Musicking performances as performances of existence

Bibliographic Details
Main Author: Brietzke, Marta
Publication Date: 2022
Other Authors: Oliveira, Mário, Presgrave, Fabio
Format: Article
Language: por
Source: Orfeu (Florianópolis)
Download full: https://periodicos.udesc.br/index.php/orfeu/article/view/22045
Summary: This text presents the idea of Musicking performances as performances of existence. This idea was developed based on performance conceptions from an artistic and anthropological point of view, drawing connections with musical performances and educational ideas. It was structured through field research, which included online interviews with twelve cello teachers from eight musical spaces for beginning students’ cello teaching and learning in Brazil. This study uses ethnography, autoethnography, and cartography, and considers performances with musical practices as pedagogical processes of representation of ways of existing that extend to everyday life. Ideas are approached as processes in becoming, typical of musicking practices in the action of breaking themselves up and building again under new configurations.
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spelling Musicking performances as performances of existencePerformances con Musicares enquanto Performances de la ExistenciaPerformances com musicares enquanto performances de existênciaPerformancesPerformances musicaisPerformances com MusicaresPerformancesMusical PerformancesMusicking PerformancesThis text presents the idea of Musicking performances as performances of existence. This idea was developed based on performance conceptions from an artistic and anthropological point of view, drawing connections with musical performances and educational ideas. It was structured through field research, which included online interviews with twelve cello teachers from eight musical spaces for beginning students’ cello teaching and learning in Brazil. This study uses ethnography, autoethnography, and cartography, and considers performances with musical practices as pedagogical processes of representation of ways of existing that extend to everyday life. Ideas are approached as processes in becoming, typical of musicking practices in the action of breaking themselves up and building again under new configurations.El propósito de este texto es presentar la idea de Performances con Musicares como Performances de Existencia. Esta idea se desarrolló a partir de concepciones de las actuaciones desde el punto de vista artístico y antropológico, estableciendo conexiones con las actuaciones musicales y con las ideas de Educación. Se estructuró a través de una investigación de campo, que incluyó entrevistas en línea con doce profesores de violonchelo de ocho espacios de enseñanza y aprendizaje musical para estudiantes principiantes en Brasil. Utiliza la etnografía, la autoetnografía y la cartografía. Considera las actuaciones con prácticas musicales como procesos pedagógicos de representación de modos de existir que se extienden a la cotidianidad. Las ideas son abordadas como procesos en devenir, propios de los musicares en la acción de fragmentarse y construirse bajo nuevas configuraciones.Este texto se estrutura como uma interface entre as áreas de Performance e de Educação Musical. O seu objetivo é apresentar a ideia de Performances com Musicares enquanto Performances de Existência. A ideia de musicar faz referência à concepção de Christopher Small (1999). O texto faz parte de uma pesquisa de Doutorado em andamento que se realiza por meio da etnografia, a autoetnografia e a cartografia como métodos de trabalho. A investigação contou com a pesquisa de campo, sendo realizadas entrevistas on-line com doze professores de violoncelo de oito espaços musicais de ensino e aprendizagem de estudantes iniciantes no Brasil. Entre os resultados apontados pela investigação, se incluem a ideia de que as performances se estruturam sobre contextos sobrepostos e dialógicos. Como reflexões, a pesquisa aponta que as performances com práticas musicais podem ser interpretadas como processos pedagógicos de representação de formas de existir que se ampliam à vida cotidiana.Universidade do Estado de Santa Catarina2022-12-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://periodicos.udesc.br/index.php/orfeu/article/view/2204510.5965/2525530407022022e0103Orfeu; Vol. 7 No. 2 (2022): Special Issue on Music Performance Practices - Means, Modes and Prospections; e0103Orfeu; Vol. 7 Núm. 2 (2022): Dossier Prácticas Interpretativas - Modos, Medios y Perspectivas; e0103Orfeu; v. 7 n. 2 (2022): Dossiê Práticas Interpretativas - Modos, Meios e Prospecções; e01032525-5304reponame:Orfeu (Florianópolis)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://periodicos.udesc.br/index.php/orfeu/article/view/22045/14607https://periodicos.udesc.br/index.php/orfeu/article/view/22045/15315Copyright (c) 2022 Marta Brietzke, Mário Oliveira, Fabio Presgraveinfo:eu-repo/semantics/openAccessBrietzke, MartaOliveira, Mário Presgrave, Fabio2024-02-29T12:10:34Zoai::article/22045Revistahttps://periodicos.udesc.br/index.php/orfeu/PUBhttps://periodicos.udesc.br/index.php/orfeu/oaiorfeu.ceart@udesc.br | orfeu.ceart@udesc.brhttps://doi.org/10.5965/252553042525-53042525-5304opendoar:2024-02-29T12:10:34Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Musicking performances as performances of existence
Performances con Musicares enquanto Performances de la Existencia
Performances com musicares enquanto performances de existência
title Musicking performances as performances of existence
spellingShingle Musicking performances as performances of existence
Brietzke, Marta
Performances
Performances musicais
Performances com Musicares
Performances
Musical Performances
Musicking Performances
title_short Musicking performances as performances of existence
title_full Musicking performances as performances of existence
title_fullStr Musicking performances as performances of existence
title_full_unstemmed Musicking performances as performances of existence
title_sort Musicking performances as performances of existence
author Brietzke, Marta
author_facet Brietzke, Marta
Oliveira, Mário
Presgrave, Fabio
author_role author
author2 Oliveira, Mário
Presgrave, Fabio
author2_role author
author
dc.contributor.author.fl_str_mv Brietzke, Marta
Oliveira, Mário
Presgrave, Fabio
dc.subject.por.fl_str_mv Performances
Performances musicais
Performances com Musicares
Performances
Musical Performances
Musicking Performances
topic Performances
Performances musicais
Performances com Musicares
Performances
Musical Performances
Musicking Performances
description This text presents the idea of Musicking performances as performances of existence. This idea was developed based on performance conceptions from an artistic and anthropological point of view, drawing connections with musical performances and educational ideas. It was structured through field research, which included online interviews with twelve cello teachers from eight musical spaces for beginning students’ cello teaching and learning in Brazil. This study uses ethnography, autoethnography, and cartography, and considers performances with musical practices as pedagogical processes of representation of ways of existing that extend to everyday life. Ideas are approached as processes in becoming, typical of musicking practices in the action of breaking themselves up and building again under new configurations.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/22045
10.5965/2525530407022022e0103
url https://periodicos.udesc.br/index.php/orfeu/article/view/22045
identifier_str_mv 10.5965/2525530407022022e0103
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/22045/14607
https://periodicos.udesc.br/index.php/orfeu/article/view/22045/15315
dc.rights.driver.fl_str_mv Copyright (c) 2022 Marta Brietzke, Mário Oliveira, Fabio Presgrave
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Marta Brietzke, Mário Oliveira, Fabio Presgrave
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Orfeu; Vol. 7 No. 2 (2022): Special Issue on Music Performance Practices - Means, Modes and Prospections; e0103
Orfeu; Vol. 7 Núm. 2 (2022): Dossier Prácticas Interpretativas - Modos, Medios y Perspectivas; e0103
Orfeu; v. 7 n. 2 (2022): Dossiê Práticas Interpretativas - Modos, Meios e Prospecções; e0103
2525-5304
reponame:Orfeu (Florianópolis)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Orfeu (Florianópolis)
collection Orfeu (Florianópolis)
repository.name.fl_str_mv Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv orfeu.ceart@udesc.br | orfeu.ceart@udesc.br
_version_ 1842260671310331904

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