Photography and Writing, or the Intimacy of the Image
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2019 |
| Tipo de documento: | Artigo |
| Idioma: | eng |
| Título da fonte: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| Texto Completo: | http://hdl.handle.net/10362/96648 |
Resumo: | UID/PAM/00417/2019 |
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Photography and Writing, or the Intimacy of the ImageA Dialogic Encounter between Barthes’s Camera Lucida and Blanchot’s Philosophy of othernessCultural StudiesCommunicationVisual Arts and Performing ArtsUID/PAM/00417/2019This article was prompted by James Elkins’s argument — developed in his book, What Photography Is, from 2011 — that there is no actual relationship between Roland Barthes’s theory of photography and Maurice Blanchot’s philosophy. Drawing on considerations of an historical, philosophical, and literary nature, the article argues for the importance of a dialogic encounter between Barthes and Blanchot, demonstrating that the interconnection between the concepts of intimacy, image, and writing, appears as a crucial aspect in the theory of both authors. At the same time, by contesting Elkins’s wider criticism of Barthes’s Camera Lucida (1982), the article aims to develop better-informed theoretical understandings of Barthes’s thoughts on photography. The final section of the article attempts to map promising points of connection between Barthes, Blanchot, and Proust, in order to reassess the notion of punctum in its broader relation with the concepts of time and death.Instituto de História da Arte (IHA)RUNDuarte, Miguel Mesquita2022-02-11T01:30:35Z2019-09-022019-09-02T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article19application/pdfhttp://hdl.handle.net/10362/96648eng1754-0763PURE: 16707554https://doi.org/10.1080/17540763.2019.1627392info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-05-22T17:45:05Zoai:run.unl.pt:10362/96648Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T17:16:24.730350Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
| dc.title.none.fl_str_mv |
Photography and Writing, or the Intimacy of the Image A Dialogic Encounter between Barthes’s Camera Lucida and Blanchot’s Philosophy of otherness |
| title |
Photography and Writing, or the Intimacy of the Image |
| spellingShingle |
Photography and Writing, or the Intimacy of the Image Duarte, Miguel Mesquita Cultural Studies Communication Visual Arts and Performing Arts |
| title_short |
Photography and Writing, or the Intimacy of the Image |
| title_full |
Photography and Writing, or the Intimacy of the Image |
| title_fullStr |
Photography and Writing, or the Intimacy of the Image |
| title_full_unstemmed |
Photography and Writing, or the Intimacy of the Image |
| title_sort |
Photography and Writing, or the Intimacy of the Image |
| author |
Duarte, Miguel Mesquita |
| author_facet |
Duarte, Miguel Mesquita |
| author_role |
author |
| dc.contributor.none.fl_str_mv |
Instituto de História da Arte (IHA) RUN |
| dc.contributor.author.fl_str_mv |
Duarte, Miguel Mesquita |
| dc.subject.por.fl_str_mv |
Cultural Studies Communication Visual Arts and Performing Arts |
| topic |
Cultural Studies Communication Visual Arts and Performing Arts |
| description |
UID/PAM/00417/2019 |
| publishDate |
2019 |
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2019-09-02 2019-09-02T00:00:00Z 2022-02-11T01:30:35Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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publishedVersion |
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http://hdl.handle.net/10362/96648 |
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http://hdl.handle.net/10362/96648 |
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eng |
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eng |
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1754-0763 PURE: 16707554 https://doi.org/10.1080/17540763.2019.1627392 |
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info:eu-repo/semantics/openAccess |
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19 application/pdf |
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