Organizational creativity as idea work

Bibliographic Details
Main Author: Håkonsen Coldevin, Grete
Publication Date: 2019
Other Authors: Carlsen, Arne, Clegg, Stewart, Pitsis, Tyrone S., Antonacopoulou, Elena P.
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://doi.org/10.1177/0018726718806349
Summary: How do we understand the nature of organizational creativity when dealing with complex, composite ideas rather than singular ones? In response to this question, we problematize assumptions of the linearity of creative processes and the singularity of ideas in mainstream creativity theory. We draw on the work of Bakhtin and longitudinal research in two contrasting cases: developing hydrocarbon prospects and concepts for films and TV series. From these two cases, we highlight two forms of work on ideas: (i) intertextual placing, whereby focal ideas are constituted by being connected to other elements in a larger idea field; and (ii) legitimating imaginings, where ideas of what to do are linked to ideas of what is worth doing and becoming. This ongoing constitution and legitimating is not confined to particular stages but takes place in practices of generating, connecting, communicating, evaluating and reshaping ideas, which we call idea work. The article contributes to a better understanding of the processual character of creativity and the deeply intertextual nature of ideas, including the multiplicity of idea content and shifting parts–whole relationships. Idea work also serves to explore the neglected role of co-optative power in creativity.
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spelling Organizational creativity as idea workintertextual placing and legitimating imaginings in media development and oil explorationideasintertextualityorganizational creativitypowerprocess theoryArts and Humanities (miscellaneous)Social Sciences(all)Strategy and ManagementManagement of Technology and InnovationHow do we understand the nature of organizational creativity when dealing with complex, composite ideas rather than singular ones? In response to this question, we problematize assumptions of the linearity of creative processes and the singularity of ideas in mainstream creativity theory. We draw on the work of Bakhtin and longitudinal research in two contrasting cases: developing hydrocarbon prospects and concepts for films and TV series. From these two cases, we highlight two forms of work on ideas: (i) intertextual placing, whereby focal ideas are constituted by being connected to other elements in a larger idea field; and (ii) legitimating imaginings, where ideas of what to do are linked to ideas of what is worth doing and becoming. This ongoing constitution and legitimating is not confined to particular stages but takes place in practices of generating, connecting, communicating, evaluating and reshaping ideas, which we call idea work. The article contributes to a better understanding of the processual character of creativity and the deeply intertextual nature of ideas, including the multiplicity of idea content and shifting parts–whole relationships. Idea work also serves to explore the neglected role of co-optative power in creativity.NOVA School of Business and Economics (NOVA SBE)RUNHåkonsen Coldevin, GreteCarlsen, ArneClegg, StewartPitsis, Tyrone S.Antonacopoulou, Elena P.2019-10-16T22:41:09Z2019-08-012019-08-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/octet-streamhttps://doi.org/10.1177/0018726718806349eng0018-7267PURE: 11313695http://www.scopus.com/inward/record.url?scp=85059582112&partnerID=8YFLogxKhttps://doi.org/10.1177/0018726718806349metadata only accessinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-05-22T17:41:43Zoai:run.unl.pt:10362/84521Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T17:12:50.807982Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Organizational creativity as idea work
intertextual placing and legitimating imaginings in media development and oil exploration
title Organizational creativity as idea work
spellingShingle Organizational creativity as idea work
Håkonsen Coldevin, Grete
ideas
intertextuality
organizational creativity
power
process theory
Arts and Humanities (miscellaneous)
Social Sciences(all)
Strategy and Management
Management of Technology and Innovation
title_short Organizational creativity as idea work
title_full Organizational creativity as idea work
title_fullStr Organizational creativity as idea work
title_full_unstemmed Organizational creativity as idea work
title_sort Organizational creativity as idea work
author Håkonsen Coldevin, Grete
author_facet Håkonsen Coldevin, Grete
Carlsen, Arne
Clegg, Stewart
Pitsis, Tyrone S.
Antonacopoulou, Elena P.
author_role author
author2 Carlsen, Arne
Clegg, Stewart
Pitsis, Tyrone S.
Antonacopoulou, Elena P.
author2_role author
author
author
author
dc.contributor.none.fl_str_mv NOVA School of Business and Economics (NOVA SBE)
RUN
dc.contributor.author.fl_str_mv Håkonsen Coldevin, Grete
Carlsen, Arne
Clegg, Stewart
Pitsis, Tyrone S.
Antonacopoulou, Elena P.
dc.subject.por.fl_str_mv ideas
intertextuality
organizational creativity
power
process theory
Arts and Humanities (miscellaneous)
Social Sciences(all)
Strategy and Management
Management of Technology and Innovation
topic ideas
intertextuality
organizational creativity
power
process theory
Arts and Humanities (miscellaneous)
Social Sciences(all)
Strategy and Management
Management of Technology and Innovation
description How do we understand the nature of organizational creativity when dealing with complex, composite ideas rather than singular ones? In response to this question, we problematize assumptions of the linearity of creative processes and the singularity of ideas in mainstream creativity theory. We draw on the work of Bakhtin and longitudinal research in two contrasting cases: developing hydrocarbon prospects and concepts for films and TV series. From these two cases, we highlight two forms of work on ideas: (i) intertextual placing, whereby focal ideas are constituted by being connected to other elements in a larger idea field; and (ii) legitimating imaginings, where ideas of what to do are linked to ideas of what is worth doing and becoming. This ongoing constitution and legitimating is not confined to particular stages but takes place in practices of generating, connecting, communicating, evaluating and reshaping ideas, which we call idea work. The article contributes to a better understanding of the processual character of creativity and the deeply intertextual nature of ideas, including the multiplicity of idea content and shifting parts–whole relationships. Idea work also serves to explore the neglected role of co-optative power in creativity.
publishDate 2019
dc.date.none.fl_str_mv 2019-10-16T22:41:09Z
2019-08-01
2019-08-01T00:00:00Z
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https://doi.org/10.1177/0018726718806349
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