“Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência

Detalhes bibliográficos
Autor(a) principal: Costa, Vitor da Silva
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: PerCursos (Florianópolis. Online)
Texto Completo: https://www.periodicos.udesc.br/index.php/percursos/article/view/19625
Resumo: This article aims to reflect briefly on the meanings of the songs of São Paulo rapper Rincon Sapiência. Especially, the content of the songs present in his most recent work Mundo Manicongo: Dramas, Danças e Afroreps. The proposed analysis to be undertaken here aims to identify the cultural and pedagogical contribution that this record has, when we think about the prism of black corporeality and the identity re-significations of the subjects belonging to this group. In this way, besides evidencing the impact of Rincon's songs in the construction of contemporary black identities, we also seek to point out the historical conceptions about black sociabilities. In which many of the cultural manifestations exercised by the black population had, and still have, as the main vector of expression the black body added to musicality.
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spelling “Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência“Metendo dança”: saberes estético-corpóreos nas músicas do rapper Rincon SapiênciaRincon Sapiênciacorporeidade negraidentidade negraRincon Sapiênciablack corporeityblack identityThis article aims to reflect briefly on the meanings of the songs of São Paulo rapper Rincon Sapiência. Especially, the content of the songs present in his most recent work Mundo Manicongo: Dramas, Danças e Afroreps. The proposed analysis to be undertaken here aims to identify the cultural and pedagogical contribution that this record has, when we think about the prism of black corporeality and the identity re-significations of the subjects belonging to this group. In this way, besides evidencing the impact of Rincon's songs in the construction of contemporary black identities, we also seek to point out the historical conceptions about black sociabilities. In which many of the cultural manifestations exercised by the black population had, and still have, as the main vector of expression the black body added to musicality.O presente artigo tem como objetivo, realizar uma breve reflexão sobre as significações das músicas do rapper paulistano Rincon Sapiência. Sobretudo, o conteúdo das músicas presentes no seu mais recente trabalho Mundo Manicongo: Dramas, Danças e Afroreps. A proposta de análise a ser empreendia aqui, visa identificar a contribuição cultural e pedagógica que este disco possui, quando pensamos sobre o prisma da corporeidade negra e as ressignificações identitárias dos sujeitos pertencentes a este grupo. Desta forma, além de evidenciar o impacto das músicas de Rincon na construção de identidades negras contemporâneas, busca-se também, apontar as concepções históricas acerca das sociabilidades negras. Nas quais, muitas das manifestações culturais exercidas pela população negra, tiveram e ainda tem, como principal vetor de expressão o corpo negro somado a musicalidade.Universidade do Estado de Santa Catarina - UDESC2021-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.periodicos.udesc.br/index.php/percursos/article/view/1962510.5965/984724622502021116PerCursos; v. 22 n. 50 (2021): A vertigem das artes no Sul global; 116 - 1441984-724610.5965/1984724622502021reponame:PerCursos (Florianópolis. Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.periodicos.udesc.br/index.php/percursos/article/view/19625/14230Copyright (c) 2021 PerCursoshttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessCosta, Vitor da Silva2024-02-29T14:07:37Zoai::article/19625Revistahttps://www.periodicos.udesc.br/index.php/percursosPUBhttps://www.periodicos.udesc.br/index.php/percursos/oairevistapercursos.faed@udesc.br1984-72461984-7246opendoar:2024-02-29T14:07:37PerCursos (Florianópolis. Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv “Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência
“Metendo dança”: saberes estético-corpóreos nas músicas do rapper Rincon Sapiência
title “Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência
spellingShingle “Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência
Costa, Vitor da Silva
Rincon Sapiência
corporeidade negra
identidade negra
Rincon Sapiência
black corporeity
black identity
title_short “Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência
title_full “Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência
title_fullStr “Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência
title_full_unstemmed “Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência
title_sort “Getting into dance”: aesthetic-corporeal knowledge in the rapper's songs Rincon Sapiência
author Costa, Vitor da Silva
author_facet Costa, Vitor da Silva
author_role author
dc.contributor.author.fl_str_mv Costa, Vitor da Silva
dc.subject.por.fl_str_mv Rincon Sapiência
corporeidade negra
identidade negra
Rincon Sapiência
black corporeity
black identity
topic Rincon Sapiência
corporeidade negra
identidade negra
Rincon Sapiência
black corporeity
black identity
description This article aims to reflect briefly on the meanings of the songs of São Paulo rapper Rincon Sapiência. Especially, the content of the songs present in his most recent work Mundo Manicongo: Dramas, Danças e Afroreps. The proposed analysis to be undertaken here aims to identify the cultural and pedagogical contribution that this record has, when we think about the prism of black corporeality and the identity re-significations of the subjects belonging to this group. In this way, besides evidencing the impact of Rincon's songs in the construction of contemporary black identities, we also seek to point out the historical conceptions about black sociabilities. In which many of the cultural manifestations exercised by the black population had, and still have, as the main vector of expression the black body added to musicality.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.periodicos.udesc.br/index.php/percursos/article/view/19625
10.5965/984724622502021116
url https://www.periodicos.udesc.br/index.php/percursos/article/view/19625
identifier_str_mv 10.5965/984724622502021116
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.periodicos.udesc.br/index.php/percursos/article/view/19625/14230
dc.rights.driver.fl_str_mv Copyright (c) 2021 PerCursos
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 PerCursos
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina - UDESC
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina - UDESC
dc.source.none.fl_str_mv PerCursos; v. 22 n. 50 (2021): A vertigem das artes no Sul global; 116 - 144
1984-7246
10.5965/1984724622502021
reponame:PerCursos (Florianópolis. Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str PerCursos (Florianópolis. Online)
collection PerCursos (Florianópolis. Online)
repository.name.fl_str_mv PerCursos (Florianópolis. Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv revistapercursos.faed@udesc.br
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