Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita
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Publication Date: | 2022 |
Format: | Article |
Language: | por |
Source: | Móin-Móin (Online) |
Download full: | https://periodicos.udesc.br/index.php/moin/article/view/22425 |
Summary: | This article begins by presenting a path of investigation about the grotesque, emphasizing the relationship between the actress and her buffoonish character Ternurinha. The perspective adopted to approach the theme of the grotesque is elaborated from the dialogue with the American linguist Mary Russo, with the professors and researchers in the area of communication at UFRJ Muniz Sodré and Raquel Paiva, and with the Swiss psychoanalyst Carl Jung. Based on this dialogue, it is asked whether the grotesque is necessarily laughable, and about it, the question of researcher, teacher and clown Ana Fuchs is discussed: “What are we laughing at?”. The last part of the article is dedicated to Cabeção, a character created by the dancer, researcher, and player Maria Eugênia Tita, brought to exemplify and help to reflect on the grotesque states that can be perceived from him. |
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Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia TitaO grotesco acontece por catástrofe? da experiência pessoal com Ternurinha ao Cabeção, de Maria Eugênia TitaMaria Eugênia TitagrotescorisorisívelMaria Eugênia TitagrotesquelaughterlaughableThis article begins by presenting a path of investigation about the grotesque, emphasizing the relationship between the actress and her buffoonish character Ternurinha. The perspective adopted to approach the theme of the grotesque is elaborated from the dialogue with the American linguist Mary Russo, with the professors and researchers in the area of communication at UFRJ Muniz Sodré and Raquel Paiva, and with the Swiss psychoanalyst Carl Jung. Based on this dialogue, it is asked whether the grotesque is necessarily laughable, and about it, the question of researcher, teacher and clown Ana Fuchs is discussed: “What are we laughing at?”. The last part of the article is dedicated to Cabeção, a character created by the dancer, researcher, and player Maria Eugênia Tita, brought to exemplify and help to reflect on the grotesque states that can be perceived from him.Este artigo inicia apresentando um percurso de investigação acerca do grotesco, enfatizado na relação entre a atriz e sua personagem bufonesca Ternurinha. A perspectiva adotada para abordar o tema do grotesco é elaborada a partir do diálogo com a linguista estadunidense Mary Russo, com os professores e pesquisadores da área de comunicação da UFRJ Muniz Sodré e Raquel Paiva, e com o psicanalista suíço Carl Jung. Com base nesse diálogo, é indagado se o grotesco é necessariamente risível, e sobre ele, discute-se a pergunta da pesquisadora, professora e palhaça Ana Fuchs: “Do que estamos rindo?”. A última parte do artigo é dedicada ao Cabeção, personagem criado pela bailarina, pesquisadora e brincante Maria Eugênia Tita, trazido para exemplificar e auxiliar a refletir sobre os estados grotescos que podem ser percebidos a partir dele.Universidade do Estado de Santa Catarina2022-09-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionpeer-reviewed articleartículo revisado por paresarticle revu par des pairsArtigo avaliado pelos paresapplication/pdfhttps://periodicos.udesc.br/index.php/moin/article/view/2242510.5965/2595034701262022136Móin-Móin Magazine - Studies in the Art of Puppetry; Vol. 1 No. 26 (2022): Laughter and the grotesque in Puppetry; 136-154Móin-Móin - Revista de Estudios sobre Teatro de Formas Animadas; Vol. 1 Núm. 26 (2022): La risa y lo grotesco en el Teatro de Animación; 136-154Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; Vol. 1 No 26 (2022): Le rire et le grotesque aux Théâtres de Marionnettes; 136-154Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; v. 1 n. 26 (2022): O riso e o grotesco no Teatro de Animação; 136-1542595-03471809-1385reponame:Móin-Móin (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/moin/article/view/22425/14670Copyright (c) 2022 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadasinfo:eu-repo/semantics/openAccessPolidoro, Stefanie Liz2024-02-29T11:56:19Zoai::article/22425Revistahttps://periodicos.udesc.br/index.php/moin/PUBhttps://periodicos.udesc.br/index.php/moin/oaimoinmoin.ceart@udesc.br | portal.periodicos@udesc.brhttps://doi.org/10.5965/259503472595-03471809-1385opendoar:2024-02-29T11:56:19Móin-Móin (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita O grotesco acontece por catástrofe? da experiência pessoal com Ternurinha ao Cabeção, de Maria Eugênia Tita |
title |
Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita |
spellingShingle |
Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita Polidoro, Stefanie Liz Maria Eugênia Tita grotesco riso risível Maria Eugênia Tita grotesque laughter laughable |
title_short |
Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita |
title_full |
Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita |
title_fullStr |
Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita |
title_full_unstemmed |
Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita |
title_sort |
Does the grotesque happen by catastrophe? from the personal experience with Ternurinha to Cabeção, by Maria Eugênia Tita |
author |
Polidoro, Stefanie Liz |
author_facet |
Polidoro, Stefanie Liz |
author_role |
author |
dc.contributor.author.fl_str_mv |
Polidoro, Stefanie Liz |
dc.subject.por.fl_str_mv |
Maria Eugênia Tita grotesco riso risível Maria Eugênia Tita grotesque laughter laughable |
topic |
Maria Eugênia Tita grotesco riso risível Maria Eugênia Tita grotesque laughter laughable |
description |
This article begins by presenting a path of investigation about the grotesque, emphasizing the relationship between the actress and her buffoonish character Ternurinha. The perspective adopted to approach the theme of the grotesque is elaborated from the dialogue with the American linguist Mary Russo, with the professors and researchers in the area of communication at UFRJ Muniz Sodré and Raquel Paiva, and with the Swiss psychoanalyst Carl Jung. Based on this dialogue, it is asked whether the grotesque is necessarily laughable, and about it, the question of researcher, teacher and clown Ana Fuchs is discussed: “What are we laughing at?”. The last part of the article is dedicated to Cabeção, a character created by the dancer, researcher, and player Maria Eugênia Tita, brought to exemplify and help to reflect on the grotesque states that can be perceived from him. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-09-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion peer-reviewed article artículo revisado por pares article revu par des pairs Artigo avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.udesc.br/index.php/moin/article/view/22425 10.5965/2595034701262022136 |
url |
https://periodicos.udesc.br/index.php/moin/article/view/22425 |
identifier_str_mv |
10.5965/2595034701262022136 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.udesc.br/index.php/moin/article/view/22425/14670 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Móin-Móin Magazine - Studies in the Art of Puppetry; Vol. 1 No. 26 (2022): Laughter and the grotesque in Puppetry; 136-154 Móin-Móin - Revista de Estudios sobre Teatro de Formas Animadas; Vol. 1 Núm. 26 (2022): La risa y lo grotesco en el Teatro de Animación; 136-154 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; Vol. 1 No 26 (2022): Le rire et le grotesque aux Théâtres de Marionnettes; 136-154 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; v. 1 n. 26 (2022): O riso e o grotesco no Teatro de Animação; 136-154 2595-0347 1809-1385 reponame:Móin-Móin (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Móin-Móin (Online) |
collection |
Móin-Móin (Online) |
repository.name.fl_str_mv |
Móin-Móin (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
moinmoin.ceart@udesc.br | portal.periodicos@udesc.br |
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1842258798639579136 |