The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic

Bibliographic Details
Main Author: Tudella, Eduardo
Publication Date: 2023
Format: Article
Language: por
Source: Urdimento (Online)
Download full: https://www.revistas.udesc.br/index.php/urdimento/article/view/24735
Summary: This article discusses probable visual roots for theatrical praxis. I observed derivations originating in the Greek verb théa, as well as in the noun theatron, found in ancient Greece. Starting from this context, I identified theoretical links with Hans-Thies Lehmann, Peter Szondi and Ewald Hackler. Two works of international dramaturgy written at different times were incorporated into the argument, namely: Les Aveugles (1890) and 4.48 Psychosis (2000), whose authors they are, respectively, Maurice Maeterlinck (1862-1949) and Sarah Kane (1971-1999). This approach found excerpts that reveal consistent application of verbal images in the dramaturgical corpus of each of these works. Given this, I suggest academic attention to systematized studies of visual praxis in the theater.
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spelling The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic La praxis teatral y sus raíces visuales: Sarah Kane, Maurice Maeterlinck y el posdramáticoA práxis teatral e suas raízes visuais: Kane, Maeterlinck e o pós-dramáticopraxis teatralimagemteatro pós-dramáticoiluminação para o teatroprojetotheatrical praxisimagepostdramatic theatertheater lightingdesignpraxis teatralimagenteatro posdramáticoiluminación del teatrodiseñoThis article discusses probable visual roots for theatrical praxis. I observed derivations originating in the Greek verb théa, as well as in the noun theatron, found in ancient Greece. Starting from this context, I identified theoretical links with Hans-Thies Lehmann, Peter Szondi and Ewald Hackler. Two works of international dramaturgy written at different times were incorporated into the argument, namely: Les Aveugles (1890) and 4.48 Psychosis (2000), whose authors they are, respectively, Maurice Maeterlinck (1862-1949) and Sarah Kane (1971-1999). This approach found excerpts that reveal consistent application of verbal images in the dramaturgical corpus of each of these works. Given this, I suggest academic attention to systematized studies of visual praxis in the theater.Este artículo analiza las probables raíces visuales de la praxis teatral. Observé derivaciones originadas en el verbo griego théa, así como en el sustantivo theatron, que se encuentra en la antigua Grecia. A partir de este contexto, identifiqué vínculos teóricos con Hans-Thies Lehmann, Peter Szondi y Ewald Hackler. Se incorporaron al argumento dos obras de dramaturgia internacional escritas en diferentes épocas, a saber: Les Aveugles (1890) y 4.48 Psychosis (2000), cuyos autores son, respectivamente, Maurice Maeterlinck (1862-1949) y Sarah Kane (1971-1999). . Este enfoque encontró extractos que revelan una aplicación consistente de imágenes verbales en el corpus dramatúrgico de cada una de estas obras. Ante esto, sugiero atención académica a los estudios sistematizados de la praxis visual en teatro.Discute-se neste artigo prováveis raízes visuais para a praxis teatral. Observei derivações originadas no verbo grego théa, assim como no substantivo theatron, encontrados já na Grécia antiga. Partindo desse contexto, identifiquei elos teóricos com Hans-Thies Lehmann, Peter Szondi e Ewald Hackler. Foram incorporadas à argumentação duas obras da dramaturgia internacional escritas em épocas distintas, a saber: Les Aveugles (1890) e 4.48 Psychosis (2000), cujos autores são respectivamente, Maurice Maeterlinck (1862-1949) e Sarah Kane (1971-1999). Tal abordagem encontrou trechos que revelam aplicação consistente de imagens verbais no corpus dramatúrgico de cada uma dessas obras. Diante disso, sugiro atenção acadêmica para estudos sistematizados da praxis visual no teatro.Universidade do Estado de Santa Catarina (UDESC)2023-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelo paresapplication/pdftext/htmlapplication/epub+ziphttps://www.revistas.udesc.br/index.php/urdimento/article/view/2473510.5965/1414573104492023e0203Urdimento: Revista de Estudos em Artes Cênicas; Vol. 4 No. 