Mapiko Mask from Mozambique: from land to stage
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Móin-Móin (Online) |
Texto Completo: | https://periodicos.udesc.br/index.php/moin/article/view/24015 |
Resumo: | The article presents Mapiko masks from Mozambique and discusses the relationships that theater and dance groups establish with such a tradition in the current scenic context in the city of Maputo. Mapiko masks are traditional to the Makonde people who live in the north of Mozambique. Mapiko underwent several modifications and adaptations over the years, dialoguing with other ethnic groups, European colonial references and political and ideological transformations. This article presents such transformations and possibilities that such a mask has been assuming over the years, in order to discuss the relationship between tradition and contemporaneity in the use of masking influenced by Mapiko in the current scene of Maputo. |
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Mapiko Mask from Mozambique: from land to stageMáscara Mapiko de Moçambique: da terra ao palcomaskMozambiqueMapikoAfrican theaterÁfricamáscaraMoçambiqueMapikoteatro africanoÁfricaThe article presents Mapiko masks from Mozambique and discusses the relationships that theater and dance groups establish with such a tradition in the current scenic context in the city of Maputo. Mapiko masks are traditional to the Makonde people who live in the north of Mozambique. Mapiko underwent several modifications and adaptations over the years, dialoguing with other ethnic groups, European colonial references and political and ideological transformations. This article presents such transformations and possibilities that such a mask has been assuming over the years, in order to discuss the relationship between tradition and contemporaneity in the use of masking influenced by Mapiko in the current scene of Maputo.O artigo apresenta as máscaras Mapiko de Moçambique e discute as relações que grupos de teatro e dança estabelecem com tal tradição no contexto cênico atual na cidade de Maputo. As máscaras Mapiko são tradicionais do povo Maconde que vive ao norte de Moçambique. O Mapiko sofreu diversas modificações e adaptações ao longo dos anos, dialogando com outras etnias, referências coloniais europeias e transformações políticas e ideológicas. O presente artigo apresenta tais transformações e possibilidades que tais máscaras foi assumindo ao longo dos anos, a fim de discutir a relação de tradição e contemporaneidade na utilização do mascaramento influenciado por Mapiko na cena atual de Maputo.Universidade do Estado de Santa Catarina2023-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionartigo avaliado por paresapplication/pdfhttps://periodicos.udesc.br/index.php/moin/article/view/2401510.5965/2595034701282023047Móin-Móin Magazine - Studies in the Art of Puppetry; Vol. 1 No. 28 (2023): African and Afrodiasporic Puppet Theater ; 47-63Móin-Móin - Revista de Estudios sobre Teatro de Formas Animadas; Vol. 1 Núm. 28 (2023): Teatro de Títeres africano y afrodiaspórico; 47-63Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; Vol. 1 No 28 (2023): Théâtre de Marionnettes africain et afrodiasporique; 47-63Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; v. 1 n. 28 (2023): Teatro de Animação africano e afrodiaspórico; 47-632595-03471809-1385reponame:Móin-Móin (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/moin/article/view/24015/16193Copyright (c) 2023 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadasinfo:eu-repo/semantics/openAccessLopes, Mariana Conde Rhormens2024-02-29T11:58:29Zoai::article/24015Revistahttps://periodicos.udesc.br/index.php/moin/PUBhttps://periodicos.udesc.br/index.php/moin/oaimoinmoin.ceart@udesc.br | portal.periodicos@udesc.brhttps://doi.org/10.5965/259503472595-03471809-1385opendoar:2024-02-29T11:58:29Móin-Móin (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Mapiko Mask from Mozambique: from land to stage Máscara Mapiko de Moçambique: da terra ao palco |
title |
Mapiko Mask from Mozambique: from land to stage |
spellingShingle |
Mapiko Mask from Mozambique: from land to stage Lopes, Mariana Conde Rhormens mask Mozambique Mapiko African theater África máscara Moçambique Mapiko teatro africano África |
title_short |
Mapiko Mask from Mozambique: from land to stage |
title_full |
Mapiko Mask from Mozambique: from land to stage |
title_fullStr |
Mapiko Mask from Mozambique: from land to stage |
title_full_unstemmed |
Mapiko Mask from Mozambique: from land to stage |
title_sort |
Mapiko Mask from Mozambique: from land to stage |
author |
Lopes, Mariana Conde Rhormens |
author_facet |
Lopes, Mariana Conde Rhormens |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lopes, Mariana Conde Rhormens |
dc.subject.por.fl_str_mv |
mask Mozambique Mapiko African theater África máscara Moçambique Mapiko teatro africano África |
topic |
mask Mozambique Mapiko African theater África máscara Moçambique Mapiko teatro africano África |
description |
The article presents Mapiko masks from Mozambique and discusses the relationships that theater and dance groups establish with such a tradition in the current scenic context in the city of Maputo. Mapiko masks are traditional to the Makonde people who live in the north of Mozambique. Mapiko underwent several modifications and adaptations over the years, dialoguing with other ethnic groups, European colonial references and political and ideological transformations. This article presents such transformations and possibilities that such a mask has been assuming over the years, in order to discuss the relationship between tradition and contemporaneity in the use of masking influenced by Mapiko in the current scene of Maputo. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-10-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.udesc.br/index.php/moin/article/view/24015 10.5965/2595034701282023047 |
url |
https://periodicos.udesc.br/index.php/moin/article/view/24015 |
identifier_str_mv |
10.5965/2595034701282023047 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.udesc.br/index.php/moin/article/view/24015/16193 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Móin-Móin Magazine - Studies in the Art of Puppetry; Vol. 1 No. 28 (2023): African and Afrodiasporic Puppet Theater ; 47-63 Móin-Móin - Revista de Estudios sobre Teatro de Formas Animadas; Vol. 1 Núm. 28 (2023): Teatro de Títeres africano y afrodiaspórico; 47-63 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; Vol. 1 No 28 (2023): Théâtre de Marionnettes africain et afrodiasporique; 47-63 Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas; v. 1 n. 28 (2023): Teatro de Animação africano e afrodiaspórico; 47-63 2595-0347 1809-1385 reponame:Móin-Móin (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Móin-Móin (Online) |
collection |
Móin-Móin (Online) |
repository.name.fl_str_mv |
Móin-Móin (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
moinmoin.ceart@udesc.br | portal.periodicos@udesc.br |
_version_ |
1842258798673133568 |