UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALS

Bibliographic Details
Main Author: Carvalho, Rui
Publication Date: 2020
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://hdl.handle.net/10400.26/42891
Summary: The specialised consumption of creative tourism experiences and their presence in cultural and creative events and festivals, constitute examples of reflexive tourism consumption. Following the line of research about the specialised consumption of creative tourism experiences and events, this research aims to describe and account for examples where cultural and creative events/festivals represent opportunities for participatory experiences like workshops. The author developed a systematic review using SCOPUS database, to account for creative tourism experiences present at cultural and creative events/festivals. Thirteen documents from 2003 to 2019, were chosen and analysed as they represent the confrontation between cultural and creative events/festivals and creative tourism experiences principles. Findings show that authors don´t always refer directly to creative tourism experiences in the events and festival case studies analysed. Results were organized under two perspectives the in creative tourism literature such "event/festival centred approach" discussed in as the creative city, creative spectacles and cultural and creative capital co-creation. Nonetheless, important creative contributions for the development of creative capital present at cultural and creative events and festivals are highlighted. The recent establishment of creative tourism as a research area and the small number of papers found constitute limitations to the study.
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spelling UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALScreative tourismcreative experiencescultural and creative events/festivalssystematic reviewThe specialised consumption of creative tourism experiences and their presence in cultural and creative events and festivals, constitute examples of reflexive tourism consumption. Following the line of research about the specialised consumption of creative tourism experiences and events, this research aims to describe and account for examples where cultural and creative events/festivals represent opportunities for participatory experiences like workshops. The author developed a systematic review using SCOPUS database, to account for creative tourism experiences present at cultural and creative events/festivals. Thirteen documents from 2003 to 2019, were chosen and analysed as they represent the confrontation between cultural and creative events/festivals and creative tourism experiences principles. Findings show that authors don´t always refer directly to creative tourism experiences in the events and festival case studies analysed. Results were organized under two perspectives the in creative tourism literature such "event/festival centred approach" discussed in as the creative city, creative spectacles and cultural and creative capital co-creation. Nonetheless, important creative contributions for the development of creative capital present at cultural and creative events and festivals are highlighted. The recent establishment of creative tourism as a research area and the small number of papers found constitute limitations to the study.Repositório ComumCarvalho, Rui2022-12-28T15:55:21Z20202020-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.26/42891enginfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-05-05T14:37:41Zoai:comum.rcaap.pt:10400.26/42891Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T07:02:03.087362Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALS
title UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALS
spellingShingle UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALS
Carvalho, Rui
creative tourism
creative experiences
cultural and creative events/festivals
systematic review
title_short UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALS
title_full UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALS
title_fullStr UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALS
title_full_unstemmed UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALS
title_sort UNDERSTANDING THE CREATIVE TOURISM EXPERIENCE IN CULTURAL AND CREATIVE EVENTS/FESTIVALS
author Carvalho, Rui
author_facet Carvalho, Rui
author_role author
dc.contributor.none.fl_str_mv Repositório Comum
dc.contributor.author.fl_str_mv Carvalho, Rui
dc.subject.por.fl_str_mv creative tourism
creative experiences
cultural and creative events/festivals
systematic review
topic creative tourism
creative experiences
cultural and creative events/festivals
systematic review
description The specialised consumption of creative tourism experiences and their presence in cultural and creative events and festivals, constitute examples of reflexive tourism consumption. Following the line of research about the specialised consumption of creative tourism experiences and events, this research aims to describe and account for examples where cultural and creative events/festivals represent opportunities for participatory experiences like workshops. The author developed a systematic review using SCOPUS database, to account for creative tourism experiences present at cultural and creative events/festivals. Thirteen documents from 2003 to 2019, were chosen and analysed as they represent the confrontation between cultural and creative events/festivals and creative tourism experiences principles. Findings show that authors don´t always refer directly to creative tourism experiences in the events and festival case studies analysed. Results were organized under two perspectives the in creative tourism literature such "event/festival centred approach" discussed in as the creative city, creative spectacles and cultural and creative capital co-creation. Nonetheless, important creative contributions for the development of creative capital present at cultural and creative events and festivals are highlighted. The recent establishment of creative tourism as a research area and the small number of papers found constitute limitations to the study.
publishDate 2020
dc.date.none.fl_str_mv 2020
2020-01-01T00:00:00Z
2022-12-28T15:55:21Z
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url http://hdl.handle.net/10400.26/42891
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