Paulo Nozolino : a fotografia em ruína

• Main Author: Gonçalves, David Paulo Martins, 1990-
• Publication Date: 2016
• Format: Master thesis
• Language: por
• Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
• Download full: http://hdl.handle.net/10451/28559
• topic: Nozolino, Paulo, 1955-; Benjamin, Walter, 1892-1940; Nietzsche, Friedrich, 1844-1900; Heidegger, Martin, 1889-1976; Tarkovsky, Andrei, 1932-1986; Tarr, Béla, 1955-; Al Berto, pseud., 1948-1997; Nunes, Rui; Baião, Rui; Fotografia; Ruínas; Fragmentos; Morte; Preto e branco; Crítica, curadoria e teorias da arte

The practice of photography creates a dialogue as an object of social analysis, beyond that of it's technical and formal specificities. An image holds a responsability, one that should be taken as an element of study to understand the History, seen as an efficitient form of reflection on the fate of Man and society. Paulo Nozolino's photographs tell personal stories and recall others lost in the course of history, in the search for personal truth, through a solitary praxis, marked by monochromatic tones. In this way, it becomes important to understand his work as an irreproachable mark on the history of portugeuse photography, one to be considered as a work of reference