The eclipse of a plural musician: The career of António Augusto Urceira

Bibliographic Details
Main Author: Rodrigues Prada Soares, Teresinha
Publication Date: 2023
Format: Article
Language: por
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://doi.org/10.21814/diacritica.4701
Summary: The text presents the results of research on the Lisbon musician António Augusto Urceira, in relation to his biographical data and his musical career. As regards his artistic career, interpretation of the data showed plurality to be the best way of describing his activity, which is set out in chronological order – from the end of the Monarchy to the arrival of the Republic, and ending in the Estado Novo. By way of conclusion, we come to recognise that his work with the classical guitar was the best documented and, through an analysis, we perceive how innovative the repertoires that he chose and his performance were for the first half of the 20th century.
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spelling The eclipse of a plural musician: The career of António Augusto UrceiraO eclipse de um músico plural: trajetória de António Augusto UrceiraPortuguese musiciansPerformanceClassical guitarMúsicos portuguesesPerformanceGuitarra clássicaThe text presents the results of research on the Lisbon musician António Augusto Urceira, in relation to his biographical data and his musical career. As regards his artistic career, interpretation of the data showed plurality to be the best way of describing his activity, which is set out in chronological order – from the end of the Monarchy to the arrival of the Republic, and ending in the Estado Novo. By way of conclusion, we come to recognise that his work with the classical guitar was the best documented and, through an analysis, we perceive how innovative the repertoires that he chose and his performance were for the first half of the 20th century.O texto apresenta resultados de uma investigação sobre o músico lisbonense António Augusto Urceira, no que diz respeito aos seus dados biográficos e de sua trajetória musical. Ao ocupar-se de sua carreira artística, a interpretação de dados revelou que a pluralidade é a melhor maneira de descrever sua atividade, apresentada em ordem cronológica – do final da Monarquia, à chegada da República e finda no Estado Novo. Como desfecho, reconhecemos que seu trabalho com a guitarra clássica foi a ação mais bem registada e, através da análise, percebemos o quanto os repertórios que escolheu e sua performance foram inovadores para a primeira metade do século XX.CEHUM2023-10-24info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.21814/diacritica.4701https://doi.org/10.21814/diacritica.4701Diacrítica; Vol. 37 N.º 1 (2023); 154-176Diacrítica; Vol. 37 No. 1 (2023); 154-1762183-91740870-896710.21814/diacritica.37.1reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPporhttps://revistas.uminho.pt/index.php/diacritica/article/view/4701https://revistas.uminho.pt/index.php/diacritica/article/view/4701/5945Direitos de Autor (c) 2023 Teresinha Rodrigues Prada Soaresinfo:eu-repo/semantics/openAccessRodrigues Prada Soares, Teresinha2025-03-07T07:46:30Zoai:journals.uminho.pt:article/4701Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T19:01:29.751211Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv The eclipse of a plural musician: The career of António Augusto Urceira
O eclipse de um músico plural: trajetória de António Augusto Urceira
title The eclipse of a plural musician: The career of António Augusto Urceira
spellingShingle The eclipse of a plural musician: The career of António Augusto Urceira
Rodrigues Prada Soares, Teresinha
Portuguese musicians
Performance
Classical guitar
Músicos portugueses
Performance
Guitarra clássica
title_short The eclipse of a plural musician: The career of António Augusto Urceira
title_full The eclipse of a plural musician: The career of António Augusto Urceira
title_fullStr The eclipse of a plural musician: The career of António Augusto Urceira
title_full_unstemmed The eclipse of a plural musician: The career of António Augusto Urceira
title_sort The eclipse of a plural musician: The career of António Augusto Urceira
author Rodrigues Prada Soares, Teresinha
author_facet Rodrigues Prada Soares, Teresinha
author_role author
dc.contributor.author.fl_str_mv Rodrigues Prada Soares, Teresinha
dc.subject.por.fl_str_mv Portuguese musicians
Performance
Classical guitar
Músicos portugueses
Performance
Guitarra clássica
topic Portuguese musicians
Performance
Classical guitar
Músicos portugueses
Performance
Guitarra clássica
description The text presents the results of research on the Lisbon musician António Augusto Urceira, in relation to his biographical data and his musical career. As regards his artistic career, interpretation of the data showed plurality to be the best way of describing his activity, which is set out in chronological order – from the end of the Monarchy to the arrival of the Republic, and ending in the Estado Novo. By way of conclusion, we come to recognise that his work with the classical guitar was the best documented and, through an analysis, we perceive how innovative the repertoires that he chose and his performance were for the first half of the 20th century.
publishDate 2023
dc.date.none.fl_str_mv 2023-10-24
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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url https://doi.org/10.21814/diacritica.4701
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.uminho.pt/index.php/diacritica/article/view/4701
https://revistas.uminho.pt/index.php/diacritica/article/view/4701/5945
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 Teresinha Rodrigues Prada Soares
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2023 Teresinha Rodrigues Prada Soares
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv CEHUM
publisher.none.fl_str_mv CEHUM
dc.source.none.fl_str_mv Diacrítica; Vol. 37 N.º 1 (2023); 154-176
Diacrítica; Vol. 37 No. 1 (2023); 154-176
2183-9174
0870-8967
10.21814/diacritica.37.1
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