“Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” object

Bibliographic Details
Main Author: Gentil-Homem, Pedro
Publication Date: 2023
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://doi.org/10.53681/c1514225187514391s.30.126
Summary: Very specific areas of design engage all efforts to give an everyday life environment to the artificial ambience on board an airplane. The choreographed reception (and farewell) by the crew at the cabin door, or the ambience that surround us during flight are examples of that humanization applied to a culturally artificial and aseptic space. The meal is one of those instances that, besides satisfying the need for food, accomplish simultaneously a comforting moment and a disciplinary function. The service choreography and the objects that surround its stages are covered with unique technical, functional and symbolic values that differentiate them from regular meals at ground level. We paid a visit to the on-board environment of Portuguese airplanes during the incipient 40’s and 50’s until a more open and mature design attitude during the 80´s.
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spelling “Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” objectChá, Café ou Laranjada? Um contributo para a crítica de objectos especificamente “aéreos”.Chá, Café ou Laranjada? Um contributo para a crítica de objectos especificamente “aéreos”.Design HistoryDesign CriticismDesign CultureDesignAviationHistória do DesignCrítica do DesignCultura do DesignDesignAviaçãoVery specific areas of design engage all efforts to give an everyday life environment to the artificial ambience on board an airplane. The choreographed reception (and farewell) by the crew at the cabin door, or the ambience that surround us during flight are examples of that humanization applied to a culturally artificial and aseptic space. The meal is one of those instances that, besides satisfying the need for food, accomplish simultaneously a comforting moment and a disciplinary function. The service choreography and the objects that surround its stages are covered with unique technical, functional and symbolic values that differentiate them from regular meals at ground level. We paid a visit to the on-board environment of Portuguese airplanes during the incipient 40’s and 50’s until a more open and mature design attitude during the 80´s.Diversas áreas específicas do design tentam superar a artificialidade da vida a bordo de um avião, mimetizando facetas do quotidiano ao nível do solo. A recepção (e despedida) dos passageiros, coreografada à porta da cabina, ou os objectos que a povoam são exemplos dessa tentativa de humanização de um espaço culturalmente impessoal e asséptico. A refeição é um dos momentos que ultrapassa a mera necessidade alimentar constituindo um momento simultaneamente lúdico e disciplinador. O serviço e os objectos que dela fazem parte revestem-se de características técnicas, funcionais e simbólicas que permitem diferencia-los. Observamos como esta encenação passou de uma realidade fechada e incipiente no decurso das décadas de quarenta e cinquenta para uma maturidade discursiva do design português na década de oitenta.Diversas áreas específicas do design tentam superar a artificialidade da vida a bordo de um avião, mimetizando facetas do quotidiano ao nível do solo. A recepção (e despedida) dos passageiros, coreografada à porta da cabina, ou os objectos que a povoam são exemplos dessa tentativa de humanização de um espaço culturalmente impessoal e asséptico. A refeição é um dos momentos que ultrapassa a mera necessidade alimentar constituindo um momento simultaneamente lúdico e disciplinador. O serviço e os objectos que dela fazem parte revestem-se de características técnicas, funcionais e simbólicas que permitem diferencia-los. Observamos como esta encenação passou de uma realidade fechada e incipiente no decurso das décadas de quarenta e cinquenta para uma maturidade discursiva do design português na década de oitenta.Edições IPCB (IPCB Publishing) / Instituto Politécnico de Castelo Branco (Polytechnic University of Castelo Branco), Portugal2023-05-04info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.53681/c1514225187514391s.30.126https://doi.org/10.53681/c1514225187514391s.30.126Convergences - Journal of Research and Arts Education; Vol. 15 No. 30 (2022); 77-88Convergencias - Revista de Investigación y Enseñanza de las Artes; Vol. 15 Núm. 30 (2022); 77-88Convergências - Revista de Investigação e Ensino das Artes; Vol. 15 N.º 30 (2022); 77-881646-90542184-018010.53681/c1514225187514391s.30reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAPenghttps://convergencias.ipcb.pt/index.php/convergences/article/view/126https://convergencias.ipcb.pt/index.php/convergences/article/view/126/80Copyright (c) 2022 The authorship of the articles remains with the authors, who grant the exclusive copyright of publication to Convergences – Journal of Research and Arts Educationinfo:eu-repo/semantics/openAccessGentil-Homem, Pedro2025-01-22T08:46:02Zoai:ojs2.journals.opscidia.com:article/126Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T19:40:53.644271Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv “Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” object
Chá, Café ou Laranjada? Um contributo para a crítica de objectos especificamente “aéreos”.
Chá, Café ou Laranjada? Um contributo para a crítica de objectos especificamente “aéreos”.
title “Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” object
spellingShingle “Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” object
Gentil-Homem, Pedro
Design History
Design Criticism
Design Culture
Design
Aviation
História do Design
Crítica do Design
Cultura do Design
Design
Aviação
title_short “Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” object
title_full “Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” object
title_fullStr “Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” object
title_full_unstemmed “Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” object
title_sort “Coffee, Tea or Me?”: A critique contribute to a specific type of “aerial” object
author Gentil-Homem, Pedro
author_facet Gentil-Homem, Pedro
author_role author
dc.contributor.author.fl_str_mv Gentil-Homem, Pedro
dc.subject.por.fl_str_mv Design History
Design Criticism
Design Culture
Design
Aviation
História do Design
Crítica do Design
Cultura do Design
Design
Aviação
topic Design History
Design Criticism
Design Culture
Design
Aviation
História do Design
Crítica do Design
Cultura do Design
Design
Aviação
description Very specific areas of design engage all efforts to give an everyday life environment to the artificial ambience on board an airplane. The choreographed reception (and farewell) by the crew at the cabin door, or the ambience that surround us during flight are examples of that humanization applied to a culturally artificial and aseptic space. The meal is one of those instances that, besides satisfying the need for food, accomplish simultaneously a comforting moment and a disciplinary function. The service choreography and the objects that surround its stages are covered with unique technical, functional and symbolic values that differentiate them from regular meals at ground level. We paid a visit to the on-board environment of Portuguese airplanes during the incipient 40’s and 50’s until a more open and mature design attitude during the 80´s.
publishDate 2023
dc.date.none.fl_str_mv 2023-05-04
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.53681/c1514225187514391s.30.126
https://doi.org/10.53681/c1514225187514391s.30.126
url https://doi.org/10.53681/c1514225187514391s.30.126
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://convergencias.ipcb.pt/index.php/convergences/article/view/126
https://convergencias.ipcb.pt/index.php/convergences/article/view/126/80
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Edições IPCB (IPCB Publishing) / Instituto Politécnico de Castelo Branco (Polytechnic University of Castelo Branco), Portugal
publisher.none.fl_str_mv Edições IPCB (IPCB Publishing) / Instituto Politécnico de Castelo Branco (Polytechnic University of Castelo Branco), Portugal
dc.source.none.fl_str_mv Convergences - Journal of Research and Arts Education; Vol. 15 No. 30 (2022); 77-88
Convergencias - Revista de Investigación y Enseñanza de las Artes; Vol. 15 Núm. 30 (2022); 77-88
Convergências - Revista de Investigação e Ensino das Artes; Vol. 15 N.º 30 (2022); 77-88
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2184-0180
10.53681/c1514225187514391s.30
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instname_str FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
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reponame_str Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
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