Becoming-Body: Embodiment and Affect Experience

Bibliographic Details
Main Author: Ramos, Ana
Publication Date: 2024
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://doi.org/10.34632/jsta.2024.16894
Summary: This article discusses the aesthetics of being. It posits the experience of having/being a body as a perceptive-event. Working from the example of the yogic pose tadasana, it explores the idea of the body as a site of pulsation of immanent movements. It understands the articulation of these movements through William James’ concept of consciousness, but with an added distinction between affective-consciousness and reflexive-consciousness. By fostering a complex approach beyond the subject-object basic structure, it highlights the primacy of relation. This dynamic approach to subjectivity goes beyond an anthropocentric view of the subject as it considers the event as its own becoming-subject. It argues strongly for the reality of affect and asks how we perceive affect. Perceptive-events perform a self-organization of the virtual tendencies present in the relational field. This sheds light on the invisible processes immanently supporting experience’s inherent multiplicity.
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spelling Becoming-Body: Embodiment and Affect ExperienceThis article discusses the aesthetics of being. It posits the experience of having/being a body as a perceptive-event. Working from the example of the yogic pose tadasana, it explores the idea of the body as a site of pulsation of immanent movements. It understands the articulation of these movements through William James’ concept of consciousness, but with an added distinction between affective-consciousness and reflexive-consciousness. By fostering a complex approach beyond the subject-object basic structure, it highlights the primacy of relation. This dynamic approach to subjectivity goes beyond an anthropocentric view of the subject as it considers the event as its own becoming-subject. It argues strongly for the reality of affect and asks how we perceive affect. Perceptive-events perform a self-organization of the virtual tendencies present in the relational field. This sheds light on the invisible processes immanently supporting experience’s inherent multiplicity.Universidade Católica Portuguesa2024-12-15info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2024.16894https://doi.org/10.34632/jsta.2024.16894Journal of Science and Technology of the Arts; Vol 16 No 2 (2024): “On Techno-Aesthetics” and Performance: Movement, Dance, Cinema, and Everyday Life; 74-91Journal of Science and Technology of the Arts; v. 16 n. 2 (2024): “On Techno-Aesthetics” and Performance: Movement, Dance, Cinema, and Everyday Life; 74-912183-00881646-979810.34632/jsta.2024.16.2reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/16894https://revistas.ucp.pt/index.php/jsta/article/view/16894/17002Copyright (c) 2024 Ana Ramosopen accessinfo:eu-repo/semantics/openAccessRamos, Ana2025-03-07T07:15:23Zoai:ojs.revistas.ucp.pt:article/16894Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T00:24:15.386004Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Becoming-Body: Embodiment and Affect Experience
title Becoming-Body: Embodiment and Affect Experience
spellingShingle Becoming-Body: Embodiment and Affect Experience
Ramos, Ana
title_short Becoming-Body: Embodiment and Affect Experience
title_full Becoming-Body: Embodiment and Affect Experience
title_fullStr Becoming-Body: Embodiment and Affect Experience
title_full_unstemmed Becoming-Body: Embodiment and Affect Experience
title_sort Becoming-Body: Embodiment and Affect Experience
author Ramos, Ana
author_facet Ramos, Ana
author_role author
dc.contributor.author.fl_str_mv Ramos, Ana
description This article discusses the aesthetics of being. It posits the experience of having/being a body as a perceptive-event. Working from the example of the yogic pose tadasana, it explores the idea of the body as a site of pulsation of immanent movements. It understands the articulation of these movements through William James’ concept of consciousness, but with an added distinction between affective-consciousness and reflexive-consciousness. By fostering a complex approach beyond the subject-object basic structure, it highlights the primacy of relation. This dynamic approach to subjectivity goes beyond an anthropocentric view of the subject as it considers the event as its own becoming-subject. It argues strongly for the reality of affect and asks how we perceive affect. Perceptive-events perform a self-organization of the virtual tendencies present in the relational field. This sheds light on the invisible processes immanently supporting experience’s inherent multiplicity.
publishDate 2024
dc.date.none.fl_str_mv 2024-12-15
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2024.16894
https://doi.org/10.34632/jsta.2024.16894
url https://doi.org/10.34632/jsta.2024.16894
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/16894
https://revistas.ucp.pt/index.php/jsta/article/view/16894/17002
dc.rights.driver.fl_str_mv Copyright (c) 2024 Ana Ramos
open access
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Ana Ramos
open access
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 16 No 2 (2024): “On Techno-Aesthetics” and Performance: Movement, Dance, Cinema, and Everyday Life; 74-91
Journal of Science and Technology of the Arts; v. 16 n. 2 (2024): “On Techno-Aesthetics” and Performance: Movement, Dance, Cinema, and Everyday Life; 74-91
2183-0088
1646-9798
10.34632/jsta.2024.16.2
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