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Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do Mocho

Bibliographic Details
Main Author: Raposo, O.
Publication Date: 2017
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://hdl.handle.net/10071/18057
Summary: Quinta do Mocho, located in the city of Loures, has become known by the media as one of the main “problematic neighborhoods” of the metropolitan area of Lisbon, a label based on the alleged relationship of its young residents with drugs trafficking and violent crime. Nowadays, the reasons that made Quinta do Mocho newsworty have become different, as the neighborhood was converted into the largest open-air urban art gallery in Europe, with more than sixty pieces of graffiti decorating this social housing, where about three thousand people live. Incorporated in the Public Art Gallery (GAP), this project began in September 2014, within the urban art festival called “O Bairro I o Mundo, organized by the Teatro Ibisco Association and the Loures City Council. If this project of artistic intervention is changing the Quinta do Mocho image from outside, it is important to find out how the inhabitants, the overwhelming majority coming from former Portuguese colonies, are dealing with these changes. Will the population become involved in the artistic intervention that is developing in the neighborhood? To what extent with the valorization of the neighborhood through art be capable of reconfiguring the place of its residents, especially the young people, in the hierarchy of the city? Based on an ethnographic accompaniment to the guided tours that the young people carry out in the neighborhood, I will reflect on the art, the segregation and dynamics of political-citizen engagement. If artistic expressions are an excellent way to get around the segregations and stigmatization process among the subaltern classes, it is important to discuss its limits, as well the political instrumentalization of art to approaching social problems.
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spelling Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do MochoArtEthnographySegregationPublic politicsQuinta do MochoQuinta do Mocho, located in the city of Loures, has become known by the media as one of the main “problematic neighborhoods” of the metropolitan area of Lisbon, a label based on the alleged relationship of its young residents with drugs trafficking and violent crime. Nowadays, the reasons that made Quinta do Mocho newsworty have become different, as the neighborhood was converted into the largest open-air urban art gallery in Europe, with more than sixty pieces of graffiti decorating this social housing, where about three thousand people live. Incorporated in the Public Art Gallery (GAP), this project began in September 2014, within the urban art festival called “O Bairro I o Mundo, organized by the Teatro Ibisco Association and the Loures City Council. If this project of artistic intervention is changing the Quinta do Mocho image from outside, it is important to find out how the inhabitants, the overwhelming majority coming from former Portuguese colonies, are dealing with these changes. Will the population become involved in the artistic intervention that is developing in the neighborhood? To what extent with the valorization of the neighborhood through art be capable of reconfiguring the place of its residents, especially the young people, in the hierarchy of the city? Based on an ethnographic accompaniment to the guided tours that the young people carry out in the neighborhood, I will reflect on the art, the segregation and dynamics of political-citizen engagement. If artistic expressions are an excellent way to get around the segregations and stigmatization process among the subaltern classes, it is important to discuss its limits, as well the political instrumentalization of art to approaching social problems.Faculdade de Letras da Universidade do Porto2019-05-10T16:12:09Z2017-01-01T00:00:00Z20172019-05-10T17:11:19Zconference objectinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/10071/18057eng978-989-99854-9-0Raposo, O.info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-07-07T03:24:55Zoai:repositorio.iscte-iul.pt:10071/18057Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T18:22:58.471224Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do Mocho
title Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do Mocho
spellingShingle Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do Mocho
Raposo, O.
Art
Ethnography
Segregation
Public politics
Quinta do Mocho
title_short Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do Mocho
title_full Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do Mocho
title_fullStr Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do Mocho
title_full_unstemmed Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do Mocho
title_sort Neighborhood’s reinvention? Ethnography of the Public Art Gallery at Quinta do Mocho
author Raposo, O.
author_facet Raposo, O.
author_role author
dc.contributor.author.fl_str_mv Raposo, O.
dc.subject.por.fl_str_mv Art
Ethnography
Segregation
Public politics
Quinta do Mocho
topic Art
Ethnography
Segregation
Public politics
Quinta do Mocho
description Quinta do Mocho, located in the city of Loures, has become known by the media as one of the main “problematic neighborhoods” of the metropolitan area of Lisbon, a label based on the alleged relationship of its young residents with drugs trafficking and violent crime. Nowadays, the reasons that made Quinta do Mocho newsworty have become different, as the neighborhood was converted into the largest open-air urban art gallery in Europe, with more than sixty pieces of graffiti decorating this social housing, where about three thousand people live. Incorporated in the Public Art Gallery (GAP), this project began in September 2014, within the urban art festival called “O Bairro I o Mundo, organized by the Teatro Ibisco Association and the Loures City Council. If this project of artistic intervention is changing the Quinta do Mocho image from outside, it is important to find out how the inhabitants, the overwhelming majority coming from former Portuguese colonies, are dealing with these changes. Will the population become involved in the artistic intervention that is developing in the neighborhood? To what extent with the valorization of the neighborhood through art be capable of reconfiguring the place of its residents, especially the young people, in the hierarchy of the city? Based on an ethnographic accompaniment to the guided tours that the young people carry out in the neighborhood, I will reflect on the art, the segregation and dynamics of political-citizen engagement. If artistic expressions are an excellent way to get around the segregations and stigmatization process among the subaltern classes, it is important to discuss its limits, as well the political instrumentalization of art to approaching social problems.
publishDate 2017
dc.date.none.fl_str_mv 2017-01-01T00:00:00Z
2017
2019-05-10T16:12:09Z
2019-05-10T17:11:19Z
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dc.publisher.none.fl_str_mv Faculdade de Letras da Universidade do Porto
publisher.none.fl_str_mv Faculdade de Letras da Universidade do Porto
dc.source.none.fl_str_mv reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
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