How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red Line

Bibliographic Details
Main Author: Baptista, Tiago
Publication Date: 2015
Format: Article
Language: por
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://doi.org/10.48487/pdh.2015.n1.24143
Summary: This paper compares the sculpture Monument to the 25th of April (João Cutileiro, 1997) to some scenes of the documentary Red Line (José Filipe Costa, 2011) with the purpose of discussing the problems relating to the artistic representation of the Portuguese revolution of 1974. The comparative analysis of the two works suggests that the accurate representation of the open and undecided character of the revolutionary process is only possible if the conditions of possibility of artistic representation are also challenged. The concepts of monument and film enunciation are central to the analyses of both works and to the text’s overall argument.
id RCAP_d3c4f8980600943a9eee375bd46d6d6c
oai_identifier_str oai:ojs.revistas.rcaap.pt:article/24143
network_acronym_str RCAP
network_name_str Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
repository_id_str https://opendoar.ac.uk/repository/7160
spelling How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red LineComo representar a revolução? Comentário da escultura Monumento ao 25 de Abril, de João Cutileiro, e do filme Linha Vermelha, de José Filipe CostaEnunciação cinematográficaMonumentoJosé Filipe CostaJoão CutileiroRevoluçãoFilm enunciationMonumentJosé Filipe CostaJoão CutileiroRevolutionThis paper compares the sculpture Monument to the 25th of April (João Cutileiro, 1997) to some scenes of the documentary Red Line (José Filipe Costa, 2011) with the purpose of discussing the problems relating to the artistic representation of the Portuguese revolution of 1974. The comparative analysis of the two works suggests that the accurate representation of the open and undecided character of the revolutionary process is only possible if the conditions of possibility of artistic representation are also challenged. The concepts of monument and film enunciation are central to the analyses of both works and to the text’s overall argument.Este texto compara a escultura Monumento ao 25 de Abril (João Cutileiro, 1997) e algumas cenas do documentário Linha Vermelha (José Filipe Costa, 2011) com o objectivo de abordar os problemas relacionados com a representação artística da revolução portuguesa de 1974. A análise comparada das duas obras sugere que uma representação da revolução que faça justiça ao seu carácter de processo aberto e indecidível só é possível através do questionamento das próprias condições de possibilidade da representação artística. Os conceitos de monumento e de enunciação cinematográfica são centrais para as análises das duas obras e para o argumento geral do texto.Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa2015-12-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48487/pdh.2015.n1.24143https://doi.org/10.48487/pdh.2015.n1.24143Práticas da História. Journal on Theory, Historiography and Uses of the Past; No. 1 (2015); 173-184Práticas da História. Journal on Theory, Historiography and Uses of the Past; N.º 1 (2015); 173-1842183-590Xreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPporhttps://praticasdahistoria.pt/article/view/24143https://praticasdahistoria.pt/article/view/24143/17767Copyright (c) 2021 Práticas da História. Journal on Theory, Historiography and Uses of the Pastinfo:eu-repo/semantics/openAccessBaptista, Tiago2024-04-27T05:33:21Zoai:ojs.revistas.rcaap.pt:article/24143Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T13:26:30.843293Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red Line
Como representar a revolução? Comentário da escultura Monumento ao 25 de Abril, de João Cutileiro, e do filme Linha Vermelha, de José Filipe Costa
title How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red Line
spellingShingle How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red Line
Baptista, Tiago
Enunciação cinematográfica
Monumento
José Filipe Costa
João Cutileiro
Revolução
Film enunciation
Monument
José Filipe Costa
João Cutileiro
Revolution
title_short How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red Line
title_full How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red Line
title_fullStr How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red Line
title_full_unstemmed How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red Line
title_sort How to represent revolution? Comment on João Cutileiro’s sculpture Monument to the 25th of Abril and on José Filipe Costa’s movie Red Line
author Baptista, Tiago
author_facet Baptista, Tiago
author_role author
dc.contributor.author.fl_str_mv Baptista, Tiago
dc.subject.por.fl_str_mv Enunciação cinematográfica
Monumento
José Filipe Costa
João Cutileiro
Revolução
Film enunciation
Monument
José Filipe Costa
João Cutileiro
Revolution
topic Enunciação cinematográfica
Monumento
José Filipe Costa
João Cutileiro
Revolução
Film enunciation
Monument
José Filipe Costa
João Cutileiro
Revolution
description This paper compares the sculpture Monument to the 25th of April (João Cutileiro, 1997) to some scenes of the documentary Red Line (José Filipe Costa, 2011) with the purpose of discussing the problems relating to the artistic representation of the Portuguese revolution of 1974. The comparative analysis of the two works suggests that the accurate representation of the open and undecided character of the revolutionary process is only possible if the conditions of possibility of artistic representation are also challenged. The concepts of monument and film enunciation are central to the analyses of both works and to the text’s overall argument.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-01
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.48487/pdh.2015.n1.24143
https://doi.org/10.48487/pdh.2015.n1.24143
url https://doi.org/10.48487/pdh.2015.n1.24143
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://praticasdahistoria.pt/article/view/24143
https://praticasdahistoria.pt/article/view/24143/17767
dc.rights.driver.fl_str_mv Copyright (c) 2021 Práticas da História. Journal on Theory, Historiography and Uses of the Past
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Práticas da História. Journal on Theory, Historiography and Uses of the Past
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa
publisher.none.fl_str_mv Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa
dc.source.none.fl_str_mv Práticas da História. Journal on Theory, Historiography and Uses of the Past; No. 1 (2015); 173-184
Práticas da História. Journal on Theory, Historiography and Uses of the Past; N.º 1 (2015); 173-184
2183-590X
reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
instacron:RCAAP
instname_str FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
instacron_str RCAAP
institution RCAAP
reponame_str Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
collection Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
repository.name.fl_str_mv Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
repository.mail.fl_str_mv info@rcaap.pt
_version_ 1833593756453961728

Similar Items