49 (2023): Nelson Rodrigues no chão do palco; 1-27Urdimento; Vol. 4 Núm. 49 (2023): Nelson Rodrigues no chão do palco; 1-27Urdimento - Revista de Estudos em Artes Cênicas; v. 4 n. 49 (2023): Nelson Rodrigues no chão do palco; 1-272358-695810.5965/10.5965/1414573104492023reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/24735/16319https://www.revistas.udesc.br/index.php/urdimento/article/view/24735/16320https://www.revistas.udesc.br/index.php/urdimento/article/view/24735/16321Copyright (c) 2023 Urdimento: Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTudella, Eduardo2024-02-29T15:02:47Zoai::article/24735Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2024-02-29T15:02:47Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic
La praxis teatral y sus raíces visuales: Sarah Kane, Maurice Maeterlinck y el posdramático
A práxis teatral e suas raízes visuais: Kane, Maeterlinck e o pós-dramático
title The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic
spellingShingle The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic
Tudella, Eduardo
praxis teatral
imagem
teatro pós-dramático
iluminação para o teatro
projeto
theatrical praxis
image
postdramatic theater
theater lighting
design
praxis teatral
imagen
teatro posdramático
iluminación del teatro
diseño
title_short The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic
title_full The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic
title_fullStr The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic
title_full_unstemmed The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic
title_sort The theatrical praxis and its visual roots: Sarah Kane, Maurice Maeterlinck and the Post-Dramatic
author Tudella, Eduardo
author_facet Tudella, Eduardo
author_role author
dc.contributor.author.fl_str_mv Tudella, Eduardo
dc.subject.por.fl_str_mv praxis teatral
imagem
teatro pós-dramático
iluminação para o teatro
projeto
theatrical praxis
image
postdramatic theater
theater lighting
design
praxis teatral
imagen
teatro posdramático
iluminación del teatro
diseño
topic praxis teatral
imagem
teatro pós-dramático
iluminação para o teatro
projeto
theatrical praxis
image
postdramatic theater
theater lighting
design
praxis teatral
imagen
teatro posdramático
iluminación del teatro
diseño
description This article discusses probable visual roots for theatrical praxis. I observed derivations originating in the Greek verb théa, as well as in the noun theatron, found in ancient Greece. Starting from this context, I identified theoretical links with Hans-Thies Lehmann, Peter Szondi and Ewald Hackler. Two works of international dramaturgy written at different times were incorporated into the argument, namely: Les Aveugles (1890) and 4.48 Psychosis (2000), whose authors they are, respectively, Maurice Maeterlinck (1862-1949) and Sarah Kane (1971-1999). This approach found excerpts that reveal consistent application of verbal images in the dramaturgical corpus of each of these works. Given this, I suggest academic attention to systematized studies of visual praxis in the theater.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelo pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/24735
10.5965/1414573104492023e0203
url https://www.revistas.udesc.br/index.php/urdimento/article/view/24735
identifier_str_mv 10.5965/1414573104492023e0203
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/24735/16319
https://www.revistas.udesc.br/index.php/urdimento/article/view/24735/16320
https://www.revistas.udesc.br/index.php/urdimento/article/view/24735/16321
dc.rights.driver.fl_str_mv Copyright (c) 2023 Urdimento: Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Urdimento: Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
application/epub+zip
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento: Revista de Estudos em Artes Cênicas; Vol. 4 No. 49 (2023): Nelson Rodrigues no chão do palco; 1-27
Urdimento; Vol. 4 Núm. 49 (2023): Nelson Rodrigues no chão do palco; 1-27
Urdimento - Revista de Estudos em Artes Cênicas; v. 4 n. 49 (2023): Nelson Rodrigues no chão do palco; 1-27
2358-6958
10.5965/10.5965/1414573104492023
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
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