Obscenity, Pornography, Morality: Moral Power as Carnal Resonance

Bibliographic Details
Main Author: Cardoso, Daniel
Publication Date: 2021
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://doi.org/10.34632/jsta.2021.10090
Summary: This commentary focuses on the cinematic and intellectual work of Miguel De, expressed through The Kiss and its accompanying essay. The objective here is to problematize some of the historical and technocultural connections raised by the essay, and to frame De’s experimental essay film within a wider tradition of (mostly European) film-making who has as its main aim a troubling of the notion of “pornography”. This troubling is often done through a double deployment of vision: the audience is shown a named something, but maybe not what they were expecting to see, and it is through the disconnect between the naming and the showing that the connections between sexuality, obscenity and carnal resonance are made apparent and contingent. However, as these acts of troubling circulate within the contemporary technological capitalist mediasphere, they quickly become a locus for a potential site of capture, normalization and redeployment of power relationships.
id RCAP_dede11c5fc14468e37f457e2083c17a3
oai_identifier_str oai:ojs.revistas.ucp.pt:article/10090
network_acronym_str RCAP
network_name_str Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
repository_id_str https://opendoar.ac.uk/repository/7160
spelling Obscenity, Pornography, Morality: Moral Power as Carnal ResonanceThis commentary focuses on the cinematic and intellectual work of Miguel De, expressed through The Kiss and its accompanying essay. The objective here is to problematize some of the historical and technocultural connections raised by the essay, and to frame De’s experimental essay film within a wider tradition of (mostly European) film-making who has as its main aim a troubling of the notion of “pornography”. This troubling is often done through a double deployment of vision: the audience is shown a named something, but maybe not what they were expecting to see, and it is through the disconnect between the naming and the showing that the connections between sexuality, obscenity and carnal resonance are made apparent and contingent. However, as these acts of troubling circulate within the contemporary technological capitalist mediasphere, they quickly become a locus for a potential site of capture, normalization and redeployment of power relationships.Universidade Católica Portuguesa2021-07-22T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2021.10090oai:ojs.revistas.ucp.pt:article/10090Journal of Science and Technology of the Arts; Vol 13 No 2 (2021): Critical Approaches Towards (A New) Arts Education; 172-177Journal of Science and Technology of the Arts; v. 13 n. 2 (2021): Critical Approaches Towards (A New) Arts Education; 172-1772183-00881646-979810.34632/jsta.2021.13.2reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/10090https://doi.org/10.34632/jsta.2021.10090https://revistas.ucp.pt/index.php/jsta/article/view/10090/9839Copyright (c) 2021 Daniel Cardosohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCardoso, Daniel2022-09-22T16:19:30Zoai:ojs.revistas.ucp.pt:article/10090Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T10:19:32.371224Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Obscenity, Pornography, Morality: Moral Power as Carnal Resonance
title Obscenity, Pornography, Morality: Moral Power as Carnal Resonance
spellingShingle Obscenity, Pornography, Morality: Moral Power as Carnal Resonance
Cardoso, Daniel
title_short Obscenity, Pornography, Morality: Moral Power as Carnal Resonance
title_full Obscenity, Pornography, Morality: Moral Power as Carnal Resonance
title_fullStr Obscenity, Pornography, Morality: Moral Power as Carnal Resonance
title_full_unstemmed Obscenity, Pornography, Morality: Moral Power as Carnal Resonance
title_sort Obscenity, Pornography, Morality: Moral Power as Carnal Resonance
author Cardoso, Daniel
author_facet Cardoso, Daniel
author_role author
dc.contributor.author.fl_str_mv Cardoso, Daniel
description This commentary focuses on the cinematic and intellectual work of Miguel De, expressed through The Kiss and its accompanying essay. The objective here is to problematize some of the historical and technocultural connections raised by the essay, and to frame De’s experimental essay film within a wider tradition of (mostly European) film-making who has as its main aim a troubling of the notion of “pornography”. This troubling is often done through a double deployment of vision: the audience is shown a named something, but maybe not what they were expecting to see, and it is through the disconnect between the naming and the showing that the connections between sexuality, obscenity and carnal resonance are made apparent and contingent. However, as these acts of troubling circulate within the contemporary technological capitalist mediasphere, they quickly become a locus for a potential site of capture, normalization and redeployment of power relationships.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-22T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.10090
oai:ojs.revistas.ucp.pt:article/10090
url https://doi.org/10.34632/jsta.2021.10090
identifier_str_mv oai:ojs.revistas.ucp.pt:article/10090
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/10090
https://doi.org/10.34632/jsta.2021.10090
https://revistas.ucp.pt/index.php/jsta/article/view/10090/9839
dc.rights.driver.fl_str_mv Copyright (c) 2021 Daniel Cardoso
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Daniel Cardoso
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 2 (2021): Critical Approaches Towards (A New) Arts Education; 172-177
Journal of Science and Technology of the Arts; v. 13 n. 2 (2021): Critical Approaches Towards (A New) Arts Education; 172-177
2183-0088
1646-9798
10.34632/jsta.2021.13.2
reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
instacron:RCAAP
instname_str FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
instacron_str RCAAP
institution RCAAP
reponame_str Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
collection Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
repository.name.fl_str_mv Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
repository.mail.fl_str_mv info@rcaap.pt
_version_ 1833590716893233152