Black women’s oppositional gaze making images
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2020 |
| Outros Autores: | |
| Tipo de documento: | Artigo |
| Idioma: | eng |
| Título da fonte: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
| Texto Completo: | https://doi.org/10.21814/vista.3061 |
Resumo: | In this article, we consider the audio-visual production carried out by black women in Brazil since the second decade of the 21st century. Our objective is to propose a reflection, adopting an intersectional approach, on how an oppositional gaze creates images that break with racist stereotypes and challenge whiteness (hooks, 1992). We argue that the production of black women in Brazil questions the reproduction of institutional racism and digs deeper into the issue of colonial past. They create a narrative dispute that the oppositional feminine gaze imposes on the film industry. |
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Black women’s oppositional gaze making imagesArtigosIn this article, we consider the audio-visual production carried out by black women in Brazil since the second decade of the 21st century. Our objective is to propose a reflection, adopting an intersectional approach, on how an oppositional gaze creates images that break with racist stereotypes and challenge whiteness (hooks, 1992). We argue that the production of black women in Brazil questions the reproduction of institutional racism and digs deeper into the issue of colonial past. They create a narrative dispute that the oppositional feminine gaze imposes on the film industry.Considerando a produção audiovisual realizada por mulheres negras no Brasil depois da segunda década do século XX, propomos pensar, através de um viés interseccional, como um olhar opositivo (hooks, 1992) criador de imagens rompe com estereótipos racistas e interpela a branquitude. Argumentamos que a produção de mulheres negras no Brasil, interpela, através da disputa narrativa que o olhar opositivo feminino opera no campo do cinema, a reprodução do racismo institucional e aprofunda a questão do legado colonial.Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho2020-06-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.21814/vista.3061eng2184-1284Sales, MichelleMuniz, Brunoinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-10-24T22:46:31Zoai:journals.uminho.pt:article/3061Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T19:00:58.371057Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
| dc.title.none.fl_str_mv |
Black women’s oppositional gaze making images |
| title |
Black women’s oppositional gaze making images |
| spellingShingle |
Black women’s oppositional gaze making images Sales, Michelle Artigos |
| title_short |
Black women’s oppositional gaze making images |
| title_full |
Black women’s oppositional gaze making images |
| title_fullStr |
Black women’s oppositional gaze making images |
| title_full_unstemmed |
Black women’s oppositional gaze making images |
| title_sort |
Black women’s oppositional gaze making images |
| author |
Sales, Michelle |
| author_facet |
Sales, Michelle Muniz, Bruno |
| author_role |
author |
| author2 |
Muniz, Bruno |
| author2_role |
author |
| dc.contributor.author.fl_str_mv |
Sales, Michelle Muniz, Bruno |
| dc.subject.por.fl_str_mv |
Artigos |
| topic |
Artigos |
| description |
In this article, we consider the audio-visual production carried out by black women in Brazil since the second decade of the 21st century. Our objective is to propose a reflection, adopting an intersectional approach, on how an oppositional gaze creates images that break with racist stereotypes and challenge whiteness (hooks, 1992). We argue that the production of black women in Brazil questions the reproduction of institutional racism and digs deeper into the issue of colonial past. They create a narrative dispute that the oppositional feminine gaze imposes on the film industry. |
| publishDate |
2020 |
| dc.date.none.fl_str_mv |
2020-06-30 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://doi.org/10.21814/vista.3061 |
| url |
https://doi.org/10.21814/vista.3061 |
| dc.language.iso.fl_str_mv |
eng |
| language |
eng |
| dc.relation.none.fl_str_mv |
2184-1284 |
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info:eu-repo/semantics/openAccess |
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openAccess |
| dc.publisher.none.fl_str_mv |
Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho |
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Centro de Estudos de Comunicação e Sociedade (CECS) da Universidade do Minho |
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reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia instacron:RCAAP |
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FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
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RCAAP |
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RCAAP |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
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