Systematic music transcription through motion design

Bibliographic Details
Main Author: Nemec, Helena
Publication Date: 2020
Format: Master thesis
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://hdl.handle.net/10400.26/32024
Summary: Our perception is shaped by interaction and interpretation of what our senses register. This leads to overlaps in components that define the stimuli for different senses. It’s especially true for audiovisual forms, where through our life experience we create intuitive connections between characteristics of sound and appearance of its source. This project aims to exploit and systemize the phenomena of synchresis, in order to allow analysis of music in a graphic geometric form, using the audio-visual language for creating emphasis where desirable, or for composing music visually. Other than having created the system, it’s applied through motion design, owing to rhythmic value of music being time-constrained. Based on a long history of exploration in the area of Visual music, physics of sound and film-making theory, it’s undeniable that the relation exists, even if not having a single right solution.
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spelling Systematic music transcription through motion designAudio-visualSynesthesiaTranscriptionMotion graphicsVisual musicGraphic languageOur perception is shaped by interaction and interpretation of what our senses register. This leads to overlaps in components that define the stimuli for different senses. It’s especially true for audiovisual forms, where through our life experience we create intuitive connections between characteristics of sound and appearance of its source. This project aims to exploit and systemize the phenomena of synchresis, in order to allow analysis of music in a graphic geometric form, using the audio-visual language for creating emphasis where desirable, or for composing music visually. Other than having created the system, it’s applied through motion design, owing to rhythmic value of music being time-constrained. Based on a long history of exploration in the area of Visual music, physics of sound and film-making theory, it’s undeniable that the relation exists, even if not having a single right solution.Repositório ComumNemec, Helena2020-04-20T14:29:23Z2020-02-132020-04-202020-02-13T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.26/32024urn:tid:202442365enginfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-04-03T17:06:10Zoai:comum.rcaap.pt:10400.26/32024Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T06:13:55.678738Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Systematic music transcription through motion design
title Systematic music transcription through motion design
spellingShingle Systematic music transcription through motion design
Nemec, Helena
Audio-visual
Synesthesia
Transcription
Motion graphics
Visual music
Graphic language
title_short Systematic music transcription through motion design
title_full Systematic music transcription through motion design
title_fullStr Systematic music transcription through motion design
title_full_unstemmed Systematic music transcription through motion design
title_sort Systematic music transcription through motion design
author Nemec, Helena
author_facet Nemec, Helena
author_role author
dc.contributor.none.fl_str_mv Repositório Comum
dc.contributor.author.fl_str_mv Nemec, Helena
dc.subject.por.fl_str_mv Audio-visual
Synesthesia
Transcription
Motion graphics
Visual music
Graphic language
topic Audio-visual
Synesthesia
Transcription
Motion graphics
Visual music
Graphic language
description Our perception is shaped by interaction and interpretation of what our senses register. This leads to overlaps in components that define the stimuli for different senses. It’s especially true for audiovisual forms, where through our life experience we create intuitive connections between characteristics of sound and appearance of its source. This project aims to exploit and systemize the phenomena of synchresis, in order to allow analysis of music in a graphic geometric form, using the audio-visual language for creating emphasis where desirable, or for composing music visually. Other than having created the system, it’s applied through motion design, owing to rhythmic value of music being time-constrained. Based on a long history of exploration in the area of Visual music, physics of sound and film-making theory, it’s undeniable that the relation exists, even if not having a single right solution.
publishDate 2020
dc.date.none.fl_str_mv 2020-04-20T14:29:23Z
2020-02-13
2020-04-20
2020-02-13T00:00:00Z
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