Los Pintores Íntegros
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Idioma: | eng |
Título da fonte: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
Texto Completo: | http://hdl.handle.net/10362/160640 |
Resumo: | UIDB/00417/2020 UIDP/00417/2020 |
id |
RCAP_41366762b8cafb48a104a1eed4e5233f |
---|---|
oai_identifier_str |
oai:run.unl.pt:10362/160640 |
network_acronym_str |
RCAP |
network_name_str |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
repository_id_str |
https://opendoar.ac.uk/repository/7160 |
spelling |
Los Pintores Íntegrosa primitivist rationale for Iberian and transatlantic modernismsPrimitivismCubismRamón Gómez de la SernaDiego RiveraIberian modernismsUIDB/00417/2020 UIDP/00417/2020This chapter discusses the Los Pintores Íntegros exhibition curated by Ramón Gómez de la Serna (1888–1963) in Madrid in 1915. While analysing the exhibition’s significance to the introduction of Cubism in the Spanish capital, this article also discusses how Gómez de la Serna’s rationale contributes in asserting a primitivist bedrock for the show—a topic that has yet to be addressed in the literature. Bearing in mind Patricia Leighten’s insights into how an “anticolonial crisis” can be associated with the praise of African art, and the concurrent pluralisation of the political, historical and aesthetic implications in modernist uses of primitivism arising from this paradigm, I will consider Gómez de la Serna’s thought along with some of the artworks shown in the 1915 exhibition. I will particularly address works exhibited by Diego Rivera (1886–1957) on that occasion. As I hope to demonstrate, the primitivist background of Los Pintores Íntegros paved the way for intertwining the local and the cosmopolitan (1) by calling for the Europeanising of Spain via the presentation of Cubism and the inscription of Madrid in the geography of international avant-garde exhibitions; and (2) by making the values of local folk art and popular culture interchangeable under the umbrella of Cubism, a process that, I will claim, encompassed the Spanishisation of the Cubist repertoire presented by the “íntegros” painters just before Diego Rivera fabricated an alternative primitivist myth of origins, grounded in Mexican ethnicity and culture.Routledge | Taylor & Francis GroupInstituto de História da Arte (IHA)Departamento de História da Arte (DHA)RUNLeal, Joana Cunha2023-11-28T22:08:20Z2023-12-072023-12-07T00:00:00Zbook partinfo:eu-repo/semantics/publishedVersion14application/pdfhttp://hdl.handle.net/10362/160640eng9781032409504PURE: 76904990https://doi.org/10.4324/9781003355519info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-05-22T18:16:15Zoai:run.unl.pt:10362/160640Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T17:46:49.702004Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
dc.title.none.fl_str_mv |
Los Pintores Íntegros a primitivist rationale for Iberian and transatlantic modernisms |
title |
Los Pintores Íntegros |
spellingShingle |
Los Pintores Íntegros Leal, Joana Cunha Primitivism Cubism Ramón Gómez de la Serna Diego Rivera Iberian modernisms |
title_short |
Los Pintores Íntegros |
title_full |
Los Pintores Íntegros |
title_fullStr |
Los Pintores Íntegros |
title_full_unstemmed |
Los Pintores Íntegros |
title_sort |
Los Pintores Íntegros |
author |
Leal, Joana Cunha |
author_facet |
Leal, Joana Cunha |
author_role |
author |
dc.contributor.none.fl_str_mv |
Instituto de História da Arte (IHA) Departamento de História da Arte (DHA) RUN |
dc.contributor.author.fl_str_mv |
Leal, Joana Cunha |
dc.subject.por.fl_str_mv |
Primitivism Cubism Ramón Gómez de la Serna Diego Rivera Iberian modernisms |
topic |
Primitivism Cubism Ramón Gómez de la Serna Diego Rivera Iberian modernisms |
description |
UIDB/00417/2020 UIDP/00417/2020 |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-11-28T22:08:20Z 2023-12-07 2023-12-07T00:00:00Z |
dc.type.driver.fl_str_mv |
book part |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10362/160640 |
url |
http://hdl.handle.net/10362/160640 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
9781032409504 PURE: 76904990 https://doi.org/10.4324/9781003355519 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
14 application/pdf |
dc.publisher.none.fl_str_mv |
Routledge | Taylor & Francis Group |
publisher.none.fl_str_mv |
Routledge | Taylor & Francis Group |
dc.source.none.fl_str_mv |
reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia instacron:RCAAP |
instname_str |
FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
collection |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
repository.name.fl_str_mv |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
repository.mail.fl_str_mv |
info@rcaap.pt |
_version_ |
1833596957713498112 |