Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat

Bibliographic Details
Main Author: F. Miranda Jr, Edmilson
Publication Date: 2022
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://hdl.handle.net/10400.19/8522
Summary: This paper employs Paul B. Preciado’s concept of pornotopia, along with Theresa Tensuan’s critical approach to comics, to analyze the representation of the characters Magda, Deus and Garota Silat, created by the comics artist Rafael Campos Rocha. The investigation also employs the perspective of Marlucy Paraíso, in which the three characters are protagonists in cultural texts oriented to leisure and entertainment. Based on the content analysis methodology outlined by Bardin, pornotopias are posited as models of masculinity invented for the production and consumption of pleasure by way of their presence in comics simultaneously reproductive and critical of that very masculinity. In this view, the representation of the female body reproduces Preciado’s theatricalized fiction of sexuality and, at the same time, challenges this fiction through presenting discourses that interface with discourses of decoloniality, questioning hegemonic patriarchal symbolic structures. In this sense, the characters confirm Tensuan’s reading of the comics, offering a vision of performative practices, family rituals and cultural conventions that articulate individual and collective differences in the context in which they are inserted, the context of a Brazil permeated by complex disputes over the culturally constructed concept of gender.
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spelling Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota SilatComicsDecolonialityEntertainmentLeisurePornotopiaThis paper employs Paul B. Preciado’s concept of pornotopia, along with Theresa Tensuan’s critical approach to comics, to analyze the representation of the characters Magda, Deus and Garota Silat, created by the comics artist Rafael Campos Rocha. The investigation also employs the perspective of Marlucy Paraíso, in which the three characters are protagonists in cultural texts oriented to leisure and entertainment. Based on the content analysis methodology outlined by Bardin, pornotopias are posited as models of masculinity invented for the production and consumption of pleasure by way of their presence in comics simultaneously reproductive and critical of that very masculinity. In this view, the representation of the female body reproduces Preciado’s theatricalized fiction of sexuality and, at the same time, challenges this fiction through presenting discourses that interface with discourses of decoloniality, questioning hegemonic patriarchal symbolic structures. In this sense, the characters confirm Tensuan’s reading of the comics, offering a vision of performative practices, family rituals and cultural conventions that articulate individual and collective differences in the context in which they are inserted, the context of a Brazil permeated by complex disputes over the culturally constructed concept of gender.Grácio EditorMaria Manuel BaptistaRui Alexandre GrácioRenata Castelo Branco AraújoThaís AzevedoFrancisco Welligton Barbosa JrInstituto Politécnico de ViseuF. Miranda Jr, Edmilson2024-09-10T09:11:44Z2022-11-232024-03-08T11:23:20Z2022-11-23T00:00:00Zbook partinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/10400.19/8522eng978-989-53846-9-3info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-03-06T13:58:09Zoai:repositorio.ipv.pt:10400.19/8522Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T00:11:19.351464Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat
title Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat
spellingShingle Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat
F. Miranda Jr, Edmilson
Comics
Decoloniality
Entertainment
Leisure
Pornotopia
title_short Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat
title_full Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat
title_fullStr Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat
title_full_unstemmed Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat
title_sort Comic pornotopia: the theatricalized fiction of sexuality in Magda, Deus aos domingos and garota Silat
author F. Miranda Jr, Edmilson
author_facet F. Miranda Jr, Edmilson
author_role author
dc.contributor.none.fl_str_mv Maria Manuel Baptista
Rui Alexandre Grácio
Renata Castelo Branco Araújo
Thaís Azevedo
Francisco Welligton Barbosa Jr
Instituto Politécnico de Viseu
dc.contributor.author.fl_str_mv F. Miranda Jr, Edmilson
dc.subject.por.fl_str_mv Comics
Decoloniality
Entertainment
Leisure
Pornotopia
topic Comics
Decoloniality
Entertainment
Leisure
Pornotopia
description This paper employs Paul B. Preciado’s concept of pornotopia, along with Theresa Tensuan’s critical approach to comics, to analyze the representation of the characters Magda, Deus and Garota Silat, created by the comics artist Rafael Campos Rocha. The investigation also employs the perspective of Marlucy Paraíso, in which the three characters are protagonists in cultural texts oriented to leisure and entertainment. Based on the content analysis methodology outlined by Bardin, pornotopias are posited as models of masculinity invented for the production and consumption of pleasure by way of their presence in comics simultaneously reproductive and critical of that very masculinity. In this view, the representation of the female body reproduces Preciado’s theatricalized fiction of sexuality and, at the same time, challenges this fiction through presenting discourses that interface with discourses of decoloniality, questioning hegemonic patriarchal symbolic structures. In this sense, the characters confirm Tensuan’s reading of the comics, offering a vision of performative practices, family rituals and cultural conventions that articulate individual and collective differences in the context in which they are inserted, the context of a Brazil permeated by complex disputes over the culturally constructed concept of gender.
publishDate 2022
dc.date.none.fl_str_mv 2022-11-23
2022-11-23T00:00:00Z
2024-09-10T09:11:44Z
2024-03-08T11:23:20Z
dc.type.driver.fl_str_mv book part
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status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.19/8522
url http://hdl.handle.net/10400.19/8522
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 978-989-53846-9-3
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instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
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