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Ethnography of Instituto Casa da Cidade’s Roda de Choro

Bibliographic Details
Main Author: Rosa, Luciana Fernandes
Publication Date: 2019
Format: Article
Language: por
Source: Orfeu (Florianópolis)
Download full: https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404012019027
Summary: This paper presents an ethnography of a roda de choro2 that occurred in July, 2016, at The Casa da Cidade Institute, located in Vila Madalena, São Paulo. The roda in question, at the time held monthly, was organized by an elderly musician in the scene of the São Paulo choro and brought together amateur musicians, professionals, students and listeners. Aspects of the musical making of the roda and the profile of its participants from the perspective of some authors related to ethnomusicology were observed, among them Ruth Finnegan, Thomas Turino, John Blacking and Etienne Wenger, through participant observation and interviews with attendees of the event. It is concluded that the roda has characteristics that differ from other rodas de choro of the capital, to have the participation of amateur and professional musicians in a democratic and welcoming environment, and for evidencing aspects of rescue of the personal history of the musicians.
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spelling Ethnography of Instituto Casa da Cidade’s Roda de ChoroEtnografia da roda de choro do Instituto Casa da Cidadeantropologia da músicamúsica brasileiramúsica popularetnomusicologiachoroanthropology of musicBrazilian musicpopular musicethnomusicologychoroThis paper presents an ethnography of a roda de choro2 that occurred in July, 2016, at The Casa da Cidade Institute, located in Vila Madalena, São Paulo. The roda in question, at the time held monthly, was organized by an elderly musician in the scene of the São Paulo choro and brought together amateur musicians, professionals, students and listeners. Aspects of the musical making of the roda and the profile of its participants from the perspective of some authors related to ethnomusicology were observed, among them Ruth Finnegan, Thomas Turino, John Blacking and Etienne Wenger, through participant observation and interviews with attendees of the event. It is concluded that the roda has characteristics that differ from other rodas de choro of the capital, to have the participation of amateur and professional musicians in a democratic and welcoming environment, and for evidencing aspects of rescue of the personal history of the musicians.Este trabalho apresenta a etnografia de uma roda de choro ocorrida em julho de 2016 no Instituto Casa da Cidade, situado na Vila Madalena, bairro da cidade de São Paulo/SP. A roda em questão, na época realizada mensalmente, era organizada por um músico veterano no cenário do choro paulistano e reunia músicos amadores, profissionais, estudantes e ouvintes. Foram observados aspectos do fazer musical da roda e o perfil de seus participantes sob a perspectiva de alguns autores ligados à etnomusicologia, entre eles Ruth Finnegan, Thomas Turino, John Blacking e Etienne Wenger, por meio da observação participante e entrevistas realizadas com frequentadores do evento. Conclui-se que a roda tem características que a diferem de outras rodas de choro da capital, por ter a participação de músicos amadores e profissionais em um ambiente democrático e acolhedor, e por evidenciar aspectos de resgate da história pessoal dos músicos.Universidade do Estado de Santa Catarina2019-09-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.udesc.br/index.php/orfeu/article/view/105965252553040401201902710.5965/2525530404012019027Orfeu; Vol. 4 No. 1 (2019): Dossiê Práticas Musicais Coletivas e Música de Câmara; 27-48Orfeu; Vol. 4 Núm. 1 (2019): Dossiê Práticas Musicais Coletivas e Música de Câmara; 27-48Orfeu; v. 4 n. 1 (2019): Dossiê Práticas Musicais Coletivas e Música de Câmara; 27-482525-5304reponame:Orfeu (Florianópolis)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404012019027/10493Copyright (c) 2019 ORFEUinfo:eu-repo/semantics/openAccessRosa, Luciana Fernandes2022-07-01T12:38:59Zoai::article/14781Revistahttps://periodicos.udesc.br/index.php/orfeu/PUBhttps://periodicos.udesc.br/index.php/orfeu/oaiorfeu.ceart@udesc.br | orfeu.ceart@udesc.brhttps://doi.org/10.5965/252553042525-53042525-5304opendoar:2022-07-01T12:38:59Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Ethnography of Instituto Casa da Cidade’s Roda de Choro
Etnografia da roda de choro do Instituto Casa da Cidade
title Ethnography of Instituto Casa da Cidade’s Roda de Choro
spellingShingle Ethnography of Instituto Casa da Cidade’s Roda de Choro
Rosa, Luciana Fernandes
antropologia da música
música brasileira
música popular
etnomusicologia
choro
anthropology of music
Brazilian music
popular music
ethnomusicology
choro
title_short Ethnography of Instituto Casa da Cidade’s Roda de Choro
title_full Ethnography of Instituto Casa da Cidade’s Roda de Choro
title_fullStr Ethnography of Instituto Casa da Cidade’s Roda de Choro
title_full_unstemmed Ethnography of Instituto Casa da Cidade’s Roda de Choro
title_sort Ethnography of Instituto Casa da Cidade’s Roda de Choro
author Rosa, Luciana Fernandes
author_facet Rosa, Luciana Fernandes
author_role author
dc.contributor.author.fl_str_mv Rosa, Luciana Fernandes
dc.subject.por.fl_str_mv antropologia da música
música brasileira
música popular
etnomusicologia
choro
anthropology of music
Brazilian music
popular music
ethnomusicology
choro
topic antropologia da música
música brasileira
música popular
etnomusicologia
choro
anthropology of music
Brazilian music
popular music
ethnomusicology
choro
description This paper presents an ethnography of a roda de choro2 that occurred in July, 2016, at The Casa da Cidade Institute, located in Vila Madalena, São Paulo. The roda in question, at the time held monthly, was organized by an elderly musician in the scene of the São Paulo choro and brought together amateur musicians, professionals, students and listeners. Aspects of the musical making of the roda and the profile of its participants from the perspective of some authors related to ethnomusicology were observed, among them Ruth Finnegan, Thomas Turino, John Blacking and Etienne Wenger, through participant observation and interviews with attendees of the event. It is concluded that the roda has characteristics that differ from other rodas de choro of the capital, to have the participation of amateur and professional musicians in a democratic and welcoming environment, and for evidencing aspects of rescue of the personal history of the musicians.
publishDate 2019
dc.date.none.fl_str_mv 2019-09-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404012019027
10.5965/2525530404012019027
url https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404012019027
identifier_str_mv 10.5965/2525530404012019027
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/1059652525530404012019027/10493
dc.rights.driver.fl_str_mv Copyright (c) 2019 ORFEU
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 ORFEU
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Orfeu; Vol. 4 No. 1 (2019): Dossiê Práticas Musicais Coletivas e Música de Câmara; 27-48
Orfeu; Vol. 4 Núm. 1 (2019): Dossiê Práticas Musicais Coletivas e Música de Câmara; 27-48
Orfeu; v. 4 n. 1 (2019): Dossiê Práticas Musicais Coletivas e Música de Câmara; 27-48
2525-5304
reponame:Orfeu (Florianópolis)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Orfeu (Florianópolis)
collection Orfeu (Florianópolis)
repository.name.fl_str_mv Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv orfeu.ceart@udesc.br | orfeu.ceart@udesc.br
_version_ 1842260670358224896

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