
risível
Maria Eugênia Tita
grotesque
laughter
laughable
description This article begins by presenting a path of investigation about the grotesque, emphasizing the relationship between the actress and her buffoonish character Ternurinha. The perspective adopted to approach the theme of the grotesque is elaborated from the dialogue with the American linguist Mary Russo, with the professors and researchers in the area of communication at UFRJ Muniz Sodré and Raquel Paiva, and with the Swiss psychoanalyst Carl Jung. Based on this dialogue, it is asked whether the grotesque is necessarily laughable, and about it, the question of researcher, teacher and clown Ana Fuchs is discussed: “What are we laughing at?”. The last part of the article is dedicated to Cabeção, a character created by the dancer, researcher, and player Maria Eugênia Tita, brought to exemplify and help to reflect on the grotesque states that can be perceived from him.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
peer-reviewed article
artículo revisado por pares
article revu par des pairs
Artigo avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.udesc.br/index.php/moin/article/view/22425
10.5965/2595034701262022136
url https://periodicos.udesc.br/index.php/moin/article/view/22425
identifier_str_mv 10.5965/2595034701262022136
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.udesc.br/index.php/moin/article/view/22425/14670
dc.rights.driver.fl_str_mv Copyright (c) 2022 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Móin-Móin Magazine - Studies in the Art of Puppetry; Vol. 1 No. 26 (2022): Laughter and the grotesque in Puppetry; 136-154
Móin-Móin - Revista de Estudios sobre Teatro de Formas Animadas; Vol. 1 Núm. 26 (2022): La risa y lo grotesco en el Teatro de Animación; 136-154
Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; Vol. 1 No 26 (2022): Le rire et le grotesque aux Théâtres de Marionnettes; 136-154
Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; v. 1 n. 26 (2022): O riso e o grotesco no Teatro de Animação; 136-154
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instname_str Universidade do Estado de Santa Catarina (UDESC)
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reponame_str Móin-Móin (Online)
collection Móin-Móin (Online)
repository.name.fl_str_mv Móin-Móin (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv moinmoin.ceart@udesc.br | portal.periodicos@udesc.br
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