Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat
Main Author: | |
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Publication Date: | 2022 |
Language: | eng |
Source: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
Download full: | http://hdl.handle.net/10400.19/8522 |
Summary: | This paper employs Paul B. Preciado’s concept of pornotopia, along with Theresa Tensuan’s critical approach to comics, to analyze the representation of the characters Magda, Deus and Garota Silat, created by the comics artist Rafael Campos Rocha. The investigation also employs the perspective of Marlucy Paraíso, in which the three characters are protagonists in cultural texts oriented to leisure and entertainment. Based on the content analysis methodology outlined by Bardin, pornotopias are posited as models of masculinity invented for the production and consumption of pleasure by way of their presence in comics simultaneously reproductive and critical of that very masculinity. In this view, the representation of the female body reproduces Preciado’s theatricalized fiction of sexuality and, at the same time, challenges this fiction through presenting discourses that interface with discourses of decoloniality, questioning hegemonic patriarchal symbolic structures. In this sense, the characters confirm Tensuan’s reading of the comics, offering a vision of performative practices, family rituals and cultural conventions that articulate individual and collective differences in the context in which they are inserted, the context of a Brazil permeated by complex disputes over the culturally constructed concept of gender. |
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Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota SilatComicsDecolonialityEntertainmentLeisurePornotopiaThis paper employs Paul B. Preciado’s concept of pornotopia, along with Theresa Tensuan’s critical approach to comics, to analyze the representation of the characters Magda, Deus and Garota Silat, created by the comics artist Rafael Campos Rocha. The investigation also employs the perspective of Marlucy Paraíso, in which the three characters are protagonists in cultural texts oriented to leisure and entertainment. Based on the content analysis methodology outlined by Bardin, pornotopias are posited as models of masculinity invented for the production and consumption of pleasure by way of their presence in comics simultaneously reproductive and critical of that very masculinity. In this view, the representation of the female body reproduces Preciado’s theatricalized fiction of sexuality and, at the same time, challenges this fiction through presenting discourses that interface with discourses of decoloniality, questioning hegemonic patriarchal symbolic structures. In this sense, the characters confirm Tensuan’s reading of the comics, offering a vision of performative practices, family rituals and cultural conventions that articulate individual and collective differences in the context in which they are inserted, the context of a Brazil permeated by complex disputes over the culturally constructed concept of gender.Grácio EditorMaria Manuel BaptistaRui Alexandre GrácioRenata Castelo Branco AraújoThaís AzevedoFrancisco Welligton Barbosa JrInstituto Politécnico de ViseuF. Miranda Jr, Edmilson2024-09-10T09:11:44Z2022-11-232024-03-08T11:23:20Z2022-11-23T00:00:00Zbook partinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/10400.19/8522eng978-989-53846-9-3info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-03-06T13:58:09Zoai:repositorio.ipv.pt:10400.19/8522Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T00:11:19.351464Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
dc.title.none.fl_str_mv |
Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat |
title |
Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat |
spellingShingle |
Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat F. Miranda Jr, Edmilson Comics Decoloniality Entertainment Leisure Pornotopia |
title_short |
Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat |
title_full |
Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat |
title_fullStr |
Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat |
title_full_unstemmed |
Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat |
title_sort |
Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat |
author |
F. Miranda Jr, Edmilson |
author_facet |
F. Miranda Jr, Edmilson |
author_role |
author |
dc.contributor.none.fl_str_mv |
Maria Manuel Baptista Rui Alexandre Grácio Renata Castelo Branco Araújo Thaís Azevedo Francisco Welligton Barbosa Jr Instituto Politécnico de Viseu |
dc.contributor.author.fl_str_mv |
F. Miranda Jr, Edmilson |
dc.subject.por.fl_str_mv |
Comics Decoloniality Entertainment Leisure Pornotopia |
topic |
Comics Decoloniality Entertainment Leisure Pornotopia |
description |
This paper employs Paul B. Preciado’s concept of pornotopia, along with Theresa Tensuan’s critical approach to comics, to analyze the representation of the characters Magda, Deus and Garota Silat, created by the comics artist Rafael Campos Rocha. The investigation also employs the perspective of Marlucy Paraíso, in which the three characters are protagonists in cultural texts oriented to leisure and entertainment. Based on the content analysis methodology outlined by Bardin, pornotopias are posited as models of masculinity invented for the production and consumption of pleasure by way of their presence in comics simultaneously reproductive and critical of that very masculinity. In this view, the representation of the female body reproduces Preciado’s theatricalized fiction of sexuality and, at the same time, challenges this fiction through presenting discourses that interface with discourses of decoloniality, questioning hegemonic patriarchal symbolic structures. In this sense, the characters confirm Tensuan’s reading of the comics, offering a vision of performative practices, family rituals and cultural conventions that articulate individual and collective differences in the context in which they are inserted, the context of a Brazil permeated by complex disputes over the culturally constructed concept of gender. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-23 2022-11-23T00:00:00Z 2024-09-10T09:11:44Z 2024-03-08T11:23:20Z |
dc.type.driver.fl_str_mv |
book part |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.19/8522 |
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http://hdl.handle.net/10400.19/8522 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
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978-989-53846-9-3 |
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openAccess |
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application/pdf |
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Grácio Editor |
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Grácio Editor |
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