On ancestry, my grandmother Eliza and the Russian Theatre
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Publication Date: | 2020 |
Format: | Article |
Language: | por |
Source: | DAPesquisa |
Download full: | https://periodicos.udesc.br/index.php/dapesquisa/article/view/17973 |
Summary: | This panel is the result of a pursuit of a writing style to a research on Art. Entwining childhood and Ukrainian ancestral memories, the seam and the embroidery emerged as a qualitative strategy to deal with the body's thinking. Such memories organizedthus the way this body creates and builds its connections. Since the weave resumes doings apprehended in childhood, the thread enters the textile and ties the links among academic, artistic and pedagogical creation which here are such an amalgam. Consequentily, three dimensions of sewing and embroidering may bepointed out: the metaphorical seams which tied ideas into a text, the metaphorical weaving of dance movements and the concrete seam of the text-tissue which bindsthe texts among them. All seams, therefore, embroider overlapping meanings and produce aesthetic results. |
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On ancestry, my grandmother Eliza and the Russian TheatreSobre ancestralidade, minha vó Eliza e o Teatro RussoTeatro russoGenealogiaDançaArtes cênicasEscrita e arteRussian dramaGenealogyDancePerforming artsWriting and artThis panel is the result of a pursuit of a writing style to a research on Art. Entwining childhood and Ukrainian ancestral memories, the seam and the embroidery emerged as a qualitative strategy to deal with the body's thinking. Such memories organizedthus the way this body creates and builds its connections. Since the weave resumes doings apprehended in childhood, the thread enters the textile and ties the links among academic, artistic and pedagogical creation which here are such an amalgam. Consequentily, three dimensions of sewing and embroidering may bepointed out: the metaphorical seams which tied ideas into a text, the metaphorical weaving of dance movements and the concrete seam of the text-tissue which bindsthe texts among them. All seams, therefore, embroider overlapping meanings and produce aesthetic results.Este painel é fruto da busca de um modo de escrever para uma pesquisa em artes.Ao entrelaçarem-se as memórias de infância e as ancestrais, a costura e o bordadoemergiram como estratégia qualitativa para lidar com o pensamento do corpo.Compreende-se, assim, que as memórias e a ancestralidade ucraniana organizam omodo como este corpo cria e constrói suas conexões. Ao retomar fazeresapreendidos na infância, a tecitura se torna o fio que adentra o tecido e amarra oselos da construção acadêmica, artística e pedagógica, aqui indissociáveis. Trêsdimensões do coser e do bordar podem ser apontadas: as costuras metafóricas queamarraram ideias em texto, a tessitura metafórica de movimentos em dança e acostura concreta do texto-tecido que organiza a amarração e união dos textos entreeles. Todas bordam significados sobrepostos e produzem resultados estéticos.Universidade do Estado de Santa Catarina2020-10-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlapplication/epub+ziphttps://periodicos.udesc.br/index.php/dapesquisa/article/view/1797310.5965/1808312915252020e0030DAPesquisa; v. 15 n. esp. (2020): Do tema aos modos, reflexões e invenções: pesquisa em artes e as escritas da pesquisa; 01-151808-3129reponame:DAPesquisainstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/dapesquisa/article/view/17973/12128https://periodicos.udesc.br/index.php/dapesquisa/article/view/17973/12152https://periodicos.udesc.br/index.php/dapesquisa/article/view/17973/12153Copyright (c) 2020 Thábata Marques Liparottiinfo:eu-repo/semantics/openAccessLiparotti, Thábata Marques2020-12-18T17:10:00Zoai::article/17973Revistahttps://periodicos.udesc.br/index.php/dapesquisa/PUBhttps://periodicos.udesc.br/index.php/dapesquisa/oaidapesquisa.ceart@udesc.br | portal.periodicos@udesc.brhttps://doi.org/10.5965/180831291808-31291808-3129opendoar:2020-12-18T17:10DAPesquisa - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
On ancestry, my grandmother Eliza and the Russian Theatre Sobre ancestralidade, minha vó Eliza e o Teatro Russo |
title |
On ancestry, my grandmother Eliza and the Russian Theatre |
spellingShingle |
On ancestry, my grandmother Eliza and the Russian Theatre Liparotti, Thábata Marques Teatro russo Genealogia Dança Artes cênicas Escrita e arte Russian drama Genealogy Dance Performing arts Writing and art |
title_short |
On ancestry, my grandmother Eliza and the Russian Theatre |
title_full |
On ancestry, my grandmother Eliza and the Russian Theatre |
title_fullStr |
On ancestry, my grandmother Eliza and the Russian Theatre |
title_full_unstemmed |
On ancestry, my grandmother Eliza and the Russian Theatre |
title_sort |
On ancestry, my grandmother Eliza and the Russian Theatre |
author |
Liparotti, Thábata Marques |
author_facet |
Liparotti, Thábata Marques |
author_role |
author |
dc.contributor.author.fl_str_mv |
Liparotti, Thábata Marques |
dc.subject.por.fl_str_mv |
Teatro russo Genealogia Dança Artes cênicas Escrita e arte Russian drama Genealogy Dance Performing arts Writing and art |
topic |
Teatro russo Genealogia Dança Artes cênicas Escrita e arte Russian drama Genealogy Dance Performing arts Writing and art |
description |
This panel is the result of a pursuit of a writing style to a research on Art. Entwining childhood and Ukrainian ancestral memories, the seam and the embroidery emerged as a qualitative strategy to deal with the body's thinking. Such memories organizedthus the way this body creates and builds its connections. Since the weave resumes doings apprehended in childhood, the thread enters the textile and ties the links among academic, artistic and pedagogical creation which here are such an amalgam. Consequentily, three dimensions of sewing and embroidering may bepointed out: the metaphorical seams which tied ideas into a text, the metaphorical weaving of dance movements and the concrete seam of the text-tissue which bindsthe texts among them. All seams, therefore, embroider overlapping meanings and produce aesthetic results. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-10-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.udesc.br/index.php/dapesquisa/article/view/17973 10.5965/1808312915252020e0030 |
url |
https://periodicos.udesc.br/index.php/dapesquisa/article/view/17973 |
identifier_str_mv |
10.5965/1808312915252020e0030 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.udesc.br/index.php/dapesquisa/article/view/17973/12128 https://periodicos.udesc.br/index.php/dapesquisa/article/view/17973/12152 https://periodicos.udesc.br/index.php/dapesquisa/article/view/17973/12153 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Thábata Marques Liparotti info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Thábata Marques Liparotti |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html application/epub+zip |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
DAPesquisa; v. 15 n. esp. (2020): Do tema aos modos, reflexões e invenções: pesquisa em artes e as escritas da pesquisa; 01-15 1808-3129 reponame:DAPesquisa instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
DAPesquisa |
collection |
DAPesquisa |
repository.name.fl_str_mv |
DAPesquisa - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
dapesquisa.ceart@udesc.br | portal.periodicos@udesc.br |
_version_ |
1842258363540307968 |