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A percepção do belo e a proporção divina

Bibliographic Details
Main Author: Marília Gerhardt de Oliveira
Publication Date: 2007
Other Authors: Rosilene Bertollo, Daniel Pozza, Leonilson Gaião, Lívia Soares
Format: Article
Language: por
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://hdl.handle.net/10216/25753
Summary: The aesthetic knowledge concerning the face one is widely important for the professionals of the Dentistry area and, moreover, it is of interest of the people of a general form. It has a trend, while professional, of if imposing the aesthetic values when really can be to observe the values of the proper individual. Many are the studies that present, of clear form, the differences between the individuals, as patient or people independent, how to its preferences, if compared with the ideas of beauty of the professionals of different areas. Being thus, objective in this chapter to integrate the reader to the presentation of the aesthetic one, not only in the scientific aspect, as measurable and quantitative object, as also in the artistic and social aspect. How to the beauty, the perception that if has of the things in day-by-day is basically utilitarian and conceptual. It has a bigger trend in if to perceive the things by means of the concepts proceeding from the language of the one that really eat is capable to sensitize our directions. However, it fits to remember that the language classifies and appraises the feelings, but is extremely impotent to describe them. It must always be had in mind that is in the sensible one - and not in the conceptual one, in the intellectual - that inhabits the being of the aesthetic object.
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spelling A percepção do belo e a proporção divinaCiências da Saúde, Outras ciências médicasHealth sciences, Other medical sciencesThe aesthetic knowledge concerning the face one is widely important for the professionals of the Dentistry area and, moreover, it is of interest of the people of a general form. It has a trend, while professional, of if imposing the aesthetic values when really can be to observe the values of the proper individual. Many are the studies that present, of clear form, the differences between the individuals, as patient or people independent, how to its preferences, if compared with the ideas of beauty of the professionals of different areas. Being thus, objective in this chapter to integrate the reader to the presentation of the aesthetic one, not only in the scientific aspect, as measurable and quantitative object, as also in the artistic and social aspect. How to the beauty, the perception that if has of the things in day-by-day is basically utilitarian and conceptual. It has a bigger trend in if to perceive the things by means of the concepts proceeding from the language of the one that really eat is capable to sensitize our directions. However, it fits to remember that the language classifies and appraises the feelings, but is extremely impotent to describe them. It must always be had in mind that is in the sensible one - and not in the conceptual one, in the intellectual - that inhabits the being of the aesthetic object.20072007-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/25753por1519-681XMarília Gerhardt de OliveiraRosilene BertolloDaniel PozzaLeonilson GaiãoLívia Soaresinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-02-27T20:19:00Zoai:repositorio-aberto.up.pt:10216/25753Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T00:01:47.441132Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv A percepção do belo e a proporção divina
title A percepção do belo e a proporção divina
spellingShingle A percepção do belo e a proporção divina
Marília Gerhardt de Oliveira
Ciências da Saúde, Outras ciências médicas
Health sciences, Other medical sciences
title_short A percepção do belo e a proporção divina
title_full A percepção do belo e a proporção divina
title_fullStr A percepção do belo e a proporção divina
title_full_unstemmed A percepção do belo e a proporção divina
title_sort A percepção do belo e a proporção divina
author Marília Gerhardt de Oliveira
author_facet Marília Gerhardt de Oliveira
Rosilene Bertollo
Daniel Pozza
Leonilson Gaião
Lívia Soares
author_role author
author2 Rosilene Bertollo
Daniel Pozza
Leonilson Gaião
Lívia Soares
author2_role author
author
author
author
dc.contributor.author.fl_str_mv Marília Gerhardt de Oliveira
Rosilene Bertollo
Daniel Pozza
Leonilson Gaião
Lívia Soares
dc.subject.por.fl_str_mv Ciências da Saúde, Outras ciências médicas
Health sciences, Other medical sciences
topic Ciências da Saúde, Outras ciências médicas
Health sciences, Other medical sciences
description The aesthetic knowledge concerning the face one is widely important for the professionals of the Dentistry area and, moreover, it is of interest of the people of a general form. It has a trend, while professional, of if imposing the aesthetic values when really can be to observe the values of the proper individual. Many are the studies that present, of clear form, the differences between the individuals, as patient or people independent, how to its preferences, if compared with the ideas of beauty of the professionals of different areas. Being thus, objective in this chapter to integrate the reader to the presentation of the aesthetic one, not only in the scientific aspect, as measurable and quantitative object, as also in the artistic and social aspect. How to the beauty, the perception that if has of the things in day-by-day is basically utilitarian and conceptual. It has a bigger trend in if to perceive the things by means of the concepts proceeding from the language of the one that really eat is capable to sensitize our directions. However, it fits to remember that the language classifies and appraises the feelings, but is extremely impotent to describe them. It must always be had in mind that is in the sensible one - and not in the conceptual one, in the intellectual - that inhabits the being of the aesthetic object.
publishDate 2007
dc.date.none.fl_str_mv 2007
2007-01-01T00:00:00Z
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dc.relation.none.fl_str_mv 1519-681X
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