Fotografar sem disparar

Bibliographic Details
Main Author: Martins, Susana S.
Publication Date: 2016
Format: Article
Language: por
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://hdl.handle.net/10362/91563
Summary: UID/PAM/00417/2013 SFRH/BPD/79102/2011 PTDC/CPCHAT/4533/2014
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spelling Fotografar sem dispararPhotographing without shootingThe survival of artistic appropriation in the digital ageA sobrevivência da apropriação artística na era do digitalContemporary artDigital revolutionJoachim SchmidPhotographic appropriationCommunicationVisual Arts and Performing ArtsUID/PAM/00417/2013 SFRH/BPD/79102/2011 PTDC/CPCHAT/4533/2014This article investigates the ways in which postmodern artistic appropriation resisted the digital revolution and its impact on the (im)materiality of photographic objects. Drawing on the analysis of the particular production and reception processes in the work of the artist Joachim Schmid, this text investigates how art has adapted itself to the new technological landscapes in a paradoxical world, where people are shooting more than ever, while traditional photographic objects are on the verge of disappearance.Instituto de História da Arte (IHA)RUNMartins, Susana S.2020-01-21T23:39:31Z2016-01-012016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article25application/pdfhttp://hdl.handle.net/10362/91563por1808-5652PURE: 16353778https://doi.org/10.5433/1984-7939.2016v12n20p121info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-05-22T17:43:01Zoai:run.unl.pt:10362/91563Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T17:14:30.027992Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Fotografar sem disparar
Photographing without shootingThe survival of artistic appropriation in the digital age
A sobrevivência da apropriação artística na era do digital
title Fotografar sem disparar
spellingShingle Fotografar sem disparar
Martins, Susana S.
Contemporary art
Digital revolution
Joachim Schmid
Photographic appropriation
Communication
Visual Arts and Performing Arts
title_short Fotografar sem disparar
title_full Fotografar sem disparar
title_fullStr Fotografar sem disparar
title_full_unstemmed Fotografar sem disparar
title_sort Fotografar sem disparar
author Martins, Susana S.
author_facet Martins, Susana S.
author_role author
dc.contributor.none.fl_str_mv Instituto de História da Arte (IHA)
RUN
dc.contributor.author.fl_str_mv Martins, Susana S.
dc.subject.por.fl_str_mv Contemporary art
Digital revolution
Joachim Schmid
Photographic appropriation
Communication
Visual Arts and Performing Arts
topic Contemporary art
Digital revolution
Joachim Schmid
Photographic appropriation
Communication
Visual Arts and Performing Arts
description UID/PAM/00417/2013 SFRH/BPD/79102/2011 PTDC/CPCHAT/4533/2014
publishDate 2016
dc.date.none.fl_str_mv 2016-01-01
2016-01-01T00:00:00Z
2020-01-21T23:39:31Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/91563
url http://hdl.handle.net/10362/91563
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv 1808-5652
PURE: 16353778
https://doi.org/10.5433/1984-7939.2016v12n20p121
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 25
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