Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1

Bibliographic Details
Main Author: Burstein, Poundie
Publication Date: 2021
Format: Article
Language: eng
Source: Orfeu (Florianópolis)
Download full: https://periodicos.udesc.br/index.php/orfeu/article/view/19721
Summary: A striking gesture appears at the climax of the first phrase of the Menuetto from Ludwig van Beethoven’s Sonata for Piano in F minor, Op. 2, No. 1. This motivic gesture, which may be understood as derived from manipulation of standard voice-leading procedures, has intriguing ramifications that deeply affect the structure and narrative of the entire movement. These features are explored with the aid of Schenkerian analytic procedures, and the analysis is then compared to an interpretation of this same movement by Heinrich Schenker.
id UDESC-12_06f518e2f36b6dcf740aa589ba32785c
oai_identifier_str oai::article/19721
network_acronym_str UDESC-12
network_name_str Orfeu (Florianópolis)
repository_id_str
spelling Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1Regras existem para serem quebradas, ou o Menuetto da Op. 2, Nº 1, de BeethovenBeethovenmotivoanálise SchenkerianaTonwilleBeethovenmotiveSchenkerian analysisTonwilleA striking gesture appears at the climax of the first phrase of the Menuetto from Ludwig van Beethoven’s Sonata for Piano in F minor, Op. 2, No. 1. This motivic gesture, which may be understood as derived from manipulation of standard voice-leading procedures, has intriguing ramifications that deeply affect the structure and narrative of the entire movement. These features are explored with the aid of Schenkerian analytic procedures, and the analysis is then compared to an interpretation of this same movement by Heinrich Schenker.Um gesto marcante aparece no clímax da primeira frase do Menuetto da Sonata para Piano em Fá menor, Op. 2, No.1 de Ludwig van Beethoven. Este gesto motívico, que pode ser entendido como derivado da manipulação de procedimentos contrapontísticos padrão, tem ramificações inusitadas que afetam profundamente a estrutura e a narrativa de todo o movimento. Estas características são exploradas com a ajuda de procedimentos analíticos schenkerianos, e a análise é então comparada a uma interpretação deste mesmo movimento por Heinrich Schenker.Universidade do Estado de Santa Catarina2021-10-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.udesc.br/index.php/orfeu/article/view/1972110.5965/2525530406032021012Orfeu; Vol. 6 No. 3 (2021): Special Issue on Schenkerian AnalysisOrfeu; Vol. 6 Núm. 3 (2021): Dossier Análisis SchenkerianoOrfeu; v. 6 n. 3 (2021): Dossiê Análise Schenkeriana2525-530410.5965/10.5965/2525530406032021reponame:Orfeu (Florianópolis)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCenghttps://periodicos.udesc.br/index.php/orfeu/article/view/19721/13553Copyright (c) 2021 Poundie Bursteininfo:eu-repo/semantics/openAccessBurstein, Poundie2024-02-29T12:03:29Zoai::article/19721Revistahttps://periodicos.udesc.br/index.php/orfeu/PUBhttps://periodicos.udesc.br/index.php/orfeu/oaiorfeu.ceart@udesc.br | orfeu.ceart@udesc.brhttps://doi.org/10.5965/252553042525-53042525-5304opendoar:2024-02-29T12:03:29Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1
Regras existem para serem quebradas, ou o Menuetto da Op. 2, Nº 1, de Beethoven
title Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1
spellingShingle Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1
Burstein, Poundie
Beethoven
motivo
análise Schenkeriana
Tonwille
Beethoven
motive
Schenkerian analysis
Tonwille
title_short Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1
title_full Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1
title_fullStr Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1
title_full_unstemmed Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1
title_sort Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1
author Burstein, Poundie
author_facet Burstein, Poundie
author_role author
dc.contributor.author.fl_str_mv Burstein, Poundie
dc.subject.por.fl_str_mv Beethoven
motivo
análise Schenkeriana
Tonwille
Beethoven
motive
Schenkerian analysis
Tonwille
topic Beethoven
motivo
análise Schenkeriana
Tonwille
Beethoven
motive
Schenkerian analysis
Tonwille
description A striking gesture appears at the climax of the first phrase of the Menuetto from Ludwig van Beethoven’s Sonata for Piano in F minor, Op. 2, No. 1. This motivic gesture, which may be understood as derived from manipulation of standard voice-leading procedures, has intriguing ramifications that deeply affect the structure and narrative of the entire movement. These features are explored with the aid of Schenkerian analytic procedures, and the analysis is then compared to an interpretation of this same movement by Heinrich Schenker.
publishDate 2021
dc.date.none.fl_str_mv 2021-10-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/19721
10.5965/2525530406032021012
url https://periodicos.udesc.br/index.php/orfeu/article/view/19721
identifier_str_mv 10.5965/2525530406032021012
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.udesc.br/index.php/orfeu/article/view/19721/13553
dc.rights.driver.fl_str_mv Copyright (c) 2021 Poundie Burstein
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Poundie Burstein
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Orfeu; Vol. 6 No. 3 (2021): Special Issue on Schenkerian Analysis
Orfeu; Vol. 6 Núm. 3 (2021): Dossier Análisis Schenkeriano
Orfeu; v. 6 n. 3 (2021): Dossiê Análise Schenkeriana
2525-5304
10.5965/10.5965/2525530406032021
reponame:Orfeu (Florianópolis)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Orfeu (Florianópolis)
collection Orfeu (Florianópolis)
repository.name.fl_str_mv Orfeu (Florianópolis) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv orfeu.ceart@udesc.br | orfeu.ceart@udesc.br
_version_ 1842260670909775872

Similar Items