Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'

Bibliographic Details
Main Author: Caballero Rabanal, Laura
Publication Date: 2024
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://doi.org/10.21814/2i.5825
Summary: Recently, Spanish and Portuguese female filmmakers have shown an increasing interest in reconstructing family memories and unveiling its secrets, being the third generation after the far-right dictatorships that ruled both Iberian countries during almost half of the past century. Francoism and Salazarism promoted a model of State and family based on the traditional nuclear family with strict gender roles. By analyzing two autoethnographic documentary films, Nedar (2008), by Catalan director Carla Subirana, and A Metamorfose dos Pássaros (2020), by Portuguese filmmaker Catarina Vasconcelos, whose protagonists are the creators’ grandmothers, this paper seeks to explore how these two films not only retrieve family and national memories, but also how they challenge the family patterns dictated by both dictatorships, placing life and care work at the center.
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spelling Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'Reconstrucción de memorias y reconocimiento del trabajo de cuidados en 'Nedar' y 'A metamorfose dos pássaros'ArtigosRecently, Spanish and Portuguese female filmmakers have shown an increasing interest in reconstructing family memories and unveiling its secrets, being the third generation after the far-right dictatorships that ruled both Iberian countries during almost half of the past century. Francoism and Salazarism promoted a model of State and family based on the traditional nuclear family with strict gender roles. By analyzing two autoethnographic documentary films, Nedar (2008), by Catalan director Carla Subirana, and A Metamorfose dos Pássaros (2020), by Portuguese filmmaker Catarina Vasconcelos, whose protagonists are the creators’ grandmothers, this paper seeks to explore how these two films not only retrieve family and national memories, but also how they challenge the family patterns dictated by both dictatorships, placing life and care work at the center.Recientemente, las directoras de cine de España y Portugal han mostrado un creciente interés en reconstruir la memoria familiar y descubrir sus secretos, siendo la tercera generación después de las dictaduras de extrema derecha que gobernaron ambos Estados Ibéricos durante la mayor parte del siglo pasado. El Franquismo y el Salazarismo defendieron un modelo de Estado y familia basado en la familia nuclear tradicional con marcados roles de género. Mediante el análisis de dos documentales autoetnográficos, Nedar (2008), de la cineasta catalana Carla Subirana, y A Metamorfose dos Pássaros (2020), de la directora portuguesa Catarina Vasconcelos, cuyas protagonistas son las abuelas de sus creadoras, este artículo pretende explorar cómo estas dos producciones no solo recuperan memorias familiares y nacionales, sino que desafían el paradigma de familia impuesto por las dictaduras, colocando la vida y el trabajo de cuidados en el centro.UMinho Editora2024-12-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.21814/2i.5825eng2184-7010Caballero Rabanal, Laurainfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-01-05T07:12:16Zoai:journals.uminho.pt:article/5825Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T19:27:36.039562Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'
Reconstrucción de memorias y reconocimiento del trabajo de cuidados en 'Nedar' y 'A metamorfose dos pássaros'
title Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'
spellingShingle Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'
Caballero Rabanal, Laura
Artigos
title_short Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'
title_full Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'
title_fullStr Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'
title_full_unstemmed Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'
title_sort Reconstruction of memories and recognition of care work in 'Nedar' and 'A metamorfose dos pássaros'
author Caballero Rabanal, Laura
author_facet Caballero Rabanal, Laura
author_role author
dc.contributor.author.fl_str_mv Caballero Rabanal, Laura
dc.subject.por.fl_str_mv Artigos
topic Artigos
description Recently, Spanish and Portuguese female filmmakers have shown an increasing interest in reconstructing family memories and unveiling its secrets, being the third generation after the far-right dictatorships that ruled both Iberian countries during almost half of the past century. Francoism and Salazarism promoted a model of State and family based on the traditional nuclear family with strict gender roles. By analyzing two autoethnographic documentary films, Nedar (2008), by Catalan director Carla Subirana, and A Metamorfose dos Pássaros (2020), by Portuguese filmmaker Catarina Vasconcelos, whose protagonists are the creators’ grandmothers, this paper seeks to explore how these two films not only retrieve family and national memories, but also how they challenge the family patterns dictated by both dictatorships, placing life and care work at the center.
publishDate 2024
dc.date.none.fl_str_mv 2024-12-30
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